A little surprise happened at the art house over the past few months. Fox Searchlight's late addition to the September release schedule, "Enough Said," has become one of the biggest indie releases of the year.
You've got to feel a bit for Naomi Watts. Her 2013 started so promisingly, with a second Oscar nomination for "The Impossible." She'd waited pretty long, and fought pretty hard, for it -- cue a second wind for her career, right? Wrong. Well, not yet, at any rate. Only days after the nomination announcement, Watts' silly romantic drama "Adore" (yes, the one where she and Robin Wright shag each other's sons) was laughed out of Sundance. And that wasn't the worst of it: once talked up as a possibility for Oscar nod #3, "Diana" has been humiliated by critics and ignored by audiences. And there was "Movie 43"... Nathaniel Rogers considers her briefly triumphant nightmare year, and wonders what she can do to put it behind her. [The Film Experience]
Alfonso Cuarón returned to Los Angeles this week as "Gravity" completes another awards season orbit. The critically acclaimed phenomenon is battling "12 Years a Slave" for this year's frontrunner status (not that either of them want it) and Warner Bros. took some time Tuesday night to celebrate the $428 million-plus global box office hit.
So far, "The Act of Killing" is shaping up to be the most celebrated documentary of this awards season. Joshua Oppenheimer's sobering one-off about Indonesian genocide has yet to miss a stop on the circuit: it landed a number of top nods last week for the IDA Awards, and has also landed Best Documentary nods at the Gotham Awards and European Film Awards. Today, it extended its streak with five top nods for the Cinema Eye Awards, which stand alongside the IDAs as the most significant documentary-centered ceremony of the season.
Yesterday, the news landed that 19 films have been entered for consideration in the Best Animated Feature Oscar race -- a small pool that could get smaller once the Academy starts vetting the submissions for eligibility. (Hard to see the significantly live-action "The Smurfs 2" meeting with their approval, for example, but don't lose heart -- there's always the chance of a history-making Best Actress nod for Katy Perry's voice performance.) The number all eyes are focused on, however, is 16 -- the number of qualifying contenders required for a five-wide nomination field. Fewer than that, and it's down to four; fewer still, and we're looking at three.
Hans Zimmer will very likely receive the tenth Oscar nomination of his career for his robust, striking score to "12 Years a Slave"; he may well even get his second win. (Yes, he's only won for "The Lion King.") It'll be a suitable capper on what's been a busy year for the German composer: I think he's equally Oscar-worthy for "The Lone Ranger," and there's "Rush" and "Man of Steel" besides. Anyway, the subject of the day's best online read, as he reflects (and gossips) on a range of films he's scored in his career, from "My Beautiful Launderette" to "Inception." On the Oscars, meanwhile, he says, "[They're] incredibly seductive. You see people who you admire and who you think have incredible artistic integrity make complete fools of themselves on that stage. Me included.” [Vulture]
It has seemed almost too quiet on the "Jane Got a Gun" front as of late. But beneath the surface, things have been tumultuous for the Natalie Portman western.
You may recall director Lynne Ramsay walked off the movie on day one of shooting, leaving a cast and crew high and dry on the New Mexico set with no clue that she was already on a plane. "Warrior" director Gavin O'Connor replaced her, cleaned house a bit and attempted to forge on, though rumor had it things were in just as much disarray as the day he arrived, if not worse.
Well, things just got uglier. Monday the film's producers filed a lawsuit against Ramsay in federal court.
Ye gods, what is this: am I seeing double? Were they separated at birth? Is it an optical illusion, with one of them looking in a mirror? How else to explain the uncanny resemblance betw--okay, okay, I'll stop now. Suffice to say this shot of Tom Hardy and Elton John from this morning doesn't exactly highlight the physical likeness between the hulking actor and the legendarily flamboyant pop star, which is why the thought of the former playing the latter in an upcoming film remains so deliciously, intriguingly weird.
It's never too early to look at future awards season players. Today, Warner Bros. slotted two potential players with new release dates.
As we begin to taper off the weekly category run-downs (we have just one more left, Best Animated Feature Film), we move on to the screenplays. It's an interesting mix and the two categories, while not loaded with a ton of contenders, are still quite dense with multiple hopefuls sporting a fair shot at recognition from the writers branch.