Roundup: On 'Perks' and other Oscar wallflowers
Also: Carax on Kylie's 'Holy Motors' number, and Foxx talks slavery in 'Django'
Logan Lerman and Emma Watson in "The Perks of Being a Wallflower."
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Variety's Jon Weisman has fallen a little bit in love with "The Perks of Being a Wallflower." As have many people, including us here at In Contention. Yet the film isn't even being mentioned as a dark-horse Oscar player in most circles. Why so? Because, Weisman, argues, it wasn't tapped for awards glory sight-unseen. Referring to awards season as being run a bit like a high school clique: "[S]ome pics get a head start and others a hurdle based on little more than their loglines. This is true even though movies don't need to please everyone to reach the Dolby Theater in February." (He points to the recent Best Picture nomination for the poorly received "Extremely Loud and Incredibly Close" as an example of the latter.) What other gems are fighting to be considered awards material? [The Vote]
Leos Carax breaks down Kylie Minogue's haunting musical number in his astonishing film "Holy Motors." If you ask me, a Best Original Song Oscar is in order. [New York Times]
Jamie Foxx bigs up "Django Unchained," promising audiences will "automatically go back to the time and way slaves were treated." Read another way, that doesn't sound like a compliment. [LA Times]
Nathaniel Rogers and friends tackle "Life of Pi," "Hyde Park on Hudson" and the resurrection of Matthew McConaughey, among other topics, in a hugely entertaining podcast. [The Film Experience]
One of those friends, Nick Davis, offers a lovely report on a career tribute to Joan Allen, surely one of the best un-Oscared actresses at work today, at the Chicago Film Festival. [Nick's Flick Picks]
Category by category, Tom O'Neil breaks down the Oscar chances of "The Hobbit: An Unexpected Journey." [Gold Derby]
The ever-diligent David Hudson does a thorough job of gathering critical responses to "Flight." Approval with reservations is the dominant tone. [Fandor]
Sasha Stone goes crazy for Denzel Washington's work in the film, and re-handicaps the Best Actor race with the actor in the #2 position. [Awards Daily]
Rifling through the pricey designer wardrobe of "Skyfall." Meanwhile, if you have nearly $6000 going spare, you can get a bespoke replica of one of Bond's suits. [Financial Times]
Following a recent statement to the contrary by Maggie Smith, Max Davidson argues that things have never been better for older moviegoers. [The Telegraph]
2012-2013 OSCAR PREDICTIONS
Best Picture
Best Director
Best Actor
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Adapted Screenplay
Best Original Screenplay
Best Cinematography
Best Costume Design
Best Film Editing
Best Makeup And Hairstyling
Best Original Score
Best Original Song
Best Production Design
Best Sound Editing
Best Sound Mixing
Best Visual Effects
Best Animated Feature Film
Best Documentary Feature
Best Foreign Language Film
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Login or create a HitFix account Login SignupDylanS
October 17, 2012 at 11:30AM EST Reply to CommentI still think Perks could get a screenplay nod. There aren't to many writerly leaning options in the adapted field this year (except for "Silver Linings") and if any branch is going to embrace the film, I think its them.
HR it might be the only category where it has a legit shot. Best Actor is too tight which is a pity because Logan Lerman delivers a beautifully nuanced performance and supporting actor is getting tighter with Di Caprio and reportedly a great John Goodman in Flight plus de Niro, Seymore Hoffman Arkin Lee Jones. And pls no matter how weak the field, Emma Watson does not deserve any consideration not even as a dark horse (completely disagree with In Contention on that one). She was ok and that's it.
October 17, 2012 at 2:16PM ESTGuy Lodge "And pls no matter how weak the field, Emma Watson does not deserve any consideration not even as a dark horse (completely disagree with In Contention on that one)."
October 17, 2012 at 7:24PM ESTI'm pretty neither Kris nor I ever said that she does.
Chris138 I agree that it's best shot lies in the adapted screenplay category, if anything. I loved the movie though so I'd be all for it being considered for anything.
October 17, 2012 at 9:18PM ESTDylanS Guy, what I think you meant to say there was "I'm pretty, neither Kris nor I ever said she does" ;)
October 17, 2012 at 10:40PM ESTred_wine
October 17, 2012 at 11:38AM EST Reply to CommentThe suits Daniel Craig wears in Skyfall deserve an Oscar. Dude can ROCK suits.
Matthew Starr
October 17, 2012 at 11:40AM EST Reply to CommentDid anyone think The Artist was an Oscar contender sight-unseen?
loyal_mehnert
October 17, 2012 at 11:53AM EST Reply to CommentOscar pundits are understandably leery of The Hobbit: Unexpected Journey (LOTR fatigue, lukewarm critical success for Lovely Bones/King Kong) but I actually think it's good for 10 nominations:
Best Picture
Best Cinematography
Best Production Design
Best Costume
Best Make Up & Hairstyling
Best Score
Best Song
Best Sound Mixing
Best Sound Editing
Best Visual Effects
I'm also predicting double-digit noms for Lincoln and Les Miz would would make this year the first since 1977 (Julia, The Turning Point, Star Wars) with 3 double-digit BP nominees.
loyal_mehnert
October 17, 2012 at 11:54AM EST Reply to CommentOscar pundits are understandably leery of The Hobbit: Unexpected Journey (LOTR fatigue, lukewarm critical success for Lovely Bones/King Kong) but I actually think it's good for 10 nominations:
Best Picture
Best Cinematography
Best Production Design
Best Costume
Best Make Up & Hairstyling
Best Score
Best Song
Best Sound Mixing
Best Sound Editing
Best Visual Effects
I'm also predicting double-digit noms for Lincoln and Les Miz would would make this year the first since 1977 (Julia, The Turning Point, Star Wars) with 3 double-digit BP nominees.
Evan
October 18, 2012 at 10:37AM EST Reply to CommentThis probably sounds naive, but can we start the Perks campaign? It definitely deserves it.
Anyone know when the screeners are being sent out?