Gemma: "Not a lot of grey in this life sweetheart. Extremes become average."
Tara: "I'm not sure I find that comforting."
Gemma: "You're not supposed to."
"Sons of Anarchy" certainly went to extremes this week. From a jaw-dropping bit of stunt casting so ridiculous you had to love it, to a tragic burst of violence too predictable by half, "Orca Shrugged" wasn't lacking in big events. But the problem of making a show that lives on extremes is that those extremes can become average. And while this episode was an improvement over last week, it still wasn't anything special.
"Glee" has pushed all sorts of emotional buttons for me in the past, so why did "The Break-Up" leave me dry-eyed and irritated? Am I grumpy? Heartless? Horrible?
I'm also frustrated by the feeling that we've seen this all before, that it won't mean much in the long run, that the powers that be are only messing with fans who have invested a lot of time in and developed affection for relationships that didn't need to be simultaneously blown apart in an hour long episode of break-up porn.
Sometimes break-ups are necessary, and that hurts. But "The Break-Up" wasn't necessary, it was nonsensical.
After last week's stunning, brutal and divisive installment, it would've been a surprise to see "Sons of Anarchy" deliver a follow-up quite as memorable. But I wasn't expecting an episode that felt so... hollow.
There were two major things that needed to be achieved in "Stolen Huffy": send off Opie in a fitting way and keep the story moving forward. While the hour attempted both, the results were merely OK.