Barely a week after his film "Lincoln" only managed two Oscars from 12 nominations and deferred to "Argo" on Best Picture honors, Steven Spielberg seems as ubiquitous as ever. Fresh off the Academy Awards he was announced as head of the jury for this year's Cannes Film Festival and he received a nice love letter in the New York Times last week pitting him as a sort of Godfather to Hollywood filmmakers.
"I think, for Steven, sometimes it’s the most fun to weigh in on someone else’s work when there are no consequences," "Jurassic Park" screenwriter and "Premium Rush" director David Koepp said in the piece. "He is free to just talk about the creative part."
But it doesn't end there. Recently Spielberg revealed that he is developing Stanley Kubrick's long-gestating and eventually abandoned Napoleon project as a mini-series. It was 12 years ago that Spielberg's vision of another long-gestating Kubrick project, "A.I.: Artificial Intelligence," landed to mixed reaction in 2001. I've written before about my own initial complex reaction that then grew to adoration, respect and, eventually, reverence over the years. I now consider it one of Spielberg's best films. There are those, however, who didn't quite get there, and so this news might be unsettling for them.