Tell us what you thought of 'Life of Pi'
Ang Lee's visionary adaptation hits theaters just in time for the holiday
Suraj Sharma in "Life of Pi"
Are you a fan of In Contention?
Sign up to get the latest updates instantly.
Ang Lee's addition to the season is finally here as "Life of Pi" -- hotly anticipated for years -- hits the multiplex. I was favorable when I saw the film at the 50th annual New York Film Festival, though I took some mechanics issues with it. I still feel that way, though the creamy center has really felt richer and richer the further I've spun away from it. HitFix's own Drew McWeeny, meanwhile, has a completely different take, a disagreement with fundamental elements. But let's see what you have to say. Drop your comments below when you get around to seeing the film, and as always, feel free to rate it above.
2012-2013 OSCAR PREDICTIONS
News From Our Partners
-
James Gandolfini Dead At 51
'Star Wars VII' Cast List Leaks: Who Are The Seven Characters?
'Fifty Shades Of Grey' Locks In Director
-
James Gandolfini: Friends, Family Mourn Acting 'Genius'
James Gandolfini Dead: Actor Dies of Heart Attack at 51
Josh Hutcherson on Kissing Jennifer Lawrence for 'Hunger Games: Catching Fire'
-
The Telefile - TV on DVD: Tuesday, June 18, 2013
The Telefile - Veep: The Episode's Best Insults
The Telefile - The Most Heinous Person on Reality TV This Week
-
Maureen Ryan: All Due Respect: An Appreciation Of James Gandolfini
'Sopranos' Star Dies At 51
What Was On Cher's Head?!
-
'The Newsroom' Season 2 Down to Nine Episodes After Aaron Sorkin "False Start"
'Under the Dome' Sneak Peek Clips: Dean Norris Throws His Weight and the Cows Split
James Gandolfini HBO Drama 'Criminal Justice' in Limbo After Actor's Death
-
What to Watch Tonight: Burn Notice, Graceland, and the Season 1 Finale of Hannibal
What to Watch Tonight: The Season Premieres of Futurama and Franklin & Bash, and Hot in Cleveland's Live Episode
News Briefs: FX Orders a Comedy Starring Kelsey Grammer and Martin Lawrence
-
Can You Guess the Celebrity in This Yearbook Photo?
David Guetta Joins Forces With Glowinthedark + Harrison on 'Ain't a Party'
Hanson Party Celebrate the Release of New Album 'Anthem' in New York [Pics]
-
James Gandolfini: 1961-2013
Total Recall: John Goodman's Best Movies
In Pictures: Zombie Nation!







Comments
Option 1
Comment instantly as a guest GuestOption 2
Option 3
Login or create a HitFix account Login SignupJordan
November 22, 2012 at 2:06AM EST Reply to CommentReally liked it for the most part, but had HUGE problems with the awful framing device and Magee's need to exposit each and every theme to the audience. We're not idiots, people. We can handle a visual metaphor without having to have it bashed over our heads with ponderous dialog. But there are so many gorgeous moments throughout that it's hard not to like much of it. Three stars, but easily could've been four with a better screenplay.
AmericanRequiem
November 22, 2012 at 2:09AM EST Reply to CommentReally disapointed, the framing device was awful and the message pounded over our heads, Im really suprised this one has been seen as such a strong contender, visuals aside
d2
November 22, 2012 at 3:17AM EST Reply to CommentI'm not a religious person whatsoever. I find it ridiculous when people cling to religion as a life preserver (pun partially intended), however...this is a brilliant film. So many shots could easily make Kris' top 10 list. I feared the dialogue going into the film and while not great, the actors' delivery made the film flow nicely. Much better than Avatar by a mile.
The framing device might be criticized, but it wasn't nearly as bad as Saving Private Ryan's unnecessarily sentimental framing device.
Sark09
November 22, 2012 at 3:36AM EST Reply to CommentEasily my favorite film of the year! I cannot fathom why people are having issues with the framing devices. I loved how it was bookended, and I disagree that the screenplay dumbs it down. For one thing, the symbolism is so abstract that no matter how a particular character within the film chooses to explain it, it will still have a different meaning for every viewer. Everyone has his or her own personal outlook on the nature of spirituality (and, in turn, the spirit of nature itself), and everyone will come away with a different interpretation. I thought Suraj Sharma, as a newcomer, was incredibly captivating throughout the film, particularly during his monologue at the end. The cinematography and visual effects should receive some awards attention, and while I'm not a champion of 3D, I thought its use here was quite beautiful. For my money, it's Ang Lee's best film since Crouching Tiger, Hidden Dragon.
Kyle Fuller
November 23, 2012 at 3:09AM EST Reply to CommentFew films feel truly alive, but Life of Pi is one of them. I don't feel as though I watched the film so much as experienced it. The use of 3D was spectacular, so much so that I can't imagine seeing this film in 2D. Even the most simple aspects such as cross-dissolves are heightened through the 3D.
It isn't perfect, but I like that about it. Just like the relationship between Pi and Richard, there are flaws. All night the movie has lingered in the forefront of my mind, and a little lump has been growing in my throat each time I think of certain images, images that I'm sure will remain with me for years, much like other Lee films. Definitely worthy of a best picture nom, and, I find it ASTONISHING that Suraj Sharma isn't in the Best Actor conversation. I won't be shocked if he's this years big surprise nomination. A towering physical and emotional performance, in my opinion.
JLPatt
November 23, 2012 at 5:37PM EST Reply to CommentVery good. It's a movie about storytelling and parable, the power of representation, and as such I think the framing device was kind of imperative. Without it we'd be missing a whole layer of the film. And while not particularly subtle, parables often aren't - the power of this film is its elemental simplicity, I think.
HoustonRufus
November 24, 2012 at 11:50PM EST Reply to CommentSaw it tonight. Overall, I really liked it. I would have preferred the story was told with more subtlety. And I agree that the framing device makes for awkward transitions. But the centerpiece of the story is spectacular to watch and experience. As everyone has said, the visuals are stunning. I wasn't as moved as I thought I'd be, but I suspect the structure of the story kept me at a bit of a distance. I'm not sure how it will rank for me when I consider the year in total. It was certainly one of the more memorable film experiences I've had this year, but I would have liked to have been more emotionally engaged with the central character.