KARLOVY VARY, Czech Republic - As I mentioned in a previous dispatch, the Karlovy Vary International Film Festival, though reasonably august itself in its 47th year, has a reputation as one of the “youngest” festivals on the scene in terms of its audience and programming focus. That’s easy enough to see on the ground here: where the lofty likes of Cannes are largely inaccessible to movie fans, hordes of students and backpackers descend on the dainty Czech spa town during the weeks of the festival to do some serious film-watching.
Allowing ticketless chancers to queue outside the cinemas for last-minute access, meanwhile, ensures I haven’t been to one screening here that wasn’t packed to capacity, with many particularly keen cinephiles content to sit in the aisles when seats run out. (Overseeing staff, not nearly as paranoid about fire regulations as their US and UK counterparts, blithely take a more-the-merrier policy.) That level of enthusiasm is heartening enough for hot Cannes repeats like “Holy Motors” and “Amour.” That the kids are also cramming in for Dan Sallitt’s sober, star-free incest drama “The Unspeakable Act,” to name one crowded screening I attended this afternoon, should make Karlovy Vary the envy of many more high-profile festivals.