I love Ian Brennan's vision for "Glee."
"Makeover," which "Glee" co-creator Brennan wrote and Eric Stoltz directed, wasn't a Very Special episode like last week's "Britney 2.0." There was no musical icon to celebrate or serious social issue to tackle. There was a special guest star in Sarah Jessica Parker, but Brennan knows how to write to that having previously penned Gwyneth Paltrow's debut episode "The Substitute" and Ricky Martin's "The Spanish Teacher."
More importantly, Brennan knows how to keep "Glee" light on its feet. "Makeover" was both the most relaxed and best episode we've seen so far in Season 4. We're still making progress.
I love Ian Brennan's vision for "Glee."
Kurt Sutter, you clever bastard.
Right when the networks are in the midst of launching and returning their big guns, "Sons of Anarchy" unleashes an episode designed to dominate TV chatter. Whether you loved, hated or were simply heartbroken by "Laying Pipe," it's not an episode you're going to forget. Or stop talking about for weeks to come.
If the amount of times someone says "Did you see 'Sons of Anarchy' last night?! Holy crap!" is one valid way to judge a showrunner's success, Sutter should be feeling pretty damn accomplished tomorrow.
After a sturdy if semi-unremarkable season opener, “Saturday Night Live” returns with its second episode of the year with host Joseph Gordon-Levitt, back for his second time hosting the show. Will the star of “The Dark Knight Rises” and “Looper” reference his “3rd Rock From The Sun” days at some point in tonight’s broadcast? Will former “(500) Days of Summer” co-star Zooey Deschanel appear alongside him onstage to help promote the Tuesday return of “New Girl”? And most importantly: will we see five separate sketches based on the film “Premium Rush”, or only four?
Now, that was better. After last week's lackluster introduction to the multiple new characters on "Glee," it's a relief to get a second episode more focused on old favorites.
The newbies were all still around (even Marley's lunch lady mom had an encore), but "Britney 2.0" worked better as a showcase for Heather Morris, a reminder the writers really should be using Chord Overstreet more, and a tiny glimpse of what might have been if Kurt and Rachel actually got that New York spinoff. Plus, we saw a real Puckerman back in action.
It's finale time for the 14th installment of "Big Brother."
As we begin Wednesday's (September 19) night's finale, I think we can probably all agree that the potential Top 2 scenarios look like this: Ian beats Danielle. Dan beats Danielle. Ian and Dan would be a close vote.
Let's see how things play out with the climactic Head of Household competition and where things go from there...
After last week's incendiary season premiere it's probably for the best that "Sons of Anarchy" reined things in a bit in episode 2. This was a relatively calm installment -- at least by "Sons" standards -- with no torture, no murder, a single car chase that was more exhilarating than ominous, and a major event in the lives of two characters handled with genuine affection.
The very best moment was simply two guys talking shop in the front seat of a pickup. Sure, they happened to be discussing illegal activities, but it was still a friendly and relaxed chat that demonstrated how strong "Sons" can be when it steps back from hyperactive plotting and lets its characters breathe.
Today, “The Voice” announced that Usher and Shakira will be taking the temporary place of CeeLo Green and Christina Aguilera during the show’s next cycle. It’s a smart choice on the show’s part. Whereas the comings and goings of hosts on “American Idol” and “The X Factor” tend to overwhelm the show itself, building a deep roster of judges that can be mixed and matched each cycle seems like a smart way to not only keep the show fresh but also keep the coaches happy. If artists know they can drop in and out depending on their album/tour/celebrity status, wouldn’t they be more willing to sign on? Why buy a chair when you can rent one? With this move, “The Voice” turns into the X-Men of reality singing competitions, able to consistently change its lineup while keeping the core identity intact.
With that in mind, let’s kick off tonight’s running diary. As always, all times are EST. And no, I won’t make X-Men references all night. (Oh wait. I probably will.) As always, if the prepackaged sob story that accompanies a contestant is too dull, I reserve the right to come up with my own instead. Comic book writers re-con stuff all the time. Why can’t I?