The murder of a scientist leads Walter and Olivia to a figure from their past.
Back before I started writing about television, I wrote about music. I didn’t do this in a professional capacity, but did it all the same. Chalk it up to a combination of artistic expression and complete lack of girlfriend. I won’t say that thiswriting was particularly good, but it was about something that mattered to me, and allowed me to get a lot of things off my chest that may have stayed dormant otherwise. Figuring out why “Blood on the Tracks” seemed to be an autobiography I happened not to personally write just seemed like a good way to spend a Wednesday night back then.
High in my CD rotation at the time, and still in high rotation in my iTunes collection, were the albums of Radiohead. I bring this up not because I’m not-so-subtly auditioning for a music column here on HitFix, but because Radiohead was on my mind a lot during tonight’s episode. I couldn’t help but think of the parallels between one of my favorite bands and one of my favorite shows. Both started off fairly prosaically: I think “Creep” fairs far better in hindsight than The Pattern, but neither exactly set the world on fire. By their third album “OK Computer”, Radiohead was operating at peak creative efficiency, as was “Fringe” at the outside of the third season. As of tonight, I wonder if “Fringe” is in its “In Rainbows” phase.
Let me explain.