Hailee Steinfeld
Credit: 20th Century Fox

Hailee Steinfeld falls hard for Dustin Lance Black’s YA adaptation 'Statistical Probability'

The Oscar nominee and winner will tackle 24-hour romance.

It’s been a slow post-Oscar star for Hailee Steinfeld and writer-producer-director Dustin Lance Black. Not disastrous, but not the typical rise to prominence and slew of work that comes with the Academy Award touch. Steinfeld earned a nomination in 2011 for her work on the Coen Bros’ “True Grit.” Two years earlier, Black won a Best Original Screenplay Oscar for “Milk.” Since then, neither have tackled material that’s brought them back into the awards conversation. Their next project may not have the bravado to take them back to the ceremony, but it sounds like a step in the right direction.

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Amy Poehler: Tina Fey and I are out as Golden Globes hosts after 2015
Credit: AP Photo

Amy Poehler: Tina Fey and I are out as Golden Globes hosts after 2015

'Unless you want to be a perennial host, there’s nowhere to go but down.'

You know what they say: all good things must come to an end.

After two years hosting the Golden Globe Awards to stellar ratings and critical raves, Tina Fey and Amy Poehler will be hanging up their hats after next year's show, according to Poehler during an interview on Tuesday's "Today" show:

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Greg Kinnear, Renee Zellweger
Credit: Sony Pictures/AP

Greg Kinnear and Renee Zellweger to experience revelations in ‘Same Kind of Different’

Djimon Hounsou also set for the latest from ‘Heaven Is for Real’ author Lynn Vincent.

One of the under-discussed success of 2014 (but one that won’t go unnoticed in Hollywood) is "Heaven Is for Real," the adaptation of Lynn Vincent’s New York Times Bestseller. The true story of a kid’s near death experience and the visions of the afterlife he bestowed to his parents grossed over $90 million at the domestic box office, a huge hit for Sony Pictures and a career highlight for star Greg Kinnear. Those numbers must have instilled some faith in the actor: He’ll star alongside Renee Zellweger and Djimon Hounsou in the next Vincent adaptation, “Same Kind of Different As Me.”

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Rick Baker

This video of monster makeup legend Rick Baker will leave you weeping

As CG dominates the industry, the special effects veteran finds himself downsizing.

Makeup artist Rick Baker, the man behind everything from "An American Werewolf in London" to "Coming to America" to "Maleficent," has worked out of his current studio — a Hogwarts-like prosthetics laboratory that doubles as a museum to past work — for 20 years. He set it up because his last work space was too small. On movies like Tim Burton’s “Planet of the Apes” remake or Ron Howard’s live-action “Grinch,” Baker would command a team of nearly 100 people, toiling away over Whos from Whoville and articulate monkey masks. Today, he’s looking to downsize. CG is a tidal force. If a movie’s going to have 100 apes storming into battle, they’re going to be digital. Baker isn’t out of commission, but he’s aware the days of giant makeup jobs are behind him.

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<p>&quot;The Theory of Everything&quot;</p>

"The Theory of Everything"

Credit: Focus Features

How 'Theory' DP Benoît Delhomme told Hawking's story with color and light

Also: Working in Hamburg with fellow photographyer Anton Corbijn on 'A Most Wanted Man'

I've had my eye on Benoît Delhomme's work since he brought an effortless grace to Anthony Minghella's "Breaking and Enterting" in 2006. He's made his way along a unique track in the industry and 2014 is a real coming out between Anton Corbijn's John le Carré adaptation "A Most Wanted Man" and James Marsh's Stephen Hawking biopic "The Theory of Everything."

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Exclusive: Rachel McAdams reminds us why 'A Most Wanted Man' is a 2014 top 10 contender

Exclusive: Rachel McAdams reminds us why 'A Most Wanted Man' is a 2014 top 10 contender

Will it end up on your list?

It's only the last week of October, but conversations are already starting about year end top 10 lists around the HitFix offices. Looking back over the past 10 months there are a number of films that are worthy of consideration. Some more obvious than others. One film that probably won't make a number of lists, but probably needs to be seen again because it's too good to ignore, is Anton Corbijn's "A Most Wanted Man."

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Exclusive: Coldplay, John Legend and Common enter the Best Original Song Oscar race

Exclusive: Coldplay, John Legend and Common enter the Best Original Song Oscar race

Tracks from 'Selma' and 'Unbroken' break out the heavy hitters this year

Last year's "Alone Yet Not Alone" shenanigans were a nice reminder that the Academy's Music Branch can certainly march to its own drum (no pun intended), for better or worse. So you never can tell how the Best Original Song Oscar race will turn out, and the highest of profiles isn't necessarily a guaranteed pass. Nevertheless, this year's race — already marked by contenders from popular music such as New Radicals' Gregg Alexander ("Begin Again") and the legendary Patti Smith ("Noah") — has just picked up a trio of heavy hitters.

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Credit: Cinelou Films

Jennifer Aniston’s 'Cake' performance sneaks into the Best Actress race

Cinelou Releasing will release the film in time for consideration.

With early, festival-driven campaigns already ramping up (see: Julianne Moore in “Still Alice”) and sleeper candidates generating buzz (major question marks like Amy Adams in “Big Eyes”), the 2015 Best Actress race is tightening up. Is there room for surprises? Jennifer Aniston hopes so.

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Emma Watson can’t escape Mikael Nyqvist’s grip in 'Colonia' first look

Somewhere, costar Daniel Brühl is worried

Fresh off his bloody beating in Keanu Reeves’ gun-fu action movie “John Wick,” Deadline announced that Mikael Nyqvist has joined the cast of Florian Gallenberger's directorial debut “Colonia.” With the announcement comes the first still to make its way off the active set, a rather creepy glimpse at Emma Watson’s next role. Breathe, “Harry Potter” Tumblr contingent! It’s just a movie.

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Paul Greengrass
Credit: Sony Pictures

'Bourne' director Paul Greengrass to docudramatize a Berlin Wall escape

Riding high from ‘Captain Phillips,’ the filmmaker signs on to ‘The Tunnels’

Paul Greengrass is like the Ricky Jay of Hollywood directors. Every few months, the “Captain Phillips” filmmaker becomes attached to a new project, the likelihood of it actually happening a complete unknown, but fascinating nonetheless. Maybe it’s a Martin Luther King biopic. Or an adaptation of “Agent Storm: My Life Inside Al Qaeda.” Or a crime picture with George Clooney. Or Aaron Sorkin’s long-gestating “The Trial Of The Chicago 7.” Or even a triumphant return to the “Bourne” franchise! When Greengrass eventually makes a movie, it can come out of nowhere. He (or his agent) is the master of industry illusions.

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