I suppose sooner or later there needed to be a "Sleepy Hollow" episode dealing with Ichabod feeling out of place in the 21st Century, but I'm not sure it needed to be quite as clumsy or underwhelming as "John Doe." Not that the hour was any kind of severe misstep, more like a minor stumble as the still-promising show continues to find its voice and build its narrative foundation.
The thirty-ninth season of “Saturday Night Live” has seen a lot of changes in its cast from the past few seasons, but really not much change in terms of overall quality. You take the good, you take the bad, you take the Drunk Uncle, and there you have the facts of “SNL” in this decade. It doesn’t matter if you throw up a seemingly slam-dunk host like Tina Fey or a potential wild-card like Miley Cyrus: the core elements of the show are what they are, meaning that there’s little in the way that’s going to change until the new writing staff figures out how to work with the new cast in ways that honor the show’s history while forging its future.
Is Jax Teller actually the worst president in SAMCRO history or is he just an unfortunate victim of TV writers trapped in a twisted competition of "Look how far I can go!" absurdities?
Miley Cyrus is the host and musical guest for tonight’s episode of “Saturday Night Live”. And I’m here with a bold prediction: This will be terrible…unless it’s incredible…unless it’s pretty much as tepid as most episodes. Of this, we can be sure!
Everything that happens in this week's "Sons of Anarchy" could've been condensed into a pretty solid hour of TV. So why did "Wolfsangel" have to be yet another unnecessarily bloated 90 minute episode?
Should we judge "Sleepy Hollow" by the monster of the week or the mythology of the week? It's still an open question in these early stages, as the show finds its way and figures out how to strike the right balance.
First of all, welcome back to another season of “Saturday Night Live” recaps! Second of all, sorry about the promotional photo to the left of this paragraph and the nightmares it will undoubtedly inspire. That’s on NBC, not us.
The problem with trying to keep a show like "Sons of Anarchy" interesting after six seasons is that viewers start to feel like they've seen it all before. A crooked cop who's no better than the MC? A mother who'll do anything to get her kid(s) back? A member of the MC facing almost certain death right before the credits roll? We've been down these roads before.
We got a good sense of exactly what kind of wackadoodle show "Sleepy Hollow" aspires to be from last week's surprisingly highly rated pilot, but now comes the real test. Did enough viewers like what they saw to tune in for week two, and will the events of the second episode keep them hooked?