Cannes Film Festival 2013

Roundup: 'Rise of the Guardians' to be rewarded in Rome

Also: Ford on dressing Bond, and 'Looper' for Best Picture

<p>A scene from "Rise of the Guardians." </p>

A scene from "Rise of the Guardians." 

Credit: DreamWorks

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As we were saying the other day, the Best Animated Feature Oscar -- usually sewn up by this time of year -- is still very much up for grabs. Chief among the contenders yet to be unveiled is DreamWorks' "Rise of the Guardians," which I'll probably stop confusing with that Zack Snyder owl movie sometime around 2015. Expectations are high, and the film has just added a small but shiny feather to its cap with the news that it will receive the inaugural Vanity Fair International Award for Cinematic Excellence at the Rome Film Festival next month -- I don't quite know what that means, but it sounds impressive enough. It's also a nice publicity opportunity for the fest itself, which is hosting the film's international premiere. Rome is under the management of former Venice head Marco Mueller, who is looking to make the lesser Italian festival a rival to the Lido in terms of prestige and press. That's a long way off, but he's going about it in the right way. [Rome Film Festival]

Oscar-winning cinematographer and director Chris Menges was the subject of an AMPAS tribute in London last week. Andreas Wiseman reports from the event. [Screen Daily]

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David Poland gets Joe Wright and the principal cast of "Anna Karenina" on the couch. [Hot Blog]

Tom Ford, who knows a bit about these things, talks about dressing James Bond for "Skyfall." This may surprise you, but suits are involved. [Vogue]

Nathaniel Rogers checks in on the Golden Horse Awards, China's answer to the Oscars. The only nominee I've seen is Hong Kong's Oscar submission "Life Without Principle" -- I hope the others are better. [The Film Experience]

Glenn Whipp on why the Academy would do well to consider "Looper" for Best Picture, and why he knows he's dreaming. [LA Times]

Scott Feinberg interviews his Hollywood Reporter colleague Todd McCarthy about the New York Film Festival, for which McCarthy is a selector. [The Vote]  

Speaking of Scott, who believes that "Life of Pi" won't be nominated for Best Picture, Tom O'Neil disagrees so strongly he's willing to make a bet. Over pie, of course. Mmmmm, pie. [Gold Derby]

Nick Davis rounds up the year's best work so far in the fields of sound and editing. Would that the Academy could also notice how films like "Miss Bala" and "The Turin Horse" excel in these areas. [Nick's Flick Picks

After going from "All the Real Girls" to "Your Highness," it'd have been foolhardy to predict David Gordon Green's next move, but still -- who'd have guessed "Little House on the Prairie?" [The Guardian]

Guy-lodge-sm
Guy Lodge
Critic
Guy Lodge is a South African-born critic and sometime screenwriter. In addition to his work at In Contention, he is a freelance contributor to Variety, Time Out, Empire and The Guardian. He lives well beyond his means in London.

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  • Raylan_-_copy_talkback_profile

    Jonnybon

    I think it would have to be a very weak year (not 2012 -- one of the greatest) for Looper to be nominated, and not just because of the strong sci-fi elements. The first half of the film is not at all Academy-friendly.

    October 3, 2012 at 11:31AM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge 2012 is "one of the greatest"? Curious to know what films are leading you to say that. So far, I'm finding it a lesser vintage.

      October 3, 2012 at 2:35PM EST
    • Raylan_-_copy_talkback_profile

      Jonnybon Plenty yet to see so yes, it's probably a premature statement, but so far I'm very happy with The Master, Beasts, Amour, Moonrise, Rust and Bone, The Impossible, and Rises (better than The Dark Knight). To me, that's already an excellent year, and I've yet to see Life of Pi, Argo, Silver Linings, On the Road, Holy Motors, End of Watch, Stories We Tell, Perks, and the numerous "unseen" films. But you and I have quite different tastes so I expect to be scoffed at (especially when I tell you I was quite satisfied with The Hunger Games and The Intouchables).

      October 3, 2012 at 3:07PM EST
    • Guypic_talkback_profile

      Guy Lodge That's all well and good, and I like a number of those films too. But "one of the greatest" suggests to me a year that can go toe-to-toe with the likes of 1939 and 1975. I need convincing. ;)

      October 3, 2012 at 3:31PM EST
    • Raylan_-_copy_talkback_profile

      Jonnybon I'm confident we'll all be convinced of it in three months time. There's just such a rich variety this year :)

      October 3, 2012 at 4:24PM EST
    • 189992_751418728913_23201521_40829629_7902034_n_talkback_profile

      McAllister I don't even know if this year can fairly go up against 2007, yet alone 1939 and 1975.

      October 4, 2012 at 1:14AM EST
    • Raylan_-_copy_talkback_profile

      Jonnybon Wow. I'm certain we're experiencing at least the best year of the new century.

      October 4, 2012 at 4:59AM EST
  • Default-avatar

    Liz

    Rise of the Guardians looks really, really strange.

    October 3, 2012 at 12:36PM EST Reply to Comment
  • Default-avatar

    JLPatt

    Why are "expectations high" for "Rise of the Guardians?" It looks terrible.

    October 4, 2012 at 12:05AM EST Reply to Comment
  • Default-avatar

    Evan

    I get Rise of the Guardians confused with the owl film too!

    October 4, 2012 at 2:42AM EST Reply to Comment

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2012-2013 OSCAR PREDICTIONS

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Best Picture

Best Director

Best Actor

Best Actress

Best Supporting Actor

Best Supporting Actress

Best Adapted Screenplay

Best Original Screenplay

Best Cinematography

Best Costume Design

Best Film Editing

Best Makeup And Hairstyling

Best Original Score

Best Original Song

Best Production Design

Best Sound Editing

Best Sound Mixing

Best Visual Effects

Best Animated Feature Film

Best Documentary Feature

Best Foreign Language Film

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