I guess the werewolves who survived last week’s bloodbath are hiding in the woods, crying for kibble and looking into open dog positions. Or at least that’s what any werewolf who doesn’t have a speaking part in this episode should consider doing, because they’re probably going to last as long as a nameless red shirt on the Star Trek Enterprise. Anyway, that hot lupine couple Jules and Brady aren’t going down without a fight. Well, okay, another fight. They want that moonstone and they want it now!
The werewolves fight back â€“ but theyâ€™re no match for Elijah
Is it time for Steven Tyler, Jennifer Lopez and Randy Jackson to start playing favorites?
We've survived seven episodes of auditions and if we scratch our heads and think really hard, we may even remember a few of the better contestants who shared their sob stories with us.
But now, it's the start of the Hollywood Round, when the scores can really change...
The winning act is revealed â€“ and Paula gets mushy
AAAH! It’s the finals of “Live to Dance”! Someone’s life will be FOREVER CHANGED! Okay, I get it, someone’s going to get some money. And half of it will go to taxes. And once they divide it among everyone in the act (assuming the winner isn’t Kendall Glover, the one solo dancer), then get a new car and a sofa and maybe a nice vacation, that will take care of the rest of it. Especially if the Vibe, the troupe of 38 dancers, wins. They may just want to leave their checks at the studio.
The chefs cook for Jimmy Fallon â€“ but one chef lays it on too thick
I love it when “Top Chef: All Stars” kicks things off by showing that, as much as we hope it’s just one big happy family of chefs on this show, some of the culinary divas kind of quietly hate one another. Case in point: Mike and Antonia. Mike can’t bring himself to congratulate Antonia on winning last week’s challenge with mussels. It’s a French dish! Well, French or not, the judges clearly liked it a whole lot more than Mike’s underdone pasta. Mike, clearly, is a sore, pouty loser. So we get to see Antonia and Mike quietly snipe at one another while Fabio tries to lighten the mood in his distinctly happy, Fabio way. It’s kind of like sitting down at another family’s uncomfortable Thanksgiving dinner or watching “The Real Housewives of Something Or Other.” Except I don’t think those women can cook. They’re too flammable.
After last week's talent-free auditions, could Steven, J-Lo and Randy find a star?
Last week wasn't a very good "American Idol" week, was it? Two episodes, two hours, not a single contestant I remember seven days later. You know who didn't seem to care? America! There's a lesson here and when I figure it out, I'll let y'all know.
Meanwhile, on to Wednesday's (Feb. 9) audition episode from San Francisco, an old reliable "Idol" haunt. Will we see the next Adam Lambert or William Hung?
Valentine's Day brings up mixed emotions, and new complications
Heads (and plenty of eyes) may have rolled in the post-Super Bowl episode of “Glee” that aired a scant forty-eight hours ago. But if the show had really wanted to put its best foot forward, it would done itself far more justice had it aired tonight’s edition, “Silly Love Songs,” instead. Had the football team simply been doing well, Finn’s stock could have risen equally as high, putting the basic premise at work tonight in perfect position to wow the largest set of eyeballs that show will probably ever see. Oh well. No one ever accused “Glee” of doing things the easy way.
Tensions arise when the football team is forced to join New Directions before the championship game
It’s been roughly two months since the last episode of “Glee,” during which time I forgot how to actually watch the show. Sure, I’ve watched plenty of television in the interim. Probably too much, according to my family. But “Glee” breaks the rules of how television is supposed to work, and so coming back into it is now is liking coming from a 3 Doors Down concert and then sitting front row at a jazz fusion festival. Not that “Glee” would ever do jazz fusion: I’m not sure its supposed demographic of seven-year olds would appreciate covers of “Bitches Brew.”
[Full recap of Sunday's (Feb. 6) "Glee" after the break...]
Justin Bieber, Wayne's World, Church Lady and more in a guest-filled episode
For those that continually say that “Saturday Night Live” isn’t as good now as it used to be, well, tonight should prove to be an interesting test case for that theory: “SNL” alum Dana Carvey is back to host tonight. He’s not promoting anything, unless there’s a Criterion Collection “Master of Disguise” DVD being released and I’m not aware of it. Normally I’m against the show simply trotting out the same old characters week after week, but expect a parade of Carvey’s classic characters tonight, plus a potential parade of other alums as well. Should be interesting to say the least, which is more than I can say about tonight’s musical guest, Linkin Park. (They seem more anachronistic that Carvey at this point, to be honest.)
As always, I’ll be grading each sketch as it happens. Onto the show!
The murder of a scientist leads Walter and Olivia to a figure from their past.
Back before I started writing about television, I wrote about music. I didn’t do this in a professional capacity, but did it all the same. Chalk it up to a combination of artistic expression and complete lack of girlfriend. I won’t say that thiswriting was particularly good, but it was about something that mattered to me, and allowed me to get a lot of things off my chest that may have stayed dormant otherwise. Figuring out why “Blood on the Tracks” seemed to be an autobiography I happened not to personally write just seemed like a good way to spend a Wednesday night back then.
High in my CD rotation at the time, and still in high rotation in my iTunes collection, were the albums of Radiohead. I bring this up not because I’m not-so-subtly auditioning for a music column here on HitFix, but because Radiohead was on my mind a lot during tonight’s episode. I couldn’t help but think of the parallels between one of my favorite bands and one of my favorite shows. Both started off fairly prosaically: I think “Creep” fairs far better in hindsight than The Pattern, but neither exactly set the world on fire. By their third album “OK Computer”, Radiohead was operating at peak creative efficiency, as was “Fringe” at the outside of the third season. As of tonight, I wonder if “Fringe” is in its “In Rainbows” phase.
Let me explain.
Wolves and vampires and scares, oh my
Oh boy, it’s werewolf/vampire smackdown time!