Some months back I pondered the idea of the dissolving of TomKat -- and therefore, a flood of fresh Scientology headlines -- adding a little extra leverage to the cause (if you will) for "The Master" this awards season.
The zeitgeist, you see, is a funny thing. It's malleable in some ways. The world is always torn in a million different directions, strife, discovery, politics and the economy all having their day in some fashion. And if any movie were to take the abstract approach, "The Master" is certainly it. Now that many have seen the film, of course, the Scientology angle has been softened. But the idea of putting one's faith and fate in the hands of another -- government, religion, whatever -- is still, and always, relevant.
But sometimes things line up specifically. Sometimes one doesn't have to connect a lot of dots to present that, say, "Moneyball" tells a story of the difficult, painful process of change for the good around the idea that the sum of all parts is greater than one single entity, and that that reflects where we are as a country (even if that's 100% true). Sometimes, like with Ben Affleck's Iran hostage crisis film "Argo," the reflections are much more defined.