<p>Edward Zwick</p>

Edward Zwick

Credit: AP Photo

Filmmaker Edward Zwick to be honored by industry sound mixers

Four of the director's films have been recognized by the Academy for sound

I remember a few years ago, one of the more surprising Oscar nominees for both Best Sound Editing and Best Sound Mixing was Edward Zwick's "Blood Diamond." It made sense in hindsight. Not only was it great work from respected artists, but Zwick has always had an ear for quality sound work; four of his films have been recognized with Oscar nominations by the branch. So he's a nice choice for this year's Filmmaker Award at the 50th annual Cinema Audio Society (CAS) Awards.

Read Full Post
<p>Phedon&nbsp;Papamichael (left) on the set of &quot;Nebraska&quot;&nbsp;with Bruce Dern,&nbsp;Will Forte and Alexander Payne (right).</p>

Phedon Papamichael (left) on the set of "Nebraska" with Bruce Dern, Will Forte and Alexander Payne (right).

Credit: Paramount Pictures

Phedon Papamichael on shooting Alexander Payne's black and white vision for 'Nebraska'

How the stark landscape of small town America informed the film's look

Alexander Payne's vision for "Nebraska" was always in black and white. Going way back to prep on 2004's "Sideways," he told his director of photography, Phedon Papamichael, that he had this little road trip movie he was keen to do free of color, which of course was appealing to Papamichael. Nearly a decade later they finally set out to make the movie, but they had a bit of a roadblock.

Read Full Post
<p>Cameron Monaghan and Noah silver in Carter Smith's &quot;Jamie Marks is Dead.&quot;</p>

Cameron Monaghan and Noah silver in Carter Smith's "Jamie Marks is Dead."

Review: 'Jamie Marks is Dead' is a very unexpected supernatural drama

Young stars from 'Homeland' and 'Shameless' get the spotlight

PARK CITY - One of the more intriguing aspects of the U.S. dramatic competition at the 2014 Sundance Film Festival is just how unconventional it has been. Dramedies and films with slight sci-fi elements have been a mainstay of the festival's premier category, but straight comedies, zombies and supernatural horror? Well, that's something very new to the mix. One picture that mixes serious drama and supernatural elements in this year's dramatic competition premiered Sunday night, "Jamie Marks is Dead."

Read Full Post
<p>Any three-sided coins lying around?</p>

Any three-sided coins lying around?

Credit: Sony Pictures/Warner Bros./Fox Searchlight

Off the Carpet: The closest Best Picture Oscar race ever?

'American Hustle,' 'Gravity' and '12 Years a Slave' are neck-and-neck

It's wonderful when an exemplary year of filmmaking yields an awards season as unpredictable and wide open as this one is. "12 Years a Slave" and "American Hustle" won Globes. They each led guild nominations. "Gravity" and "Hustle" led Oscar nominations, but "12 Years" wasn't far behind. "Gravity" and "12 Years" tied for the PGA Award, but "Hustle" won the SAG ensemble award. And each film was given a Best Picture prize of some sort at the Critics' Choice Movie Awards. (Some of them dubious but that was clearly the point of the BFCA adding those categories: the opportunity to spread wealth.)

Do you know how difficult it is to tie on a preferential ballot? Do you know how even the distribution of votes has to be? It's mind-boggling that that happened. I thought 2000 was a tight year. Three different films won the top guild honors. A Best Picture/Best Director split happened at the Oscars. But three films this evenly dispersed? Call it. This is the most competitive Oscar season I've ever covered.

Read Full Post
<p>Ellar Coltrane in &quot;Boyhood.&quot;</p>

Ellar Coltrane in "Boyhood."

Credit: IFC Films

Review: Richard Linklater's 'Boyhood' is an extraordinary chronicle of a life in progress

HitFix
A-
Readers
n/a
12 years, one boy, a total one-off

PARK CITY - The unexamined life, to tinker brashly with the words of Socrates, is not worth filming. That, at least, appears to be the key tenet behind much of Richard Linklater's work, in which ordinary lives are put under the most exacting of microscopes, and granted the level of scrutiny and detail usually reserved for the extraordinary. After the 18-year relationship study of the "Before" trilogy – currently a trilogy, at any rate – it seemed Linklater could hardly push his interest in magnified realism and time-lapse chronology any further. Turns out he can, and "Boyhood" is the astonishing result. 

Read Full Post
<p>The producers of &quot;Gravity&quot;&nbsp;and &quot;12 Years a Slave&quot; at the 25th annual Producers Guild of American&nbsp;(PGA)&nbsp;Awards</p>

The producers of "Gravity" and "12 Years a Slave" at the 25th annual Producers Guild of American (PGA) Awards

Credit: AP Photo

'Gravity' and '12 Years a Slave' tie at the 2014 PGA Awards

'Frozen' and 'We Steal Secrets' take honors for animation and documentaries

Heading into today's Producers Guild of America (PGA) Awards announcement, it was "12 Years a Slave" and "American Hustle" that appeared to have the momentum. The former had landed some major media prizes in the form of Golden Globe and Critics' Choice wins, while the latter added a Screen Actors Guild ensemble award to its own Golden Globe prize last night. But, well, Alfonso Cuarón's "Gravity" had a little something to say about all of that. And the season itself had something to say about calling this thing just yet, as the final award of the night ended up split down the middle in a tie between Cuarón's opus and Steve McQueen's "12 Years a Slave."

Read Full Post
<p>Philip Seymour Hoffman in &quot;A Most Wanted Man.&quot;</p>

Philip Seymour Hoffman in "A Most Wanted Man."

Credit: Roadside Attractions

Review: Philip Seymour Hoffman on top form in elegant thriller 'A Most Wanted Man'

HitFix
B+
Readers
n/a
A new John Le Carré adaptation brings Cold War paranoia to post-9/11 Europe

PARK CITY - In the world of intelligence thrillers, the Cold War, much like smoking, is a hard habit to break. And both, as it turns out, feature prominently in Anton Corbijn's "A Most Wanted Man," the first big-screen adaptation of a John Le Carré novel since Tomas Alfredson's "Tinker Tailor Soldier Spy" in 2011, and a worthy spiritual successor to that tangled, tea-stained tale of world-weary espionage. The difference, however, is that we're long past the Cold War's big thaw in this particular story: post-9/11 paranoia is the order of the day, though Le Carré's typically dry, rueful tone and Corbijn's pewter-colored aesthetic combine to suggest the shift is immaterial: the more things change, the more they stay the same, and political distrust springs eternal.

Read Full Post
<p>Michael Shannon in &quot;Young Ones.&quot;</p>

Michael Shannon in "Young Ones."

Credit: Sundance Film Festival

Review: Confused sci-fi western 'Young Ones' wastes Michael Shannon and Elle Fanning

HitFix
D+
Readers
n/a
Jake Paltrow still hasn't hit his stride in his sophomore feature

PARK CITY - If you only see one Dust Bowl sci-fi eco-western starring Nicholas Hoult this year... well, maybe wait for the next one. Arriving in Sundance on a tide of buzz that seems justified only by its on-paper singularity, Jake Paltrow's infallibly earnest genre experiment "Young Ones" marries the stark heartland integrity of John Steinbeck to the post-apocalyptic nihilism of "Mad Max," with the waxen self-importance of neither. Relocating a classical land-ownership saga to a barren New-Old West situated, we can only hope, in the very distant future, it, Paltrow's film never quite finds the happy medium between B-movie splatter and literary elevation; if nothing else, it confirms my suspicion that films adorned with their own chapter headings are rarely good news.

Read Full Post
<p>Jeffrey Zarrillo, Paul Katami, Kris Perry and Sandy Stier in &quot;The Case Against 8.&quot;</p>

Jeffrey Zarrillo, Paul Katami, Kris Perry and Sandy Stier in "The Case Against 8."

Credit: HBO

Review: 'The Case Against 8' a moving chronicle of the battle for gay marriage

HitFix
B+
Readers
n/a
A landmark case is memorialized in Ben Cotner and Ryan White's documentary

PARK CITY - You could be forgiven for wondering what we stand to gain from a documentary about the Proposition 8, the ban on same-sex marriage issued in California in 2008, and its subsequent reversal. The final Supreme Court ruling on the case is not even a year old, and the five long years of back-and-forth legal wrangling toward this resolution should be fresh in the minds of even those only casually concerned by the issues at stake. Has enough time passed for our perspective on the events to have shifted? Are proponents of the ban ready to engage in even-handed conversation? Can any film on Proposition 8, whatever its stance, do much more at this stage than preach to the converted?

Read Full Post
<p>Mark Ruffalo,  Imogene Wolodarsky and Ashley Aufderheide in Maya Forbes' &quot;Infinitely Polar Bear.&quot;</p>

Mark Ruffalo, Imogene Wolodarsky and Ashley Aufderheide in Maya Forbes' "Infinitely Polar Bear."

Review: Mark Ruffalo is remarkable in the emotional 'Infinitely Polar Bear'

Wonderul directorial debut for Maya Forbes

PARK CITY - Imagine you worked at a Hollywood studio and someone were to pitch you a movie set in the late '70s centered on a clinically diagnosed manic depressive raising his two young daughters all by himself. Your first thought would be to immediately question its commercial viability. Happily, Maya Forbes' directorial debut wasn't dependent on a studio. If it had been, there's no way this wonderfully unexpected tearjerker would have found its way to the big screen.

Read Full Post