Cannes Film Festival 2013

National Board of Review names Kathryn Bigelow's 'Zero Dark Thirty' Best Picture

Bigelow took Best Director while Jessica Chastain was named Best Actress

<p>Jessica Chastain in "Zero Dark Thirty"</p>

Jessica Chastain in "Zero Dark Thirty"

Credit: Columbia Pictures

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"Zero Dark Thirty" was crowned the best film of 2012 by the New York-based National Board of Review of Motion Pictures. Kathryn Bigelow took the Best Director prize for her work on the film, while Jessica Chastain won Best Actress. Bradley Cooper was named Best Actor for his performance in "Silver Linings Playbook" while David O. Russell's film also picked up Best Adapted Screenplay.

The award is the second in a row at the start of the precursor circuit for Bigelow's account of the hunt for Osama bin Laden following the New York Film Critics Circle's crowning of the achievement on Monday. The Los Angeles Film Critics Association will speak up on Friday and may well join the club, which will lead many to chalk it up as the prohibitive frontrunner for Best Picture at the Oscars, if they aren't already. But films like "Brokeback Mountain" and "The Social Network" know it's not smart to count your chickens before they hatch.

In the supporting categories, Leonardo DiCaprio and Ann Dowd were singled out for their work in "Django Unchained" and "Compliance," respectively. "Django" just screened for voting bodies within the week, while Dowd certainly has champions and gets a nice feather as she hopes to figure into a rather weak supporting actress field.

Speaking of figuring into a weak field, Rian Johnson's "Looper" nailed the group's Best Original Screenplay prize and even showed up in the top 10 list. Count that as a nice little endorsement for a film hoping to get there despite genre bias.

Other films included on the group's top 10 included Oscar frontrunners like "Argo," "Les Misérables," "Lincoln" and "Silver Linings Playbook," as well as indie hopefuls like "Beasts of the Southern Wild" and "The Perks of Being a Wallflower." "Django Unchained" also popped up on the list. Gus Van Sant's "Promised Land," also a top 10 selection, landed one of the group's Freedom of Expression awards (the other going to the documentary "The Central Park Five."

Films shut out entirely include Ang Lee's "Life of Pi," Paul Thomas Anderson's "The Master" and Robert Zemeckis's "Flight."

Full list of winners below.

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Best Film: "Zero Dark Thirty"

Best Director: Kathryn Bigelow, "Zero Dark Thirty"

Best Actor: Bradley Cooper, "Silver Linings Playbook"

Best Actress: Jessica Chastain, "Zero Dark Thirty"

Best Supporting Actor: Leonardo DiCaprio, "Django Unchained"

Best Supporting Actress: Ann Dowd, "Compliance"

Best Adapted Screenplay: "Silver Linings Playbook"

Best Original Screenplay: "Looper"

Best Animated Feature: "Wreck-It Ralph"

Breakthrough Actor: Tom Holland, "The Impossible"

Breakthrough Actress: Quvenzhané Wallis, "Beasts of the Southern Wild"

Best Directorial Debut: Benh Zeitlin, "Beasts of the Southern Wild"

Best Foreign Language Film: "Amour"

Best Documentary: "Searching for Sugar Man"

Best Ensemble: "Les Misérables"

Spotlight Award: John Goodman ("Argo," "Flight," "ParaNorman," "Trouble with the Curve")

NBR Freedom of Expression: "The Central Park Five"

NBR Freedom of Expression: "Promised Land"

William K. Everson Film History Award: 50 Years of Bond Films

Top Films (in alphabetical order)
"Argo"
"Beasts of the Southern Wild"
"Django Unchained"
"Les Misérables"
"Lincoln"
"Looper"
"The Perks of Being a Wallflower"
"Promised Land"
"Silver Linings Playbook"

Top 5 Foreign Language Films (in alphabetical order)
"Barbara"
"The Intouchables"
"The Kid with a Bike"
"No"
"War Witch"

Top 5 Documentaries (in alphabetical order)
"Ai Weiwie: Never Sorry"
"Detropia"
"The Gatekeepers"
"The Invisible War"
"Only the Young"

Top 10 Independent Films (in alphabetical order)
"Arbitrage"
"Bernie"
"Compliance"
"End of Watch"
"Hello I Must Be Going"
"Little Birds"
"Moonrise Kingdom"
"On the Road"
"Quartet"
"Sleepwalk with Me"

The National Board of Review Gala will be held on January 8, 2013.

Remember to keep track of all the ups and downs of the season via The Circuit.

Kristopher-tapley-sm
Kristopher Tapley
Editor-at-Large
Kristopher Tapley has covered the film awards landscape for over a decade. He founded In Contention in 2005. His work has also appeared in The New York Times, The Times of London and Variety. He begs you not to take any of this too seriously.

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Next 112 Comments
  • Default-avatar

    Me.

    WOW WOW WOW WOW WOW WOW

    December 5, 2012 at 3:20PM EST Reply to Comment
  • Default-avatar

    kyled13

    Love the acting choices, and the original screenplay. This is going to be an interesting year!

    December 5, 2012 at 3:27PM EST Reply to Comment
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    someperson

    Damn, The Master got nothing.

    December 5, 2012 at 3:28PM EST Reply to Comment
    • Default-avatar

      someperson Also, why do you say Moonrise Kingdom got left out when it's mentioned in the 'top 10 independent films' category?

      December 5, 2012 at 3:43PM EST
    • Default-avatar

      Lenny Wow. I am shocked. LAFCA will have to go for The Master now. They love PTA and rightfully so. WTF is Bradley Cooper doing in that category over Phoenix and DDL?

      December 5, 2012 at 3:47PM EST
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    /3rt

    Best Original Screenplay: "Looper"
    ———

    Fuck you. One of the worst of the year. Razzie worthy.

    December 5, 2012 at 3:32PM EST Reply to Comment
    • Default-avatar

      Joey Bite your tongue! LOL

      December 5, 2012 at 3:34PM EST
    • Default-avatar

      Ur mom LOL No. Breaking Dawn is Razzie worthy.

      December 5, 2012 at 4:44PM EST
    • Default-avatar

      CaptainCanada A pretty masterful example of thriller writing, surely.

      December 5, 2012 at 4:55PM EST
    • Guypic_talkback_profile

      Guy Lodge I don't think Breaking Dawn is Razzie-worthy, either -- but I'd stop short of calling it "a masterful example of thriller writing."

      December 5, 2012 at 5:16PM EST
    • Default-avatar

      JLPatt LOL! He was talking about "Looper."

      December 5, 2012 at 5:18PM EST
    • Guypic_talkback_profile

      Guy Lodge I know that, but thanks.

      December 5, 2012 at 5:22PM EST
    • Default-avatar

      CaptainCanada I was, of course, referring to "Looper".

      December 5, 2012 at 5:22PM EST
    • Default-avatar

      Chris138 I found Looper to be a lot of things, but thrilling wasn't one of them.

      December 5, 2012 at 7:52PM EST
  • Default-avatar

    Joey

    Holy crap!

    December 5, 2012 at 3:33PM EST Reply to Comment
  • Default-avatar

    Filipe

    Not the choices I was rooting for, except maybe for Leo on Supporting Actor, but a very respectful list of winners.

    December 5, 2012 at 3:36PM EST Reply to Comment
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    Liz

    *shakes fist* Ann Dowd is not a supporting actress! But happy to see the recognition for her in any case. Also happy for Cooper and "Looper" (heh).

    December 5, 2012 at 3:36PM EST Reply to Comment
    • Default-avatar

      d2 She's this year's Lesley Manville...

      December 5, 2012 at 4:13PM EST
    • N25501058_36871357_8293821_talkback_profile

      Mykill I was so glad to see Ann Down getting some recognition (even if I agree that she should be considered lead.) It is a pipe dream to believe her performance might actually make it in the final five (of either category) but I am glad to see some critics putting her name out there like this.

      December 5, 2012 at 4:47PM EST
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    Brock Landers

    Glad to see it wasn't a Lincoln wank fest.

    December 5, 2012 at 3:40PM EST Reply to Comment
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    Matthew Starr

    It doesn't look like there is a Crash or King's Speech this year. Although I guess no one knows what the guild members really love yet.

    December 5, 2012 at 3:43PM EST Reply to Comment
    • Krispic3_talkback_profile

      Kristopher Tapley Les Mis.

      December 5, 2012 at 3:48PM EST
    • Default-avatar

      Matthew Starr What is the first indication of where the guilds stand, SAG nods next week?

      December 5, 2012 at 3:51PM EST
    • Krispic3_talkback_profile

      Kristopher Tapley That's the first guild award to be announced, yes. But the SAG nominating committee is really small compared to, say, the entire DGA membership.

      December 5, 2012 at 4:00PM EST
    • Default-avatar

      Al Crash really shouldn't be compared to King's Speech. Crash was an absolute jaw dropper of a win. King's Speech was not only predicted, but appreciated as much as Social Network.

      December 5, 2012 at 4:36PM EST
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      Matthew Starr They can be compared because they both won Best Picture at the Oscars and they both struck emotional chords with AMPAS. I was wondering if there would be a movie this year that would strike those chords and stop a critic's darling like ZDT from winning. Also when you say King's Speech was appreciated as much as Social Network, by whom are you referring? The guilds sure, the critics not so much.

      December 5, 2012 at 4:43PM EST
    • Hal_9000_talkback_profile

      DylanS Matthew: The only film I can see winning by those means is, sorry Kris, "Silver Linings".

      December 5, 2012 at 6:17PM EST
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    Maxim

    These self important groups take so long to vote you'd think they were voting on a Constitutional ammendment or something.

    And yeah, Lincoln deserved better. Exploring history is not the same as exploiting it.

    December 5, 2012 at 3:44PM EST Reply to Comment
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    Me.

    Why only 8 films instead of 10 in the top films list?

    December 5, 2012 at 3:44PM EST Reply to Comment
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    Roy

    Kris, at what point in the awards season do you think Les Miz will start asserting itself? The guilds?

    December 5, 2012 at 3:44PM EST Reply to Comment
    • Krispic3_talkback_profile

      Kristopher Tapley Guild wins. SAG Ensemble, PGA, DGA, all possible. But then, ditto Lincoln. And thus, I see the race as Les Mis vs. Lincoln right now.

      December 5, 2012 at 5:33PM EST
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    JJ1

    No Amour????

    December 5, 2012 at 3:46PM EST Reply to Comment
    • Default-avatar

      d2 Last year, Hugo won Best Director and Best Film, but didn't get mentioned as one of 10 Best of Year...now Amour wins Foreign Film but not mentioned as 1 of Top 5 Foreign Films of the Year...

      Also, John Goodman over Matthew McConaughey? Apparently, they wanted to get Trouble the Curve in their without having to name it as one of the year's 10 Best and get ridiculed for it...

      December 5, 2012 at 4:17PM EST
    • Default-avatar

      d2 *there

      December 5, 2012 at 4:18PM EST
    • Default-avatar

      Evan You've realized, yes, that the "Best ___" is always left off the "Top ___" list? Setting one film apart is seen as the more acclaimed award and makes space to recognize an additional film.

      December 5, 2012 at 4:44PM EST
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      d2 Hmm..didn't realize that. Just seems stupid to me. Why not list 10 and then name an Honorable Mention?

      It's like saying....I LOVE CHOCOLATE! CHOCOLATE! CHOCOLATE! CHOCOLATE! Here are my top 5 candies:

      1. Skittles
      2. Starbursts
      3. Candy Canes
      4. Pixie Sticks
      5. Candy Cigarettes

      I mean...wtf?

      December 5, 2012 at 5:36PM EST
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    Maxim

    I was semi-expecting "Trouble with the Curve" or "Hope Floats" to get a mentions too.

    December 5, 2012 at 3:46PM EST Reply to Comment
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      Matthew Starr You mean Hope Springs? Unless you think the NBR loves Sandra Bullock so much as to reward her for her past work.

      December 5, 2012 at 3:50PM EST
    • Default-avatar

      d2 TTC got a mention with John Goodman's special award

      December 5, 2012 at 5:37PM EST
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    red_wine

    Kris, wasn't The Master the great high brow critics film of 2012? What went wrong? There's almost something fishy here.

    December 5, 2012 at 3:50PM EST Reply to Comment
    • Krispic3_talkback_profile

      Kristopher Tapley Well, let's start with, I wouldn't call NBR "high brow." But I think LAFCA will speak up for it in some way. Let's see...

      December 5, 2012 at 3:52PM EST
    • Hal_9000_talkback_profile

      DylanS I still think "The Master" will be a big critics film through the critics bodies, and I'm still thinking LAFCA will go big for it. I don't think this is the type of year where one film will outright dominate. The critics really have options this year, and I'm sure where some groups fail to mention a film others will stick up for it.

      December 5, 2012 at 4:03PM EST
    • Default-avatar

      micguar Here's what I think happened with The Master:

      Okay...so when the critics first saw The Master in Venice, back in early September, expectations were so high and not much else had been seen, not Silver Linings, not Zero Dark Thirty, not Lincoln, not Les Miz, not Django. Critics felt the need to seriously champion The Master, even though many of them found it problematic. They admitted the film's flaws, yes, but many of them had to make the point in their reviews that this was an Important Film, made by the only Real Auteur of his generation, that it was made on the One True Format of 70 mm.

      But come December, all of the movies that everyone had previously dismissed as lightweight, middlebrow "Oscar-bait" -- God, I've always hated that expression -- turned out to be really good. Unexpectedly, at least to the critics. Consequently, they realized, when it came time to make their lists and hand out their awards, that they were never really all that hot on The Master anyways, that they didn't need to trumpet its greatness in every hall, that there were plenty of other films they preferred.

      Just my theory.

      December 5, 2012 at 4:08PM EST
    • Default-avatar

      d2 NBR hasn't gone for a PTA film since Magnolia, which was among 1999's 10 Best, with additional wins for Ensemble and catch-all wins for PSH and Julianne Moore...

      Not even There Will Be Blood could make it in here. It was snubbed in favor of...wait for it...The Bucket List!!

      December 5, 2012 at 4:19PM EST
    • Guypic_talkback_profile

      Guy Lodge Micguar: The critics who were championing the film at Venice are, by and large, not the same critics voting for these awards. And, as the Sight & Sound poll recently showed, its fans are steadfast.

      December 5, 2012 at 4:34PM EST
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      micguar Okay, I didn't know if that was the case. I don't follow these things really closely. Still, I do feel like some (definitely not all, but some) of The Master love has cooled.

      December 5, 2012 at 4:43PM EST
    • Krispic3_talkback_profile

      Kristopher Tapley It came extremely close to winning Best Director and Best Cinematography at NYFCC and was obviously close for Best Picture. I wouldn't say it's cooled THAT much. I would just say, as I have, that Zero Dark Thirty is cock-blocking it.

      December 5, 2012 at 5:35PM EST
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      Conor Micguar, I think so, yeah. I mean obviously love from lots of cinephiles hasn't receded, but as I and some of my friends have realized that we didn't quite like The Master like we thought we did, I assume it's been similar for lots of "Middle brow" critics.

      December 5, 2012 at 6:32PM EST
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    daveylo

    I don't like the screenplay awards at all.

    December 5, 2012 at 3:52PM EST Reply to Comment
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      evelyn garver This group's history suggest they have some odd disdain for DDL, but Bradley Cooper!?!

      December 5, 2012 at 3:56PM EST
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      d3 Three Words: The Bucket List ....mentioned as one of 2007's 10 Best Films

      December 5, 2012 at 5:39PM EST
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    Jeremy

    Good to see "The Perks of Being a Wallflower" getting some love.

    I'm thrilled with the screenplay nod for "Looper", though I wouldn't have been disappointed if "Ruby Sparks" had slid in instead.

    December 5, 2012 at 3:53PM EST Reply to Comment
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    Gautam

    It seems critics are determined not to let Lawrence run away with Best Actress. I am pretty much LA too not going to reward her. Probably Riva will take that.

    December 5, 2012 at 3:54PM EST Reply to Comment
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      David Lean Fan Good! The last thing we need is a 22 year old actress winning an Oscar for delivering a manic pixie dream girl performance.

      December 5, 2012 at 4:03PM EST
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      fliegender Yeah! Fuck 22-year-olds! Especially if they are extremely talented!

      So, what's the minimum age for awards? 35? 50? You do know that Peter O'Toole was only 28 when filming began on Lawrence of Arabia, don't you, David Lean Fan?

      Also, could we have a moratorium on that goddamn phrase Manic Pixie Dream Girl? Maybe we could go a week without seeing it? Just one week?

      December 5, 2012 at 4:15PM EST
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      David Lean Fan You are exhibiting symptoms of a deranged fanboy. Thus, any attempts at logical conversation will be futile. Cheers!

      December 5, 2012 at 4:27PM EST
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      fliegender Oh, and for the record, I haven't seen Silver Linings Playbook. Maybe she doesn't deserve any awards. But if that's the case, it will be due to the performance and not because of something silly like age, which was your immediate criticism. I'm just responding to your ignorant and nonsensically hostile rantings.

      December 5, 2012 at 4:33PM EST
    • Guypic_talkback_profile

      Guy Lodge Oh, so David Lean Fan is Afrika. I guess I should have realised that earlier, but I wasn't really paying attention. I'll go back to that.

      December 5, 2012 at 4:35PM EST
    • Krispic3_talkback_profile

      Kristopher Tapley Yes. He doth "Cheers!" too much.

      December 5, 2012 at 5:35PM EST
    • Default-avatar

      d2 Same with Anne Hathaway for Supporting for Les Miserables...

      December 5, 2012 at 5:39PM EST
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      Aaron I would be shocked IF Lafca awarded Jennifer Lawrence. It seems they generally seek to reward little-seen, avante-garde, foreign performances in best actress. Aren't Yolande Moreau and the lady from Poetry two of the recent winners?

      December 5, 2012 at 9:32PM EST
    • Guypic_talkback_profile

      Guy Lodge For the last few years, yes -- but they also chose Julia Roberts in 2000. Never assume.

      December 5, 2012 at 10:13PM EST
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    Paul Outlaw

    50% yes! 50% ugh. What can you do?

    December 5, 2012 at 3:58PM EST Reply to Comment
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    Gautam

    Kris, Is it going to be ZDT vs Les Mis race this year instead of Lincoln vs Les Mis as people were expecting. ZDT turning out to be critics darling but Les Mis taking the ultimate prize.

    I think the Best Director race is going to be most interesting this year. Tom Hooper and Bigelow both have recently been bestowed with top prize and it seems no one is willing to hand it to Spielberg. Will we be seeing a split voting this year, with someone like Hanake turning out to be the beneficiary out of it. Any take on this, Kris.

    December 5, 2012 at 4:02PM EST Reply to Comment
    • Krispic3_talkback_profile

      Kristopher Tapley I still think Les Mis vs. Lincoln with ZDT as a spoiler. ZDT is the shiny new thing right now.

      December 5, 2012 at 4:21PM EST
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      Kyle J. I'm hoping that Bigelow takes the Oscar in the end. I'm still bitter towards Tom Hooper for stealing David Fincher's Best Director statuette. That's not to hate on The King's Speech though, which was a terrific movie. But, The Social Network was simply a better (and more ground-breaking) film.

      December 5, 2012 at 5:14PM EST
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      JLPatt And Bigelow didn't steal any Oscars? LOL. There were like over ten directors who deserved it more than her that year.

      December 5, 2012 at 5:17PM EST
    • Krispic3_talkback_profile

      Kristopher Tapley Honest question: What "ground" did The Social Network break? Where's the deluge behind the breach? It was a great film. It's okay that it was "just" that.

      December 5, 2012 at 5:36PM EST
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      d2 Does 0DT stand to become this year's The Social Network...critical favorite snubbed come guilds/Oscar time?

      December 5, 2012 at 5:40PM EST
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      Joe7827 Bigelow sure stole Spike Jonze's Oscar. But seeing as he wasn't even nominated that year, then I'd say Bigelow won it fair and square. There were NOT ten more deserving directors (maybe one or two).

      December 5, 2012 at 6:20PM EST
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      Kyle J. Bigelow's directorial control and incredibly mounting tension in The Hurt Locker was worth the Oscar alone. Admittedly, I would've been just as happy if Tarantino (IB is one of my favorite films of all-time) or Cameron won the Oscar that year though. 2009 was one of the best years for directors in the past decade.

      December 5, 2012 at 6:23PM EST
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      Kyle J. and, to Chris, The Social Network was ground-breaking because it proved that a director from the MTV generation (with flashy visuals, a distinct sense of style which a lot of directors are usually criticized for having) can make a great film. Not to mention, Trent Reznor and Atticus Ross's score is by far the most original and the most modern-style score to win the Oscar. The editing in that movie is just mind-blowing too.

      December 5, 2012 at 6:26PM EST
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      Kyle J. Correction, I meant "Kris." My fault.

      December 5, 2012 at 6:27PM EST
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      PaulH2012 Kyle: "Bigelow's directorial control and incredibly mounting tension in The Hurt Locker was worth the Oscar alone."

      Bull. S. Cameron out-directed everyone in '09 and was done in by P-C folks who wanted a woman to be best director.

      December 5, 2012 at 8:36PM EST
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      Kyle J. Cameron did a great job directing Avatar. It was a great movie and seeing it in 3D was one of the most amazing theater experiences I've ever had. Cameron created a new world. But, the issue I have with Avatar is that Jake Sully wasn't that sympathetic of a main character. Obviously, the fact that he was in a wheelchair and then got to use the Avatar to have his legs again made the audience feel sympathy for him. But, other than that, Cameron didn't do much with Sully's character. We never even learned anything about Sully's relationship with his brother or how his brother's death affected Sully. It was just brushed under the rug within the first 15 minutes. Not to mention, there was some cringe-worthy dialogue throughout the entire movie.

      December 5, 2012 at 11:30PM EST
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      Paul Outlaw "The Social Network was ground-breaking because it proved that a director from the MTV generation (with flashy visuals, a distinct sense of style which a lot of directors are usually criticized for having) can make a great film."

      But we already knew that.

      December 6, 2012 at 12:11PM EST
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      Joe7827 I have no idea who "S. Cameron" is, but they definitely didn't out-direct everyone. And I thought we were done with the "Bigelow won because she's a woman" routine? Honestly, whenever I think of "The Hurt Locker", I keep forgetting that it was directed by a female. I can't be the only one.

      December 6, 2012 at 12:40PM EST
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    David Lean Fan

    Anxiously waiting for Gregory Ellwood's inevitable post how NBR should be discredited for failing to nominate Anne Hathaway's "iconic" performance LOL!!

    December 5, 2012 at 4:05PM EST Reply to Comment
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      David Lean Fan *post about how*

      December 5, 2012 at 4:05PM EST
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    Amanda

    So this is when Harvey gives up on The Master completely. He has pretty much dropped it already but I think this does it. and I think so goes Adams nomination.

    Promised Land is random. Im looking forward to the movie so it's welcomed but still random.

    December 5, 2012 at 4:05PM EST Reply to Comment
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      d2 I once predicted The Master to take home 10 nominations (Actor, S. Actor, S. Actress, Director, Original Script, Picture, Cinematography, Original Score, Production Design and Costumes) and take home 3...Actor, Supporting Actor and Cinematography

      I now have it taking home 2 nods..Supporting Actor and Cinematography, with 0 wins...

      December 5, 2012 at 5:42PM EST
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    JLPatt

    I really hope I like it, I really do, but I'm already sick of "Zero Dark Thirty" and overrated Bigelow.

    December 5, 2012 at 4:15PM EST Reply to Comment
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      Liz Gee, with that attitude, I'm sure you'll love the movie when you actually see it!

      December 5, 2012 at 4:21PM EST
    • Guypic_talkback_profile

      Guy Lodge Two precursor wins is enough to make you sick of a film? I'm not sure you're cut out for this season. ;)

      December 5, 2012 at 4:37PM EST
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      JLPatt Well, I'm sick of it more because I'm sick of Bigelow and her overrated 2009 film winning everything. I thought we were done with that and then... this. So yeah.

      But I REALLY hope I like the film. I'm being totally serious. I need to like it so I don't have to suffer through TWO cases of overrated Bigelow films winning everything.

      December 5, 2012 at 4:41PM EST
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    JLPatt

    On the other hand: "The Perks of Being a Wallflower." Hell yeah.

    December 5, 2012 at 4:17PM EST Reply to Comment
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    Matt

    Life of Pi is dead.

    It has a lot of things going against it:
    - Critical approval, but no RAVES
    - Mediocre domestic box office, in a year where box office seems to be a factor
    - Not an actor's movie, which is a huge plus with AMPAS
    - Growing questions about its ho hum screenplay

    I can see it scoring a couple of technical nods, but I don't think it has a chance at a BP nod expect maybe if the category has 10 slots. Ditto for Lee's BD nod.

    December 5, 2012 at 4:20PM EST Reply to Comment
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      d2 Just wait til the Globes and the Guild Awards..they'll resurrect it (writing, picture and a bunch of techs, not acting/directing, probably)

      Ang Lee could be this year's Bennett Miller (Moneyball)

      December 5, 2012 at 5:44PM EST
    • Raylan_-_copy_talkback_profile

      Jonnybon Life of Pi is a lock. And yes, there are numerous RAVES...

      December 5, 2012 at 7:21PM EST
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      Edwin "Life of Pi" is far from dead. I think it's clear by this point that it won't be in contention for the win, but I'm not sure how many people ever thought that was a serious possibility anyway. A nomination, though, still looks pretty good. Don't put to much stuck into its absence on the NBR top 10. None of the "Lord of the Rings" movies made the NBR top 10 list. Neither did "There Will Be Blood." And those were in years with only 5 Best Picture nominees.

      If anything, I would probably say that Ang Lee is in danger. With Bigelow, Hooper, Spielberg, and Affleck looking pretty close to locks in the Best Director category, that leaves only one slot open, and Ang Lee will have to beat out David O. Russell and possibly Michael Haneke to get it.

      December 5, 2012 at 8:05PM EST
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    Dana

    Yeah, DiCaprio!

    December 5, 2012 at 4:33PM EST Reply to Comment
  • Guypic_talkback_profile

    Guy Lodge

    So they carried on their odd tradition of not including the category winner in their foreign-language and documentary Top Fives, but now do include their Best Picture winner in their Top Ten?

    I don't know if I'm pleased or not.

    December 5, 2012 at 4:42PM EST Reply to Comment
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      Evan Yeah, this group is as inconsistent as the Academy with its rules.

      But didn't we go back to a Top Ten with one singled out last year (as opposed to a Top Ten plus one in the mid- to late-00s?

      December 5, 2012 at 4:55PM EST
  • Guypic_talkback_profile

    Guy Lodge

    Also, yay for Cooper -- the kind of deft, playful movie-star turn for which awards voters rarely recognise male actors. Glad to see him take something this season, and hope he edges an Oscar nod.

    December 5, 2012 at 4:47PM EST Reply to Comment
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      Kyle J. Agreed. He was great in The Silver Linings Playbook. Loved that movie!

      December 5, 2012 at 5:16PM EST
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      Aaron What I worry about Cooper is that he will edge out Joaquin Phoenix, which would be a catastrophe.

      December 5, 2012 at 9:39PM EST
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      Lars Maybe because it was such a surprise, I thought Cooper was even better than Lawrence.

      December 5, 2012 at 10:13PM EST
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      Paul Outlaw Yes to Aaron and yes to Lars.

      December 6, 2012 at 12:13PM EST
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    CaptainCanada

    Seems like ZDT is going to rally a lot of critical support in the same way "The Hurt Locker" did.

    Liked the endorsement of "Looper"; it will assuredly be on my Top 10 list for this year, even though its obviously not going to get serious awards consideration.

    December 5, 2012 at 4:53PM EST Reply to Comment
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    Andrea

    This season makes no sense! So many left field choices! I love it!

    But I dont get how Dicaprio won. The movie just screened for the first time a couple days ago and most people singled out Waltz and Jackson. Something shady going on with that selection.

    December 5, 2012 at 4:53PM EST Reply to Comment
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      Dana Who are "most people"? A bunch of twitter reactions?

      December 5, 2012 at 5:39PM EST
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2012-2013 OSCAR PREDICTIONS

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Best Picture

Best Director

Best Actor

Best Actress

Best Supporting Actor

Best Supporting Actress

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Best Original Screenplay

Best Cinematography

Best Costume Design

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