Roundup: Helen Hunt to receive Spotlight Award at Palm Springs fest

Also: American Cinematheque honors Ben Stiller, and celebrating 'Argo' attire

<p>Helen Hunt in &quot;The Sessions.&quot;</p>

Helen Hunt in "The Sessions."

Credit: Fox Searchlight Pictures

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With Best Supporting Actress still the least defined of this year's four acting races, Helen Hunt currently seems as likely a frontrunner as anyone for her work in "The Sessions": partly because she's excellent in a well-liked film, and partly because, as Jennifer Hudson can attest, it doesn't hurt to be nominated in supporting for a lead role. Hunt's trophy trail began yesterday with the announcement that she is to receive the Spotlight Award at January's Palm Springs International Film Festival. It's an honor that has previously alighted on Jessica Chastain and Amy Adams en route to an Oscar nod, and while seemingly small, it's a well-timed opportunity for some California-based exposure and gladhanding as the race heats up. Everything counts. [Thompson on Hollywood

If you can't see why Jacqueline West's thread-perfect 1970s costumes for "Argo" are worthy of Oscar attention, Chris Laverty's bang-on evaluation might help. [Clothes on Film]

A must-read for fans of "The Master" and/or its staggering cinematography: a lengthy, tech-specific interview with Mihai Malaimare Jr. [American Cinematographer]

Jennifer Aniston and Will Ferrell were among the stars toasting Ben Stiller last night, as the actor was presented with the American Cinematheque Award. [Deadline]

As part of a Variety special on the documentary Oscar race, Addie Morfoot wonders how this year's Academy rule changes in the category will affect the process. [The Vote]

Ben Affleck is GQ's Filmmaker of the Year. Well, Michael Haneke wouldn't have looked quite as dashing on the cover. [GQ]

"Silver Linings Playbook" opens in limited release today, but the Weinsteins have decided on a slower roll-out to wide release than initially planned. A wise move for its Oscar strategy? [LA Times]

Ruth Jamieson on why, with the "Twilight" films, Hollywood has, for once, been a good boyfriend to the teen female demographic. [The Guardian

Chris Tucker is interested in starring in the Weinsteins' US remake of "The Intouchables." I have no sentimental attachment to the original, but Tucker is no Omar Sy. [Coming Soon]

Sasha Stone uses such films as "Beasts of the Southern Wild" and "Middle of Nowhere" as a jumping-off point for a discussion of the Academy's relationship to race. [Awards Daily]

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Guy-lodge-sm
Guy Lodge
Critic
Guy Lodge is a South African-born critic and sometime screenwriter. In addition to his work at In Contention, he is a freelance contributor to Variety, Time Out, Empire and The Guardian. He lives well beyond his means in London.

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    gjjj

    Michael Haneke will never deserve to be a director of the year until he understands the value of personal dignity. He has a think or two to learn from Sarah Polley, among others.

    November 16, 2012 at 12:24PM EST Reply to Comment
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      red_wine Michael Haneke understands dignity very well. He also understands intelligence and respects it.

      But honestly are we being glib now? Ben Affleck is the Director of the YEar? Some poor year it must be then.

      November 16, 2012 at 4:05PM EST
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      Paul Outlaw It's GQ, not Cahiers du cinéma.

      November 16, 2012 at 6:56PM EST
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    Derek 8-Track

    I'd say it was pretty good, the last half redeemed the major problems of the first half along with the entire New Moon, Eclipse, and Breaking Dawn Part I movies. The first one is still my favorite. Also, the soundtrack was a little weak in comparison to the rest of the franchise.

    November 16, 2012 at 12:47PM EST Reply to Comment
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    Jonnybon

    I'm just happy with the mention of OMAR SY.

    November 16, 2012 at 2:18PM EST Reply to Comment
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    sosgemini

    I just can't with Helen Hunt. It's like celebrating steamed rice. She's so meehh...

    November 16, 2012 at 3:03PM EST Reply to Comment
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    JLPatt

    I don't mean to beat up an otherwise good performance, but was there not something very strange with Helen Hunt's accent in the film? Or is it just me? It seemed to go off and on in distracting ways.

    November 16, 2012 at 4:18PM EST Reply to Comment
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      kalee i agree!

      February 21, 2013 at 8:08PM EST
2012-2013 OSCAR PREDICTIONS
UPDATED: FEB 25, 2013

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