It's official: George Clooney's 'Monuments Men' moves to February 7
Credit: Sony Pictures

It's official: George Clooney's 'Monuments Men' moves to February 7

Will the wartime romp follow the 'Shutter Island' route to success?

Well, that was fast. Late on Tuesday, the news dropped that Sony was pulling George Clooney's "The Monuments Men" from the release calendar. Yesterday, Kris, Greg and I speculated as to when the film would (or should) open in 2014.  Today, we got our answer -- and, as Clooney hinted when the news initially broke, the all-star WWII story will indeed be a February release. Deadline revealed that the film has been set for February 7, 2014, booting Sony's "Robocop" remake to February 12 instead.

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<p>Julie Delpy and Ethan Hawke in &quot;Before Midnight.&quot;</p>

Julie Delpy and Ethan Hawke in "Before Midnight."

Credit: Sony Classics

'12 Years a Slave,' 'Before Midnight' in line for gold at Gotham Awards

Acting nominees include Matthew McConaughey and Scarlett Johansson

I guess you could say awards season has officially kicked off, with the Gotham Independent Film Awards -- as usual -- providing the race with its first slate of nominees. And to the surprise of absolutely no one, "12 Years a Slave" leads the field with three nominations -- get used to it coming out on top in pretty every nomination list for the next three months. Those nods include Best Feature (of course), and Best Breakthrough Actor for Lupita Nyong'o, while Chiwetel Ejiofor is mentioned in the newly created Best Actor category.

Its rivals for the top award include the Coen Brothers' upcoming "Inside Llewyn Davis," and three critics' favorites from earlier in the year: "Before Midnight," "Ain't Them Bodies Saints" and "Upstream Color." ("Upstream" lead Amy Seimetz has much to celebrate this morning, having scored a Best Actress nod, as well a Best Breakthrough Director nod for her first feature "Sun Don't Shine.")

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<p>Christian Bale, Amy Adams and Bradley Cooper in David O. Russell's &quot;American Hustle.&quot;</p>

Christian Bale, Amy Adams and Bradley Cooper in David O. Russell's "American Hustle."

Credit: Sony Pictures

Contender Countdown: Is Oscar ready to do the 'Hustle?'

Trying to avoid heartbreak in the Best Picture race

Last week this pundit discussed the buzz that was circling back on "Saving Mr. Banks" before its world premiere as the closing night film at the 2013 London Film Festival. And as chronicled by Guy Lodge's review and my own rundown of "Banks'" Oscar chances, the film is truly a player. Fast forward two days and in something of a surprise, another potential contender, "The Monuments Men," moves to 2014. That means we have just two unseen contenders left: "American Hustle" and "The Wolf of Wall Street."

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<p>&quot;Blue is the Warmest Color&quot;</p>

"Blue is the Warmest Color"

Credit: Sundance Selects

Roundup: Defying the NC-17 rating for 'Blue is the Warmest Color'

Also: Clooney justifies 'Monuments' delay, and is 'Captain Phillips' jingoistic?
There's been much fuss about the MPAA hobbling "Blue is the Warmest Color" with an NC-17 rating, the film's inability to screen in Idaho, and so on. In New York, however, one theater -- the IFC Center, of course -- is taking matters into their own hands by ignoring the restrictive rating. Manager John Vanco says viewers of high-school age will be admitted, stating: “This is not a movie for young children, but it is our judgment that it is not inappropriate for mature, inquiring teenagers who are looking ahead to the emotional challenges and opportunities that adulthood holds.” That strikes me as a sensible attitude, and A.O. Scott -- who has permitted his 14-year-old daughter to see the sexually explicit film twice -- agrees. [New York Times]
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<p>Lea Seydoux, Abdellatif Kechiche and Adele Exarchopoulos at the Cannes Film Festival.</p>

Lea Seydoux, Abdellatif Kechiche and Adele Exarchopoulos at the Cannes Film Festival.

Credit: AP Photo

Uh, oh. 'Blue is the Warmest Color' director goes on epic rant

Kechiche accuses the actress of 'arrogance' and 'opportunism' in an open letter

Palme d'Or winner "Blue is the Warmest Color" may still be one of my favorite films of the year, but director Abdellatif Kechiche sure is doing his damnedest to make me sick of hearing about it. His ongoing feud with the film's stars and Palme co-winners -- in particular, Léa Seydoux -- has been a hot media topic for a couple of months now, with Kechiche rather melodramatically stating at one point that the film had been tainted and shouldn't be released. He's since retracted that particular outburst, but if you thought he was done, you thought wrong.

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Matt Damon, Hugh Bonneville and George Clooney in "The Monuments Men."
Matt Damon, Hugh Bonneville and George Clooney in "The Monuments Men."
Credit: Sony Pictures

3 on 3: Who wins and who loses with the 'Monuments Men' move to 2014?

The Oscar race just got a bit less crowded, but what's in it for the movie?

And another one, as they say, bites the dust. Well, for this year, anyway. Most Oscar pundits had George Clooney's WWII adventure "The Monuments Men" placed fairly prominently on their prediction lists, and with the unveiling of a high-toned new trailer last week, the all-star attraction seemed primed for the season ahead. That is, until Sony Pictures dropped the bombshell that the film would not be ready for release this year after all. "The Monuments Men" thus becomes the highest-profile film so far -- following others like Sony Classics' "Foxcatcher" and The Weinstein Company's "Grace of Monaco" -- to bow out of the awards race before it's begun.

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Roundup: Why the Oscars matter, even if they don't
Credit: AP Photo

Roundup: Why the Oscars matter, even if they don't

Also: Breaking down '12 Years a Slave,' and how Jared Leto got cool

The best Oscar-related piece on the internet comes from Salon critic Andrew O'Hehir, who examines our fascination with the awards, as as we concede that they mean little in the grand scheme of things: "The Oscar race has things to teach us, every single year; but on the other hand, the manufactured narrative that gets spun out of it is almost entirely devoid of meaning ... like electoral politics with the ideology shoved under the carpet." The difference this year, he says, is that neither of this year's two apparent race-leaders fit the usual Oscar formula: "12 Years a Slave" is a "valuable historical corrective" and "formally audacious," while "Gravity" "may have too much catharsis ... a remake of Kubrick’s '2001' made by HAL." [Salon]

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Best Supporting Actress 2014: Jennifer Lawrence, Julia Roberts and Scarlett Johansson

Best Supporting Actress 2014: Jennifer Lawrence, Julia Roberts and Scarlett Johansson

A colorful array of performances from legends and newcomers alike

Coming around to the final of the four acting categories this season, Best Supporting Actress isn't as jam-packed as the Best Supporting Actor field, but it's pretty dense in its own right. What's more, while it's not exactly "wide" open, there is room to navigate and we could end up with a surprise or two.

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<p>&quot;The&nbsp;Monuments&nbsp;Men&quot;</p>

"The Monuments Men"

Credit: Sony Pictures

You're gonna have to wait until 2014 to see George Clooney's 'Monuments Men'

Another awards season possibility bites the dust

It's interesting watching things shake out so relatively late in the season. First Sony Classics decided that, rather than push "Foxcatcher" out there at the end of the season, it would wait and allow further considerations time to breathe in the editing room. Now that company's parent, Sony Pictures, has shuffled George Clooney's "The Monuments Men," which has been test screening and had a scoring session booked in London yesterday, out of what is already a crazily crowded year.

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Timothy Spall in Mike Leigh's untitled new film.
Timothy Spall in Mike Leigh's untitled new film.
Credit: Sony Classics

Timothy Spall looks to the horizon in first image from Mike Leigh's latest

He plays legendary artist J.M.W. Turner in Leigh's long-awaited passion project

A couple of weeks ago -- I don't recall the context -- a reader asked me who I thought deserved consideration for an Honorary Oscar in the near future. Among the names I threw into the hat was Mike Leigh. The 70-year-old British writer-director may still be very much an active talent, but over the course of seven nominations (two for Best Director, five for Best Original Screenplay) in 16 years, Leigh hasn't really come close to cracking the winner's circle: his films may just be too intimately English, and his workshop-heavy creative process too unconventional, for the larger Academy ever to "get" him. And that's a shame.

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