Kevin Smith on Ben Affleck's directing career and cherry-picking 'Red State' for 'Argo'

'That dude was always going to pop as a director.'

Kevin Smith (left) and Ben Affleck at a 1999 "Dogma" event
Kevin Smith (left) and Ben Affleck at a 1999 "Dogma" event
Credit: Wire Image

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One of the films you'll soon see I'm pretty high on for the upcoming awards season is Ben Affleck's "Argo." I don't know what it is but I just find myself rooting for Affleck to really succeed behind the camera. Guys like him, Bennett Miller, George Clooney, Tom McCarthy, Scott Cooper, Billy Ray, Sean Penn, they trade in a sort of stripped-down, frill-free cinema that nevertheless never sacrifices thematic potency for subtle strokes.

It's interesting to note, then, that a number of those filmmakers are either current or former actors themselves. Affleck did his time building a movie star image that eventually became fodder for gossip column inches, and he also made his share of dubious role choices. But he was surely always learning from those experiences. He is still, after all, an Oscar winner for one of the richest screenplays of the late-1990s.

So with that in mind, I happened to be watching "Kevin Smith: Burn in Hell" last week. It's another of the director's Q&A specials, this one taking place in Austin, Texas after a screening of his latest film, "Red State." (Whatever you might think of Smith or his films, I think he's always had shrewd insight into the business and I really enjoy these appearances. If you ever make it to Comic-Con, it's worth it to check it out, as he has a standing program there to just take the stage and listen to questions from his fans.)

Early on in the special, one attendee brings up Affleck and mentions how relieved he is that the actor/director is out of the doghouse following the success of films like "Gone Baby Gone" and "The Town." He asked Smith if Affleck ever reached out to him for some advice on the gig, and of course, Smith was self-effacing and noted that Affleck's talent would inevitably be borne out.

I've included a clip from the special below. This exchange starts at the 10:22 mark, so feel free to scroll down and watch for yourself if you prefer, but I thought I'd just offer up Smith's thoughts here, too.

"That dude was always going to pop as a director," Smith says, "because most actors, when they transition to directing -- think about it, you sit behind how many directors over the course of your career, watching a bunch of different styles? You see people doing it all the time. You pick and choose. You're like, 'Oh, I'd do that.' 'I would never do that myself.' 'Ooh, that seems like a good idea.' So you're putting together a trick bag without even knowing it."

It reminded me of some things Affleck said back in November of 2010 when I sat down with him to talk about "The Town." We were in the middle of discussing his potentially teaming up with "Good Will Hunting" collaborator and best buddy Matt Damon on another project. The problem, Affleck says, is Damon's so busy as an actor, and with incredibly talented directors calling him up -- Steven Spielberg, Robert Redford, Martin Scorsese, the Coen brothers, etc. -- who can blame him. But he's learning from all those experiences, and, Affleck predicts, will make a hell of a director when he finally takes the plunge.

"Matt is honestly a great director who hasn’t directed a movie yet," Affleck said at the time. "He’s extremely smart about movies. He really understands how to make a scene work. He has really unique ideas and he has the ability to see a movie from the audience’s point of view. I think that’s what makes him a great writer and it’s what’s going to make him a great director. He really gets that perspective, and it sounds obvious, but it isn’t. For a guy who’s made a lot of art movies, he’s got a very strong sense of satisfying an audience in a broad and interesting way."

That's obviously the kind of thing you can really acquire as someone on the other side of the camera, I think, and it's part of what makes Affleck's directorial work stand out so far. It's smart, economical filmmaking that entertains without overwhelming. And the trailer for "Argo" promises more of the same.

"Ben let the performances go front and center [in 'The Town']," Smith continues in the clip. "Ben let the actors kind of speak for themselves in that movie and it was a performers' movie. The cinematography looked great but it was really an actors' flick. So I was proud of him for that, because this was the dude who was on 'Chasing Amy' constantly trying to tell me how to make the movie. He was always, not so much directing, although he'd say, 'God dammit, move the camera. Move it!"

From there Smith goes on to detail Affleck's cherry-picking of the "Red State" cast for "Argo," which features actors like John Goodman, Kerry Bishé and Michael Parks who appeared in Smith's film. It's a funny story that leads to Affleck's pull quote for the poster (which wasn't used, but is still funny in context): "I fucking love this movie MORE than Quentin Tarantino!"

Check it out below. The second part is also available on YouTube here.

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Kristopher Tapley
Editor-at-Large
Kristopher Tapley has covered the film awards landscape for over a decade. He founded In Contention in 2005. His work has also appeared in The New York Times, The Times of London and Variety. He begs you not to take any of this too seriously.

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  • Default-avatar

    thekingbulletin

    In addition to that thematic potency, I think Affleck's early directorial work is also marked by a very powerful sense of place. Obviously his first two films had him operating within the Boston milieu that's so familiar to him, but even just judging from the trailer, it looks like he completely nailed the period detail in "Argo" -- and, like you say, in a very organic, no-frills sort of way.

    June 6, 2012 at 11:44PM EST Reply to Comment
    • Dogtooth_end_talkback_profile

      Amir Except of course for the shot of Hagia Sofia, arguably the world's most famous mosque in Istanbul, which is supposed to pass for Tehran, but oh well... I guess I'm nitpicking.

      June 6, 2012 at 11:58PM EST
    • Freakazoid_talkback_profile

      mmcb105 What does that have to do with period detail, Amir?

      June 7, 2012 at 9:34AM EST
    • Default-avatar

      SJG This is off topic, but.... MMCB105, maybe you should rethink your little picture thing? When I'm looking at your text and see it in the periphery, it definitely looks less like a finger and more like an erect penis.

      June 7, 2012 at 10:42AM EST
    • Dogtooth_end_talkback_profile

      Amir Just saying, that the sense of place he's speaking about is kinda hurt when a landmark is mistaken for another.

      June 7, 2012 at 10:46AM EST
    • Freakazoid_talkback_profile

      mmcb105 Maybe thats the point, SJG, maybe thats the point.

      ....its not.

      I keep meaning to change it, but I'm lazy.


      Amir, I get what you are saying, but I'd venture to guess that a majority of movies don't film where they actually take place in the script. Different locations are a terribly big deal.

      June 7, 2012 at 12:06PM EST
    • Dogtooth_end_talkback_profile

      Amir I know. As I said, I'm nitpicking. Not many other people have grown up a few blocks from where this story happens. And Istanbul's architecture is as close as any city gets to Tehran.

      June 7, 2012 at 3:03PM EST
  • Default-avatar

    Brock Landers

    Big fan of Smith. Not necessarily all of his movies, but like you said, his insight into the business is really fun to listen to. He gets flack because he's vocal about shit and a bit hypocritical when it comes to film criticism, but I like what this guy has done/is doing for the business. He's a really great storyteller.

    June 6, 2012 at 11:46PM EST Reply to Comment
  • Default-avatar

    Jason22

    They like this

    June 7, 2012 at 1:19AM EST Reply to Comment
  • Default-avatar

    BBBerlin

    Not to forget that Affleck is the youngest person ever winning the Screenplay Oscar at 25 for GOOD WILL HUNTING.

    Can't wait for ARGO eighter

    June 7, 2012 at 3:53AM EST Reply to Comment
  • Default-avatar

    SJG

    I'm of the opinion that, as a rule, actors don't actually make very good directors. But every so often there's an actor who clearly understands filmmaking to the point of becoming a great director. Ben Affleck is undoubtedly one of the actors who excels at directing (probably more than he excels at acting, frankly).

    I really suspect that someday we'll see Affleck walk away with a statuette for directing, joining the ranks of people like Mel Gibson, Kevin Costner, and Robert Redford.

    June 7, 2012 at 4:32PM EST Reply to Comment
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UPDATED: FEB 25, 2013

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