The Women Film Critics Circle has announced its annual…unique…slate of award winners. "Zero Dark Thirty" won three awards while "Lincoln" won two. And they have a bone to pick with "Killer Joe" and "Think Like a Man." Check out the full list of winners below and keep track of the season via The Circuit.
I've been on board "The Impossible" since way back in August and still believe it to be part and parcel of a great year for movies. It's been getting a lot of buzz lately as it barreled toward release and now, it's out there for you to chew on. When you get a chance to do so, come on back here and tell us what you thought. And again, feel free to rate the film above.
I've been a little dismayed at the critical reaction to Judd Apatow's "This is 40" (one of Drew McWeeny's top 10 films of the year.) It feels like some had the knives out. I'm not a worshiper of the man's work or anything but his latest is, to me, his richest film to date. Perhaps it's about relating to it or not, I don't know. In any case, I'd love to hear your thoughts, so cut loose with your take in the comments section below when/if you get around to seeing the film. And feel free to rate it above.
Here's something novel. A biennial awards presentation. The eligibility period for the International Online Film Critics' Poll is November 16, 2010 to November 15, 2012, leaving a wide array of films to choose from. Pity, then, that the critics' choices aren't themselves as varied. Tomas Alfredson's "Tinker, Tailor, Soldier, Spy" won five awards including Best Picture, Best Director and Best Actor. Check out the full list below (and the previously announce nominees at the poll's website). And of course, keep track of the season via The Circuit.
If you thought we had escaped the year of "The Artist," you were wrong. The Dublin Film Critics Circle has chosen Michel Hazanavicius's Best Picture winner as the year's best film, as it opened on those shores in 2012. It joins Michael Haneke, Joaquin Phoenix, Emmanuelle Riva and more for top honors this year. Check out the full list below (with curious ties throughout), and as always, keep track of the season via The Circuit.
Welcome to Oscar Talk.
In case you're new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar's stage and we're here to address it all as it unfolds.
The Utah Film Critics Association has announced its 2012 winners, and, big surprise, "Zero Dark Thirty" took top honors. But the group went in a couple of different directions elsewhere, tapping Dwight Henry for Best Supporting Actor, Wes Anderson for Best Director and "Indie Game: The Movie" for best doc. Check out the full list of winners below and keep track of the season via The Circuit.
The Academy has announced the nine finalists for this year's Best Foreign Language Film Oscar. Seventy-one films were submitted from countries around the world.
High-profile snubs include "Barbara" from Germany, "Lore" from Australia, "Fill the Void" from Israel, "After Lucia" from Mexico and "Blancanieves" from Spain.
Check out the full list of finalists below. Guy will circle back later today with commentary on the list.
The nominees will be announced on January 10, 2013.
The Costume Designers' Guild, which will hold its 2012 award ceremony on February 19, has announced a list of honorary award winners that includes costume designers Judianna Makovsky (a three-time Oscar nominee previously rewarded by the Guild for "Pleasantville" and the first "Harry Potter" film) and Eduardo Castro, as well as TV producer Lorne Michaels. The biggest name being honored, however, is Anne Hathaway, who's likely to be well-practiced in accepting trophies by mid-February. She'll be receiving the Spotlight Award, and while I'm not sure what the criteria are, Hathaway makes sense as a thespian ambassador for the art of costume design, given how many of her roles, from "The Devil Wears Prada" to "Les Mis," have played with image and costume. Or perhaps the Guild simply wants a piece of the season's likely golden girl. [CDG]
Kathryn Bigelow deserves credit for many, many things about her tremendous military thriller "The Hurt Locker," but she'd be the first -- and probably the gladdest -- to admit that the simple fact of her gender isn't one of them. That didn't stop multiple media commentators from sanctifying her as some kind of poster girl for "anything you can do, I can do better"-style feminism in Hollywood, as if a woman could only direct a stone-cold action picture as a reproach to the men who handle most such fare, and not merely because it's what she's good at -- and has been good at for over 20 years.
Bigelow bore this unsolicited symbolic weight with patient, if seemingly weary, grace all the way to the Oscar podium, offering multiple polite statements to the effect that she's not so much a "woman filmmaker" as a woman who makes films, and refusing the Academy's unspoken invitation to turn her history-making Oscar acceptance speech into a self-aggrandizing soapbox stand.