Well if you were looking for someone, anyone, to just go the least bit against the grain, the Indiana Film Journalists Association is here to save the day. After announcing nominees last week, the group has handed Best Picture honors to Colin Trevorrow's "Safety Not Guaranteed," making it just one more film to win such honors in a year that is spreading the love quite a bit. Check out the full list of winners below and keep track of the season via The Circuit.
The St. Louis Gateway Film Critics Association has decided on winners and stuck up for Ben Affleck's "Argo," which won Best Picture and Best Director. Daniel Day-Lewis and Jessica Chastain won top honors for acting. Christoph Waltz won Best Supporting Actor while Ann Dowd and Helen Hunt tied for Best Supporting Actress. Nominees here. Check out the full list of winners below and keep track of the season via The Circuit.
It's been said here and in the podcast a number of times, but I might as well offer it up once more for good measure: 2012 was a pretty good year for movies. I admired a lot. I may not have loved a ton but I certainly really, really liked a lot and my appreciation and respect for a number of the visions tossed out on to screens this year can't be overstated. Bravo to the filmmakers, truly.
Another swift turnaround from nominations, as the Chicaco Film Critics Association has joined the chorus of "Zero Dark Thirty" supporters. The film won five awards, including Best Picture, Best Director and Best Actress. "The Master," meanwhile, won four, for Best Supporting Actor, Best Supporting Actress, Best Cinematography and Best Score. Check out the full list of winners below and keep track of the season via The Circuit.
Normally this column would begin with something like, "Ballots have been mailed to Oscar voters today," but that begs reminding that for the first time ever, the Academy has adopted an electronic voting system in addition to paper ballots (for those who request them). How will that change the course of the season? Is chatter about glitches and lack of understanding just a facile talking point blown out of proportion? Maybe. The Academy has been very diligent in reminding its membership of the changes, so I think it'll be fine, but what is tangible in all of this is the landscape as a result of the first major nominations announcements of the season.
As I've said before, I don't know a lot about the International Press Academy, which quietly holds the Satellite Awards every year, but I've gathered this much: they really, really like "Silver Linings Playbook." At last night's ceremony, David O. Russell's pleasantly frayed romantic comedy won Best Picture, Director and Film Editing, as well as the top two acting prizes for stars Bradley Cooper and Jennifer Lawrence.
One of the few major categories it didn't scoop was Best Adapted Screenplay, which went to "Life of Pi" -- Ang Lee's FX-heavy meta-fable also won Best Cinematography, but oddly lost the Best Visual Effects award to "Flight." As their unusual slate of nominees already showed, the Satellites don't generally follow the herd: Javier Bardem took Best Supporting Actor, while two films, neither of them "Amour," tied in the foreign -language race. Still, even they couldn't resist Anne Hathaway in "Les Misérables," which, with two extra trophies for its aural elements, ended up the night's second-biggest winner. Full list of winners after the jump, with everything else at The Circuit..
Another day, another Palm Springs Film Festival honoree. (I totally missed the addition of Helen Mirren to the list last week, but I imagine even she can't keep up with the honorary awards she racks up these days.) The latest one is "Arbitrage" star Richard Gere, who'll receive the Chairman's Award -- following Bradley Cooper, he's the second actor tapped for a gong at this year's festival. After a slow start to the season that saw him miss out on an Indie Spirit nod, Gere has rallied a bit in the last week: this publicity-friendly Palm Springs honor consolidates a semi-unexpected Best Actor Golden Globe nod that saw his stock rise in a very crowded race -- where potential vote-splintering at the bottom end of the Oscar ballot, combined with distributor Roadside Attractions' campaign savvy, raises the possibility of a surprise entry. Could it be Gere? I'm increasingly tempted to go there. [PSIFF]
The San Francisco Film Critics Circle has joined the game, and the bandwagon for Paul Thomas Anderson's "The Master," handing the film Best Picture and Best Actor honors. Kathryn Bigelow won Best Director for "Zero Dark Thirty" while Emmanuelle Riva won Best Actress for "Amour." Check out the full list of winners below and keep track of the season at The Circuit.
LONDON -- It scarcely needs to be stated that, in terms of professional arduousness, film journalism is not exactly coal-mining -- so I understand when our occasional complaints about the wearying nature of the circuit rankle with some readers. Too many festivals. Too many parties. Too many canapés. How your hearts must bleed.
Still, the truth is that when attending such events becomes a key part of one's job -- and compared to my across-the-pond colleagues, it's a far smaller component of mine -- not everything is an unqualified pleasure. So when an invitation drops in your inbox that gets you even half as excited as a "Twilight"-bound tween, it must be for a rather special occasion. Such was the case when I was asked if I'd like to attend AMPAS's intimate tribute to one of our most essential living auteurs, Pedro Almodóvar, in London -- and that was before I knew Grace Jones and Kristin Scott Thomas were also on the guest list.
The second-oldest critics group in the country (behind the NYFCC), the Kansas City Film Critics Circle, has announced its slate of 2012 winners. "The Master" took Best Picture while "Life of Pi" helmer Ang Lee won Best Director. Daniel Day-Lewis and Jennifer Lawrence won top acting honors for "Lincoln" and "Silver Linings Playbook," respectively. Check out the full set of winners below and remember to keep track of the season at The Circuit.