Yesterday, the news landed that 19 films have been entered for consideration in the Best Animated Feature Oscar race -- a small pool that could get smaller once the Academy starts vetting the submissions for eligibility. (Hard to see the significantly live-action "The Smurfs 2" meeting with their approval, for example, but don't lose heart -- there's always the chance of a history-making Best Actress nod for Katy Perry's voice performance.) The number all eyes are focused on, however, is 16 -- the number of qualifying contenders required for a five-wide nomination field. Fewer than that, and it's down to four; fewer still, and we're looking at three.
Hans Zimmer will very likely receive the tenth Oscar nomination of his career for his robust, striking score to "12 Years a Slave"; he may well even get his second win. (Yes, he's only won for "The Lion King.") It'll be a suitable capper on what's been a busy year for the German composer: I think he's equally Oscar-worthy for "The Lone Ranger," and there's "Rush" and "Man of Steel" besides. Anyway, the subject of the day's best online read, as he reflects (and gossips) on a range of films he's scored in his career, from "My Beautiful Launderette" to "Inception." On the Oscars, meanwhile, he says, "[They're] incredibly seductive. You see people who you admire and who you think have incredible artistic integrity make complete fools of themselves on that stage. Me included.” [Vulture]
It has seemed almost too quiet on the "Jane Got a Gun" front as of late. But beneath the surface, things have been tumultuous for the Natalie Portman western.
You may recall director Lynne Ramsay walked off the movie on day one of shooting, leaving a cast and crew high and dry on the New Mexico set with no clue that she was already on a plane. "Warrior" director Gavin O'Connor replaced her, cleaned house a bit and attempted to forge on, though rumor had it things were in just as much disarray as the day he arrived, if not worse.
Well, things just got uglier. Monday the film's producers filed a lawsuit against Ramsay in federal court.
Ye gods, what is this: am I seeing double? Were they separated at birth? Is it an optical illusion, with one of them looking in a mirror? How else to explain the uncanny resemblance betw--okay, okay, I'll stop now. Suffice to say this shot of Tom Hardy and Elton John from this morning doesn't exactly highlight the physical likeness between the hulking actor and the legendarily flamboyant pop star, which is why the thought of the former playing the latter in an upcoming film remains so deliciously, intriguingly weird.
It's never too early to look at future awards season players. Today, Warner Bros. slotted two potential players with new release dates.
As we begin to taper off the weekly category run-downs (we have just one more left, Best Animated Feature Film), we move on to the screenplays. It's an interesting mix and the two categories, while not loaded with a ton of contenders, are still quite dense with multiple hopefuls sporting a fair shot at recognition from the writers branch.
The Academy has announced that 19 films have been submitted for consideration in this year's Best Animated Feature Film race. Per Academy rules, 16 qualifying films are needed for the category to extend to five nominations. But all 19 may not qualify. For instance, "The Smurfs 2" was submitted by Sony, but as with the first film in that franchise a few years ago, it could be dismissed by the Academy as ineligible due to various factors.
In the years since the 2007 release of Andrew Dominik's "The Assassination of Jesse James by the Coward Robert Ford," an even longer, deeper-realized cut of the 160-minute western has been a sort of holy grail for the film's acolytes. Mostly that's because of how within reach the possibility seems. This isn't a six-hour "Thin Red Line" that can't see the light of day by both reason and practicality. It's something that already has the willingness of the director going for it and could just use a little support from the studio to be realized.
The Santa Barbara International Film Festival has kicked off a wave of tribute announcements today with the revelation that Cate Blanchett will receive this year's Outstanding Performer of the Year award for her work in Woody Allen's "Blue Jasmine."
You need only look to "Mandela: Long Walk to Freedom" to observe how hard the fall festival circuit can be on certain prestige hopefuls: prime Oscar bait on paper, The Weinstein Company contender's buzz plummeted after a first wave of reviews that deemed it (not inaccurately, I think) turgid biopic-by-numbers stuff, however well-acted. How to get people talking about it again? Well, the announcement of an official White House screening this week for President Obama, due to be attended by Mandela's daughters and stars Idris Elba and Naomie Harris, will earn it a fresh batch of headlines and nifty photo opportunities. Will it help? Tim Gray considers the value of a political endorsement. [Variety]