Roundup: Good and bad news for Desplat in the Oscar race
Also: R.I.P. Ravi Shankar, and why film culture lives on
"Moonrise Kingdom"
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Sorry for the late roundup today -- I was waylaid by SAG's dawn chorus. That's obviously the news on everyone's minds right now, but I'm going to rewind to an Oscar announcement I failed to mention yesterday: the official list of 104 films eligible for the Best Original Score award. Not a particularly newsworthy list and one I was initially going to skip -- except that, when searching for conspicuous omissions, one name came up... twice. Alexandre Desplat, one of the hardest workers in the game, may be a regular nominee these days, but he only went three-for-five with his 2012 slate -- and for my money, the two Desplat scores that missed the cut showcase his best work this year. "Moonrise Kingdom"'s interpolations of existing classical work doubtless cost it a place (furthering the case for a Best Adapted Score category), but I'm less sure why his moodily throbbing work on "Rust and Bone" isn't on the list. His Oscar hopes now rest with "Argo," "Zero Dark Thirty" and "Rise of the Guardians." [AMPAS]
Ravi Shankar, the vastly influential sitar master who received an Oscar nomination for his work on "Gandhi," has passed away at the age of 92. [LA Times]
Dave Karger launches his awards coverage at a new outlet with a simple list of predictions, though it seems there's some interesting content to come. [Fandango]
Elisabeth Rappe rounds up the 10 breakout stars of 2012, from Martin Freeman to Samantha Barks. [Film.com]
Emine Saner talks to Suraj Sharma about a screen debut rather more arduous than his high-school experience of playing a tree. [The Guardian]
Matt Brennan on the actors who deserve credit for excelling in multiple roles this year -- a club lead, in his opinion, by Matthew McConaughey and Rachel Weisz. [Thompson on Hollywood]
Variety leads a feature spotlighting the art direction, costume design and makeup categories with a study of "Anna Karenina"'s complex staging. [Variety]
Steve Pond looks at nine Oscar records that could be broken this season, with Emmanuelle Riva and Hal Holbrook both standing a chance of taking certain "oldest ever" titles. [The Wrap]
Another great A.O. Scott piece that I missed this week: why the various critics lamenting the supposed death of film culture are wrong. Hear, hear. [New York Times]
2012-2013 OSCAR PREDICTIONS
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December 12, 2012 at 5:29PM EST Reply to CommentDesplat's score for Rise of the Guardians is lovely and rich but I doubt he'll get nominated for that. I think he might make it for Argo because of the popularity of the film but it's not his best score. Is he, like Morricone, going to have to settle for a special Oscar?
Jeremy
December 12, 2012 at 7:47PM EST Reply to CommentA.O. Scott is like LeBron James -- he's just playing on another level right now. It seems like every piece he writes is a must-read. I remain crushed that his stint on "At the Movies" was so short-lived; it was gratifying to learn his opinion on all major releases rather than just the handful he reviews for the Grey Lady (even if I disagree with him fairly regularly).
Guy Lodge
December 12, 2012 at 8:21PM EST Reply to CommentBy the way, I must totally revise something I wrote above that I wasn't really thinking about properly: Alexandre Desplat's score for Zero Dark Thirty is his best in years.
ppp
December 12, 2012 at 9:18PM EST Reply to CommentThe link to The Wrap article is wrong, it leads to Variety's Anna Karenina article.
Guy Lodge Corrected - sorry!
December 13, 2012 at 12:32AM ESTJLPatt
December 12, 2012 at 11:27PM EST Reply to CommentI imagine Desplat gets nominated for "Argo." Great work.
I knew from the moment I saw "Moonrise Kingdom" and looked at the track listing it'd be ineligible. Nobody should be surprised here.