Top 10 lines from 'Ghostbusters' on National 'Ghostbusters' Day

Top 10 lines from 'Ghostbusters' on National 'Ghostbusters' Day

Happy holiday

Ivan Reitman's "Ghostbusters" celebrated its 30th anniversary back in June, but with a new 4K theatrical re-release on the way from Sony, today has been dubbed "National 'Ghostbusters' Day." Well, of course we should do something special.

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Review: Dark Israeli comedy 'The Farewell Party' finds humor in assisted dying

Review: Dark Israeli comedy 'The Farewell Party' finds humor in assisted dying

HitFix
B
Readers
n/a
A touching, well-judged look at a difficult subject

VENICE - When high schoolers Cher (Alicia Silverstone) and Dionne (Stacey Dash) successfully fix up a couple of single teachers in Amy Heckerling's seminal teen hit "Clueless", the pampered girls coo "Old people can be so sweet!" as the targets of their matchmaking begin to enjoy a tentative romance. The joke is on the naive teens; we're laughing at their blithely patronizing attitude towards their elders. Would that all films were as smart as Heckerling's Jane Austen revamp.

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<p>Kate Winslet</p>

Kate Winslet

Credit: AP Photo

John Hillcoat, Kate Winslet and Chiwetel Ejiofor team-up 'Triple Nine' gets 2015 release date

Woody Harrelson, Casey Affleck, Aaron Paul and Gal Gadot also star

A release date has been set for the police thriller "Triple Nine" from director John Hillcoat ("Lawless," "The Proposition"), which stars a slew of Oscar winners and nominees.

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<p>&quot;The Look of Silence&quot;</p>

"The Look of Silence"

Review: 'The Look Of Silence' is a worthy companion to 'The Act Of Killing'

HitFix
B+
Readers
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Joshua Oppenheimer delivers another compelling doc

VENICE - Joshua Oppenheimer's "The Act Of Killing" was an incredibly uncomfortable watch for many reasons. Not least its close alignment - narratively, if not morally - with Indonesian death squad veterans, as they re-enacted the atrocities they had committed in the style of their favorite films. "The Look Of Silence", styled as a companion piece rather than a sequel, redresses the balance. This time, the surviving family members of Ramli, one of the the victims, are the focus, and the style is appropriately restrained.

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<p>&quot;Birdman&quot;</p>

"Birdman"

Credit: Fox Searchlight Pictures

Review: Alejandro G. Iñárritu's 'Birdman' opens Venice with a sure-fire Oscar bet

HitFix
A-
Readers
A+
Michael Keaton is superb in meta showbiz drama

VENICE - Truth or dare? This is a game played by two characters in magnificently acidic metatextual comedy "Birdman." It's also the film as a three-word question. Truth or dare? Real stage actor or star? You can have your artistic integrity, or you can have a hit. You can go Method, or you can really fly. You can be Riggan Thomson (Michael Keaton), or you can be Birdman (Riggan Thomson). Initially, "Birdman" poses as a trenchant critique of the seemingly endless parade of men in capes that is the summer blockbuster season (Michael Fassbender and Robert Downey Jr. are name-checked as fine actors currently otherwise occupied), but it's actually rather more nuanced than that.

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Review: Low-key drama in the English fenland propels debut feature 'The Goob'

Review: Low-key drama in the English fenland propels debut feature 'The Goob'

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C+
Readers
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Sean Harris reliably unsettling in Venice Days entry

VENICE - NBC's "The Office" rang frequent laughs from Dwight Schrute's beet farm, with glimpses of backwards Cousin Mose and his feral antics proving particularly fertile ground for comedy ("And as of this morning, we are completely wireless here at Schrute Farms, but as soon as I find out where Mose hid all the wires, we'll get all that power back on.") This kind of vaguely unsettling boys-on-the-farm vibe is played straight in "The Goob", a character piece that has atmosphere to spare, and whose minimal plot is helped along by the happily original setting; this might be the first film shot in Norfolk to premiere at Venice.

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<p>Richard Attenborough</p>

Richard Attenborough

Credit: AP Photo

Richard Attenborough, Oscar-winning director of 'Gandhi,' dies at 90

His sterling career spanned multiple generations

Oscar-winning filmmaker and actor Richard Attenborough, who delighted cinema audiences across some six decades, has died, according to his son. He was 90 years old.

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<p>&quot;Selma&quot;</p>

"Selma"

Credit: Paramount Pictures

Images from 'Selma' feature David Oyelowo as MLK, Tom Wilkinson as LBJ and more

Director Ava DuVernay has kept an impressive photo diary of the film's production

Ava DuVernay's "Selma" is going to come around at a particularly noteworthy time. Yes, it's been 50 years since the Selma-to-Montgomery marches and yes, it's been 49 years since the passing of the voter rights act. But as we look around today, it's perfectly clear: the more things change, the more they stay the same.

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<p>&quot;Inherent Vice&quot;</p>

"Inherent Vice"

Credit: Warner Bros. Pictures

More details on NYFF-bound 'Gone Girl' and 'Inherent Vice' surface

Plus: A new image from Paul Thomas Anderson's wild ride

All eyes are on the fall festivals now as Venice and Telluride are set to gear up next week with Toronto shortly after. And just on the horizon: New York. The Film Society at Lincoln Center pretty much won the day this season by landing the big premieres of David Fincher's "Gone Girl" and Paul Thomas Anderon's "Inherent Vice," while the choice of "Birdman" for closing night — despite the fact that it will have already played Venice and likely Telluride prior — felt like a natural progression. NYFF Director and Selection Committee Chair Kent Jones recently spilled a bit on the Fincher and the Anderson, two films hotly anticipated this season.

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<p>&quot;Nightcrawler&quot;</p>

"Nightcrawler"

Credit: Open Road Films

New 'Nightcrawler' trailer sets up the murky ethics of the Jake Gyllenhaal thriller

The film recently moved from Oct. 17 to Oct. 31

Every new piece of footage or marketing for "Nightcrawler" has me champing at the bit at this point. First Open Road Films offered up a brief viral tease of the film, which stars Jake Gyllenhaal as an ethically unbound freelance crime journalist in Los Angeles, ahead of its announcement as a Toronto Film Festival world premiere. Then came the first teaser trailer, which proved to me that cinematographer Robert Elswit was bringing the goods here. And that pulp-inspired poster was awesome. Now, a full trailer, laying out all the ethical implications at the heart of the film.

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