David Fincher's hotly anticipated Gillian Flynn adaptation "Gone Girl" has finally arrived in theaters after a New York Film Festival debut last weekend. I didn't find myself as taken as some of my colleagues, though I do have an urge to see it again. So I may actually head out to a Saturday matinee myself.
I expect composer Jóhann Jóhannsson will be getting hired more and more in the near future. Having come up through the documentary world, he was tapped last year for Denis Villaneuve's "Prisoners" and he ran with the ball, crafting a dynamic, layered, ominous score that really didn't get its due. That course is sure to be corrected with his work on James Marsh's Stephen Hawking biopic "The Theory of Everything," a piano-driven work that stands out as one of the film's most identifying features.
Everyone loves Steve Martin. Everyone used to like him when he was pumping out comedies in the '80s, but now everyone loves him. He has the awards to prove it.
American Film Institute announced today that Steve Martin will receive the organization's 43rd AFI Life Achievement Award, the "highest honor for a career in film," according to a press release. The award will be presented to Martin at a gala tribute in Los Angeles, CA on June 4, 2015.
In 1999, George Lucas's "The Phantom Menace" sent studios and theater owners into a tizzy. Along with the standard film prints, Lucasfilm rolled out a select number of "digital projection" test screenings for the latest "Star Wars" installment. The New York Times reported on the awestruck audiences, a mix of film enthusiasts, technophiles, and "Star Wars" geeks. One 17-year-old exclaimed, "All my friends who've seen it before are coming to see it again in 'dij','' — oh, kids and their slang! — ''It's 30 times better this way.'' Even the projectionist at the test screening's New Jersey theater agreed. "Film is wonderful. It's done tremendous things for us over the last 75 to 100 years. But another way is here. You're watching history.''
15 years later, the revolution continues — in reverse. And it's getting ugly. Can anyone save film projection?
NEW YORK — The spotlight is finally on Rosamund Pike.
The 35-year-old actress first came to moviegoers' attention 12 years ago when she played a double agent in "Die Another Day." She then alternated between independent films like "Pride & Prejudice," "Barney's Version" and "Made in Dagenham," as well as studio flicks such "Doom," "Surrogates," "Wrath of the Titans" and even opposite Tom Cruise in "Jack Reacher." The biggest media spotlight she'd received was for her supporting role in "An Education," but if you were introduced to her at a party you probably wouldn't know where you recognized her from (or that she was even a movie "star"). That will all change with David Fincher's "Gone Girl."
After premiering at the New York Film Festival nearly a week ago, David Fincher's "Gone Girl" oozes into theaters this weekend. Being the director's 10th film to date made it a round enough number for the movie team here at HitFix to take a deep dive and count down the whole of his filmography.
Everyone wants to love Clint Eastwood's movies. But after winning Best Director and Best Picture for 2004's "Million Dollar Baby," the actor-turned-director's self-seriousness has left his recent output feeling a little… dry. Sounding great on paper, "Flags of Our Fathers" "Invictus," "J. Edgar" didn't have the cinematic brawn to muscle Eastwood into the award season (though, it should be noted, that his riveting, un-Hollywood war movie "Letters from Iwo Jima" nabbed a Best Picture nomination). Will "American Sniper" be the one voters and critical voices finally get behind?
NEW YORK — Now this is an unexpected trio to interview at one time: Emmy winner and top awards show host Neil Patrick Harris, veteran character actress Kim Dickens ("Treme," "Deadwood") and the man who is his own category, Tyler Perry. The three had converged — well, let's be honest, 20th Century Fox put them in a room together — to discuss their critically acclaimed new film "Gone Girl."
The first trailer for Pixar's "Inside Out" has all the feels… because they're the stars of the movie.
From Academy Award-winner Pete Doctor (2009's "Up"), "Inside Out" tells the story of a little girl named Riley and the anthropomorphic emotions that live inside her head. When she relocates from the Midwest to San Francisco, it's up to Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Disgust (Mindy Kaling), and Fear (Bill Hader) to keep her keepin' on. Think "Osmosis Jones" of the abstract.
Could January 2015 be the best January ever?
January is traditionally the dump month, when last minute Oscar hopefuls gain steam and studios fill multiplex screens with movies they'd prefer not to have on their permanent records. But that's all changing thanks to an overloaded release schedule. Today, if a studio has a good movie, it makes more sense to put it out when someone has time to actually see it then stack on top of industry-approved seasonal dates. A radical practice.