SANTA MONICA, Calif. — The Broadcast Film Critics Association (BFCA) has found a bit of a sweet spot for its annual Critics' Choice Movie Awards by holding them on the very night of the Oscar nominations. This evening marked the second such occasion after necessity forced the organization's hand last year and ended up working out for them, and spirits were certainly high amongst the many Oscar nominees in attendance this time around.
Winners were announced for the 19th annual Critics' Choice Movie Awards this evening in Santa Monica, Calif. Largely considered a barometer for which way the Academy might vote, they recognize accomplishments in an array of genres and crafts. "12 Years a Slave" won Best Picture honors, as well as Best Adapted Screenplay and Best Supporting Actress, but it was "Gravity" that led the way with wins far and away with seven trophies. "American Hustle" picked up four, including Best Comedy and Best Actress in a Comedy. Check out the nominees here, the full list of winners below and remember to follow the season at The Circuit.
PARK CITY - J.C. Chandor’s “All Is Lost” earned exactly one Academy Award nomination this morning, and actor and filmmaker Robert Redford powered through his reaction right at the top of the 2014 Sundance Film Festival.
The Oscar nominations brought with them joy for some, despair for others. Perhaps indifference for a few (like Robert Redford, taking it in stride up in Park City at this very moment). As ever, there are winners and losers to be assessed from the morning's announcement, and Team HitFix has tee'd them up for you in the gallery story below. Click through to see who's glad and who's mad.
It's their party. That's what I always say. Though "and I'll cry if I want to" often follows, and today, I have to say, I'm crying over "Inside Llewyn Davis."
Every year, statistics geeks and record-book keepers have a field day with the Oscar nominations announcement, as the list is scoured for unique anomalies, imposing numbers and ways in which history -- however obscurely -- may have been made. And this year brought its share of records that have been extended, runs that have been broken and any number of trivia bits and bobs. Let's check out a few of them after the jump.
Ethan Hawke picked up his third nomination to date this morning and his second nomination from the writers branch for co-penning the screenplay for Richard Linklater's "Before Midnight." It's a special mention for the actor because he, Linklater and his co-star and co-writer Julie Delpy were chalked up nearly a decade ago for the very same nomination for "Before Sunset."
Interestingly enough, a year before production began on that 2004 mid-section to what has come to be one of the most unique trilogies in cinema, Hawke and Linklater kicked off a whole other experiment that will finally be unveiled at the Sundance Film Festival Sunday night. "Boyhood," filmed over the course of 12 years, will tell a story of childhood and growing up, the years ticking by as Linklater and his team revisited the story consistently throughout that span of time, ending up with what will be another unique glimpse at the drama and minutiae of everyday life, the very purview of Linklater throughout his career.
Hawke hopped on the phone this morning to react to his Oscar nomination and to tell us what we can expect from "Boyhood" when it premieres this weekend. Check out the back and forth below.
It was a "bittersweet" morning according to Sony Pictures Classics co-president Michael Barker. On one hand his company's films "Before Midnight," "Blue Jasmine" and "The Invisible Woman" combined for a total of five nominations, including a somewhat surprising bid for "Blue" supporting actress Sally Hawkins. On the other, it was a rare occasion where the indie distributor had no nominees in either the Best Documentary Feature or Best Foreign Language Film categories, and neither "Blue" nor "Midnight" was able to push into the Best Picture field.
The Academy's music branch can always be counted on for at least one out-of-nowhere surprise in the Best Original Song category. Remember "Paris 36?" Or "Chasing Ice?" Or "August Rush?" Forgotten them all? No one would blame you. Anyway, they seem to have truly outdone themselves this year. There were audible gasps and chuckles when Cheryl Boone Isaacs began reading the list of nominees in the category, and first off the bat was "Alone Yet Not Alone" from, er, "Alone Yet Not Alone."
It's always inevitable that the Academy will end up snubbing a deserving nominee in one category or another, but one big snub this year was Sarah Polley's "Stories We Tell" in the feature documentary category. "Stories" won both the NYFCC and LAFCC best documentary honors and was a fixture on many critics' end-of-year top 10 lists. It was almost seen as a lock to make the cut, but appears to have been pushed out by either "Dirty Wars" or "Cutie and the Boxer." Leave it to the always classy Polley to send out a tweet flipping the narrative and heaping praise on one of the actual nominees, Joshua Oppenheimer for "The Act of Killing."