Focus Features picks up Derek Cianfrance's 'The Place Beyond the Pines'
Studio sets the Ryan Gosling drama for 2013
Bradley Cooper, Eva Mendes and Ryan Gosling at the red carpet gala for "The Place Beyond the Pines" in Toronto
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Seeing the reactions to Derek Cianfrance's "The Place Beyond the Pines" land on Twitter yesterday, I still couldn't quite get a handle on what to expect when I finally see the film. I was a huge fan of the director's 2010 indie "Blue Valentine," and particularly Ryan Gosling's performance therein. Gosling was robbed of an Oscar nomination for one of the year's best performances, but at least co-star Michelle Williams was noticed.
But reactions to Cianfrance and Gosling's latest collaboration, which also stars Bradley Cooper and Eva Mendes, seemed a bit split. Some found it impeccable and another step up. Others, like HitFix's Greg Ellwood, found it to be lacking.
Calling the film "uneven" from the start, Greg wrote that "the script feels like a worked over mash-up of too many familiar ideas and movie cliches." I hope I beg to differ. But in the meantime, "Pines" has found a nice home for not-so-easily-defined indie dramas. Focus Features has announced its acquisition of the title, with plans for a 2013 release.
"Derek Cianfrance has made a bold, epic, and emotionally generous saga, once again showing a master’s hand in eliciting searingly beautiful performances from the actors with whom he collaborates," Focus CEO James Schamus and president Andrew Karpen said jointly via press release.
Added Cianfrance, "The Focus team’s ability to work in partnership with writers and directors is known and respected by the film community. Their passion for this very personal project is why I know they are the right home for our new movie."
The Weinstein Company picked up "Blue Valentine" out of Sundance in 2010 and seeded it throughout the year. Getting a nice publicity boost from an MPAA dispute later in the year, the company managed to keep the film in the minds of critics and Academy voters come year's end. We'll see if Focus can manage similar success with Cianfrance's follow-up.
The Toronto Film Festival is on-going through September 16.
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Login or create a HitFix account Login SignupCasey Fiore
September 10, 2012 at 9:15AM EST Reply to CommentWhy the push back to 2013? Seems like an end of the year genre/art movie.
Liz If the reviews had been ecstatic, maybe it would have gotten a 2012 release. But Focus probably doesn't see it as an awards player, even though they want to be in business with someone like Cianfrance. Plus, they're already going to have their hands full with Anna Karenina, Promised Land, and Moonrise Kingdom, so they probably figure there's no room for it on this year's slate anyway.
September 10, 2012 at 11:51AM ESTThe World
September 10, 2012 at 10:12AM EST Reply to CommentWith a 2012 release date, is this film eligible for the 2012 oscars??
Liz It's getting a 2013 release date, not 2012, so it won't be eligible this year.
September 10, 2012 at 11:52AM ESTBrock Landers
September 10, 2012 at 9:42PM EST Reply to CommentIt's the best film I've seen since 2007. It's absolutely incredible. It's not uneven at all (the fuck is Ellwood smoking?). Would be a definite Oscar contender if released this year. I smell another Hurt Locker situation. I feel bad for those who can't see it until 2013.
Colin Biggs I've been curious about this since the screencap was leaked, I was hoping that it would break before February. Oh well, I still look forward to it.
September 17, 2012 at 10:20PM EST