Well, with Pharrell Williams, Idina Menzel and U2 already set to perform at Oscars, this was surely a formality: it'd have been a bit tacky to leave just one Best Original Song nominee out of the show, particularly one as lovely as "The Moon Song." But here it is in black and white: Karen O will perform the whimsical love theme from "Her" at the ceremony on March 2.
The passing last year of Ray Dolby was surely never going to go unacknowledged by the Cinema Audio Society -- the man's name is so synonymous with sound at the cinema that most casual moviegoers might not realize it belonged to a person first. CAS, who presented the inventor with a Lifetime Achievement Award in 1989, will feature a special tribute to him at their awards ceremony on February 22.
And no, it has nothing to do with CNN "revealing" the "Wolf of Wall Street" star as the Best Actor winner a few days ago. (Seriously, how many stories on that non-event are people going to write?) Still, there does seem to be a general surge of sentiment for DiCaprio, as exemplified by this Marlow Stern piece in which he states that it's "absurd" that the actor is about to turn 40 and hasn't won an Oscar yet. (By Best Actor standards, of course, winning at 40 is positively precocious.) "It’s time to do the right thing and honor one of the finest actors of our generation with an Oscar while he’s still in his prime instead of some paunchy supporting role a decade later," he says. [Daily Beast]
Going into Wednesday night's 12th annual Visual Effects Society Awards, there was little doubt that "Gravity" would be walking away with the lion's share of the hardware. After all, it led the field with eight nominations and has asserted itself in the category as one of few no-brainer picks in the Oscar race this year (sorry all other nominees, it happens).
After making their mark at the Golden Globes and appearing in a buzzed-about Super Bowl spot, U2 are heading to the Oscars.
The group will perform their Oscar-nominated song "Ordinary Love" from "Mandela: Long Walk to Freedom" on the telecast.
It will be the song's very first live performance.
Have you been watching HBO's "True Detective?" Did you catch Sunday night's episode? The entire back half of the show built to an absolutely arresting finale, the fallout of which was ultimately captured in one extended take. Some might dismiss it as a mere stunt, but while I was certainly captivated by it technically, I was also drawn in by how consistent and controlled and drilled-down Matthew McConaughey's performance was throughout the take. Shots like that are a group effort above and below the line, even after being meticulously blocked and lit by the camera department.
It was a bit of serendipitous timing for that episode to hit when it did, given that this annual feature was planned for this week. And the concept of continuous takes — or "oners," as they're called — might have some relevance to today's wrap-up of the best shots of the year, but, well…no spoilers yet. I would, however, like to take a moment to consider the year in cinematography in general, because it was a banner year for the industry's camera wizards.
As David Letterman might quip: "Oprah... BAFTA." It's funny to think that Oprah Winfrey has been nominated for a BAFTA and not an Oscar this year -- I'm sure that if the BAFTA voters had been tipped off that she wasn't getting an Oscar nod, they probably wouldn't have voted for her. Anyway, good sports that she is, she'll be attending the ceremony, as confirmed today on a BAFTA guest list that also includes Leonardo DiCaprio, Matt Damon, Amy Adams, Sandra Bullock and, of course, prohibitive frontrunners Chiwetel Ejiofor, Cate Blanchett and Lupita Nyong'o. (Best Supporting Actor? Search me.) The awards take place on Sunday. [Screen Daily]
Even after $102 million at the box office and an Academy Award nomination for Best Makeup and Hairstyling, "Bad Grandpa's" Irving has just one thing on his mind: Yes, he still can't get enough tail.
Irving sat down with HitFix last week to talk about his neverending quest for tail, Billy's current status (let's just say he's under supervision), his affection for Helen Mirren and whether or not he has a ticket to the Oscars. It's an incredibly unconventional interview, but if you're a fan of "Bad Grandpa" you'll probably eat it up.
I can't remember the last time there was this much active campaigning for the Best Original Song Oscar -- perhaps this is what happens when the music branch actually thinks to nominate a handful of decent songs. (And "Alone Yet Not Alone," but perhaps studios are capitalizing on the attention that scandal directed to the category in the first place.)
They may never win the award itself, but independent animation distributors GKIDS have really settled into their role as the regular giant-slayers of the Best Animated Feature Oscar race: many pundits fail to give them due consideration when handicapping the category at nominations stage, yet their foreign titles have now repeatedly shown up at the expense of a studio heavyweight. They may have missed with a few shots on goal last year, but came back fighting this year, snaring a nod for French critics' pet "Ernest and Celestine" as Pixar's "Monsters University" failed to make the grade.