A scene from Fritz Lang's "Metropolis"

Credit: Paramount Pictures

There's a lot of talk about lists lately. Just the other day we chewed on Roger Ebert's inclusion of Terrence Malick's "The Tree of Life" in his personal top 10 films of all time as part of the 2012 Sight & Sound critics and filmmakers poll (which Guy is agonizing over currently as he was asked to participate this time around -- Friday's the deadline).

Meanwhile, HitFix's own Drew McWeeny offered up his personal list of 20 last night as a lead-in to a feature Film School Rejects managing editor Scott Beggs (aka Cole Abaius) has been working through for a few days now. I was also asked to participate in that poll, which was largely net-based in focus and therefore younger in demographic. So I might as well offer up some extended thoughts, too.

I've been doing this in one form or another for 12 years, going back to college and, really, my teens. I'm 30 now. And one question I've been asked frequently over that span of time is, "Hey, what are your top 10 films of all time?"

A scene from Cristian Mungiu's "Beyond the Hills."

Credit: Sundance Selects

The director: Cristian Mungiu (Romanian, 44 years old)

The talent: A number of first-time actresses pepper the cast list of Mungiu's latest, including his two leads, Cosmina Stratan and Cristina Flutur. Keen followers of the Romanian New Wave may recognize (if not necessarily be able to name) the odd face in support, including a number of bit players from "4 Months, 3 Weeks and 2 Days." The biggest name here, relatively speaking? Luminita Gheorghiu, who won an LA Critics' award a few years back for "The Death of Mr. Lazarescu." 

Mungiu wrote and produced the film himself. It's interesting, however, to see Belgian brothers (and two-time Palme d'Or winners) Luc and Jean-Pierre Dardenne on the list of co-producers, just in case its Croisette cred needed any beefing up. "4 Months" cinematographer Oleg Mutu is also, invaluably, back on board -- as mentioned yesterday, this is one of two Competition entries this year shot by him. That film's production designer Mihaela Poenaru returns, joined by Calin Papura, who did some striking work on Francis Ford Coppola's "Youth Without Youth." Editor Mircea Olteanu (who also doubles as sound editor) makes his feature debut here.

Gene Kelly in "Singin' in the Rain"

Credit: MGM

The AMPAS is set to honor Gene Kelly, the icon of the golden age of the elaborate Hollywood musical, in a two-night celebration hosted by his widow, Patricia Ward Kelly. The event will feature film clips, personal remembrances and a look at the radical impact Kelly had on the way dance was filmed.

Kelly's on-screen presence as a singer/dancer and behind-the-scenes work as a director and choreographer altered how musical numbers were conceived and executed both in his day and beyond. He is remembered for his indelible self-directed performances in films such as "An American in Paris" and "Singin’ in the Rain," and his innovative use of settings such as rain-soaked sidewalks and props ranging from umbrellas to mops to sheets of newspaper and roller skates invigorated the expansive musicals of the day.

Kelly was buoyant, muscular and full of vibrant charm. He was the quintessential 1950s archetype of what the United States wanted people outside and inside its boundaries to believe Americans were: attractive, confident and good-natured, with a witty sense of play.

A scene from Sergei Loznitsa's "In the Fog."

Credit: Belarusfilm

The director: Sergei Loznitsa (Belarusian, 47 years old)

The talent: Amid a sea of unfamiliar actors -- some of them Russian workhorses, but many of them first-timers -- two names stand out, though both of them are in supporting roles. Romanian actor Vlad Ivanov made a striking impression (and scooped an LA Critics' award) as the surly abortionist in "4 Months, 3 Weeks and 2 Days"; veteran Russian actress Nadezhda Markina's stunning turn in the title role of "Elena" earned a European Film Award nod last year, and will hit US screens next week.

As on his last film (and first narrative feature) "My Joy," Loznitsa wrote the script, while that film's editor Danielius Kokanauskis, production designer Kirill Shuvalov and cinematographer Oleg Mutu are all on board. Mutu, in particular, is a name to note: he's been a key figure in the recent Romanian new wave, having shot "The Death of Mr. Lazarescu," "4 Months, 3 Weeks and 2 Days" (which he also produced) and "Tales From the Golden Age." This is one of two Competition credits for him this year: he also lensed Cristian Mungiu's latest, "Beyond the Hills." 

DGA winner for "The Artist," Michel Hazanavicius (left), with Tom Hooper at the 2012 DGA Awards in January.

Credit: Reuters

The Directors Guild of America (DGA) has announced today that it will be reversing a long-standing policy outlawing the issuance of "for your consideration" screeners to its membership. The change will go into effect this awards season.

Said DGA president Taylor Hackford via press release, "There's nothing better than watching a movie on the big screen, exactly as the director intended. But it's not always possible for our members to get to the theater to see every film in awards contention."

The guild's former policy was in place because it believed films sent out on DVD "could have an advantage over films that are not able to be sent out due to limited marketing budgets or other financial constraints of studios and distributors." Noble, but out-dated. And given the down-the-middle voting habits of the membership as of late, it doesn't seem to have done much for the little guys anyway.

Yauch (right) and Woody Harrelson at the National Board of Review gala in January 2010. Harrelson was there to be honored as Best Supporting Actor in "The Messenger."

Credit: Getty Images

I've been out all afternoon, so the sudden news of Adam Yauch -- better known as MCA of The Beastie Boys -- succumbing to cancer has been all Twitter remembrances and mobile news briefs for me. And all sadness. HitFix's Katie Hasty has plenty to say about it here, Melinda Newman here. Really and truly, I feel like a piece of me went with him. And I think anyone who has grown up with that music knows what it has meant.

But as many movie sites have dutifully pointed out, Yauch's creative reach was significant in the film world as well. And his tenure as a driving force behind indie distributor Oscilloscope Laboratories has ushered brave pick-ups and challenging cinematic material to the fore for the last four years or so.

Awards success greeted a few of those titles. Most significant was a Best Supporting Actor nomination for Woody Harrelson as well as a Best Original Screenplay nomination for Alessandro Camon and Oren Moverman for "The Messenger" in 2009, which itself flirted with the first-ever expanded Best Picture line-up during that season.

Paul Brannigan in "The Angels' Share."

Credit: Entertainment One

The director: Ken Loach (British, 75 years old)

The talent: As is often the case with Loach films, the cast is a jumble of fresh faces and old hands from British film and television. Making his screen debut in the lead is 24 year-old Scotsman Paul Brannigan, whom we'll also see later this year in Jonathan Glazer's "Under the Skin." Heading up the support is veteran English comic actor Roger Allam (recently seen in "The Iron Lady" and "Tamara Drewe"), who previously worked with Loach on 2006's "The Wind That Shakes the Barley." Other Loach associates on board include bulldog-faced character actor John Henshaw (for many the standout of 2009's "Looking for Eric") and young Glaswegian William Ruane ("Sweet Sixteen," "Tickets," "Barley"). 

On script duty, of course, is Paul Laverty, who has written all but one of Loach's narrative films since 1996's "Carla's Song," winning the Best Screenplay award at Cannes in 2002 for "Sweet Sixteen." Loach's regular producer Rebecca O'Brien is also on board. Below the line, the presence of Robbie Ryan, whose work for Andrea Arnold (most dazzlingly on "Wuthering Heights") has made him one of the most exciting cinematographers in the business, adds interest. Still, given that Loach's two most recent, rather pedestrian-looking features were shot by Barry Ackroyd and Chris Menges, respectively, don't get your hopes up for a visual feast.

Chris Hemsworth (left) and Chris Evans in "The Avengers"

Credit: Walt Disney Pictures

The summer is here at the multiplex as Joss Whedon's "The Avengers" hits theaters this weekend. Midnight screenings are already letting out so it's time to hear what the public has to say (the US public, anyway, as it's already chugging along in 39 other countries). Did Marvel pull off the ambitious team-up? I'd say so. Drew certainly loved it. So what say you? Offer up your thoughts in the comments section below. (Oh, and the music video for Soundgarden's original song for the film dropped yesterday if you're interested.)

Rin Takanashi in "Like Someone in Love."

Credit: Euro Space/MK2 Productions

The director: Abbas Kiarostami (Iranian, 71 years old)

The talent: Kiarostami may have chosen a major international star to headline his foray into non-Iranian cinema two years ago, but for his second, he's taking the opposite tack. Rin Takanishi, his 23 year-old lead actress, is a relative newcomer, schooled mostly in Japanese television; her older co-star, Tadashi Okuno, may have a screen CV that dates back to the 1960s, but it's even briefer than Takanishi's. The most recognizable name here is Ryo Kase, whom you may remember from "Letters from Iwo Jima" and that godawful kamikaze-ghost role in last year's "Restless." Kiarostami sought Japanese talent below the line too: cinematographer Katsumi Yanagijima is best-known for his work on Takeshi Kitano's films, as well as "Battle Royale." Kiarostami, as is his wont, wrote the original screenplay; he also produced alongside Frenchman Nathanael Karmitz, who also shpherded "Certified Copy" to the screen.

Hunter McCracken (left) and Brad Pitt in "The Tree of Life"

Credit: Fox Searchlight Pictures

The Sight & Sound poll of filmmakers and critics picking the greatest films of all time is 10 years old. Many in the cinephile community are anxious to see the results of the latest questionaire, which will be revealed some time in August (I think). A few critics have revealed their own lists but that's just a drop in the bucket of what we'll get when the big collective is revealed.

Chicago Sun-Times critic Roger Ebert is one such critic. And I was a little surprised to see that Terrence Malick's "The Tree of Life," which was a formidable force on the awards circuit last year, managed to find itself among previous mainstays of the his list, which include "Aguirre, the Wrath of God," "Apocalypse Now," "Citizen Kane" and "2001: A Space Odyssey" (four films that could register on my own list, which is why I've always liked Ebert's choices quite a bit).