LONDON - I mentioned last week that Jacques Audiard's "Rust & Bone," five months after a more divided Cannes reception, seemed to be playing well at the BFI London Film Festival. With civilians and critics alike, it was perhaps the title I heard most often in conversations about what festival titles had stood out, or indeed which ones they planned to see -- egged on, perhaps, by the ubiquitous billboards for the film plastered around the British capital. Meanwhile, it earned extra, inadvertent media exposure as the site of the festival's most tabloid-friendly incident: at its gala premiere, two patrons were ejected from the cinema for getting more than a little frisky during the film. Adjust the inevitable "thrust" and "boner" puns to taste.
More officially, however, its status as the film of the festival was sealed at last night's festival awards ceremony, where a jury led by David Hare handed it the Star of London for Best Film over 11 other shortlisted titles. London has become a happy hunting ground for Audiard: in 2009, his film "A Prophet" took the inaugural Star, a prize that has since been handed to "How I Ended This Summer," "We Need to Talk About Kevin" and now "Rust & Bone." Four years in, and they have yet to make a dud choice.