Makeup branch gets increased representation on Board of Governors
I confess it's news to me that the costume designers of the Academy didn't already have their own separate voting branch -- instead, they've always been lumped into a single Designers' Branch with the production designers, art directors and set decorators. Yet nominees in the Best Costume Design category are often so distinctive -- several of them scoring in no other Oscar field, even Best Art Direction -- that I'd assumed they were the result of a smaller branch of peers voting.
We now return to our regularly scheduled programming
I have to say, it was nice to spend a week or so away from the Oscar fray, and for its part, the Oscar fray seemed to be very content with putting things on hold while the Sundance Film Festival did its thing in the mountains of Utah. I guess maybe that's one good thing about this season's scheduling change: room to breathe in January.
But the festival is over and now it's back to our regularly scheduled programming, with the deep dive happening this weekend as the guild awards got going. And the question rises once again: What's going to win Best Picture? Though that would seem to have been answered by the events of the last two days, it's still a question for some.
But I'll leave that for now. Lately I've been curious about the Best Director race. With an "Argo" win would obviously come a split director decision (unless that write-in stuff finds traction). My instinct has been Steven Spielberg, because "Lincoln" is a hell of an accomplishment and even if I'm betting "Argo" will reap the benefits of the preferential ballot system (born out by its victory Saturday), it still makes sense for Spielberg to get some love.
Also: Soderbergh talks not-quite-retirement, and Foster champions Wallis
With the exhausting thrill of Sundance still in my bones, I'm not quite ready yet to think about diving into the Berlin Film Festival -- but there it is, less than two weeks away. The programme has been revealed in drips and drabs, and today we learned who'll serve alongside present Wong Kar-wai on the competition jury. As usual, it's an interesting group, and one that includes two Oscar winners: Tim Robbins and Danish writer-director Susanne Bier. Meanwhile, the addition presence of the superb cinematographer Ellen Kuras ("Eternal Sunshine of the Spotless Mind"). Iranian video artist turned filmmaker Shirin Neshat and Greek New Wave talent Athina Rachel Tsangrai (director of "Attenberg," but also a producer on Richard Linklater's "Before Midnight") makes for a mostly female jury this year. [Berlinale]
Is it time for SAG to shake-up the show?
Remember how everyone used to complain about the Golden Globes? "It's not legit." "It doesn't mean anything for Oscar." "Unless someone gets drunk it's a bore." Well, the first two complaints still hold a lot of merit, but the latter? No way. Ricky Gervais and the combo of Tina Fey and Amy Poehler hosting the past four telecasts have made the Globes arguably more entertaining than Oscar. That brings us to Sunday night's 19th Annual SAG Awards.
Remember how the SAG awards were deemed the legitimate acting honors? Actors voting for actors? An award that meant more because it came from your peers? A few years of embarrassing Betty White overload and blander TV nominees than the Emmys and the SAG Awards are stuck in a rut. Oh, and we haven't even gotten to the formulaic telecasts. Did TNT, the show's producers and SAG turn things around Sunday night? No, no they didn't. But, there were some diamonds in the rough during the two-hour ordeal.
The actors are the latest to embrace Ben Affleck's Best Picture hopeful
I've been out most of the evening but some quick thoughts on tonight's SAG outcome...
"Argo" is the story of the weekend, clearly. After coming out victorious at the PGA Awards it picked up the ensemble prize that everyone had either chalked up to "Lincoln" or "Silver Linings Playbook," with some outliers thinking "Les Misérables" had a shot at it. Surprise!
Does that wrap it up for Best Picture or is there more nuance at play?
'Fruitvale' and 'Blood Brother' win the big prizes
With host Joseph Gordon-Levitt on hand, the 2013 Sundance Film Festival announced the jury and audience awards for this year's festival. "Fruitvale" won both the prestigious U.S. dramatic jury grand prize and U.S dramatic audience award. "Blood Brother" duplicated that feat in the U.S. documentary category. Other notable winners included "The Spectacular Now's" Miles Teller and Shailene Woodley winning a special jury prize for acting and honors for "Inequality for All," "Cutie and the Boxer," "Afternoon Delight" and "A River Changes Course."
A complete list of this year's winners below.
'This last seven years is something new and also incredibly rewarding.'
SANTA BARBARA - As "Argo" star and director Ben Affleck took the stage of the Arlington Theatre last night to begin a two-hour Modern Master Award fete at the 28th annual Santa Barbara Film Festival, he settled into that on-going self-effacing tone immediately. "Ben Affleck, career retrospective," he said. "That could go one of two ways."
Indeed, the usual reminder reel of accomplishments that kicked off the evening was set to the Foo Fighters' "Walk," with lyrics ringing a note of redemption: "I think I lost my way," "getting good at starting over," "learning to walk again," "I believe I've waited long enough, where do I begin."
And maybe that angle is slightly played out to some at this point. How much can you really feel for a millionaire who cashed in early on and wants to be taken seriously as a craftsman now? That's a point of view for the cynical, though.
Affleck, who talked with moderator Leonard Maltin about getting the acting bug early and relishing the responsibility and commitment of the job, said he was pulled aside once and given a speech of encouragement by an acting mentor that has stuck with him and gave him a leg up into the early stages of his career. Lately, as he's looked to transition from tabloid beefcake to respected filmmaker, another vote of confidence wouldn't be misplaced. And that's what he's been getting every step of the way this season -- well, from everyone save the Academy's directors branch.
Noemie Lvovksy's 'Camille Rewinds' leads with 13 nods
The nominations for the César Awards -- the French film industry's answer to the Oscars -- were announced this morning, and most of the top contenders were easily seen coming: Oscar hopeful "Amour" received nine nominations, as did historical drama "Farewell My Queen," while "Rust and Bone" and "Holy Motors" scored eight apiece. The field leader, however, may come as a surprise to non-French observers: actress-director Noemie Lvovsky's time-travel comedy "Camille Rewinds," still little seen outside its home country, racked up a massive 13 nods.
Is 'Argo' coming on stronger than ever or did it peak too early?
Welcome to Oscar Talk.
In case you're new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar's stage and we're here to address it all as it unfolds.