Look at my shee-yit... again. Yep, what started as iffy-sounding, blog-based rumor a couple of months ago seems now to have become a real thing: Harmony Korine's girls-gone-wild provocation "Spring Breakers" is getting a sequel.
The last time high-style Italian auteur Paolo Sorrentino attempted an English-language film, the results were interesting but muddled: starring Sean Penn as a past-prime goth-rock star crossing America in search of a Nazi war hunter, 2011's unabashedly odd Irish-Italian co-production "This Must Be the Place" had its champions, but was deemed enough of a misfire to send the director back to the safety of home. His follow-up, last year's Fellini-inspired Roman valentine "The Great Beauty" was as Italian as Italian can be, and his most universally acclaimed film to date -- even winning the Oscar for Best Foreign Language Film.
Welcome back to Cannes Check, In Contention's annual preview of the films in Competition at next month's Cannes Film Festival, which kicks off on May 14. Taking on different selections every day, we'll be examining what they're about, who's involved and what their chances are of snagging an award from Jane Campion's jury. Next up, the oldest director (with the shortest film) in the lineup: Jean-Luc Godard's "Goodbye to Language."
Somewhat oddly, the GLAAD Media Awards split their awards across two ceremonies, three weeks apart, on opposite coasts. On Saturday, the second of these took place in New York, as a range of films, TV shows and media outlets were honored for commendable coverage of LGBT issues.
Today is "Star Wars Day." You know, "May the fourth," because it sounds like "May the force (be with you)." GET IT???
There has been plenty of "Star Wars" discussion this week as the people threatening to give us a seventh film in this storied franchise dropped a few casting details on the world. People like Oscar Isaac and Max von Sydow and Adam Driver will be joining old timers Mark Hamill, Harrison Ford and Carrie Fisher for "Star Wars: Episode VII - Whatever Nifty Subtitle They Give It," and we'll probably be hearing about it constantly as the film forges on through production and post-production.
When Angelina Jolie made her directorial debut in 2011 with the Bosnian War romance "In the Land of Blood and Honey," reviews were middling to respectable, though the film was still dismissed by many critics as a sort of noble vanity project. (The Golden Globe voters didn't help it much by handing it a shamelessly celebrity-courting Best Foreign Language Film nod.) But Jolie -- as in pretty much all her ventures -- is proving herself to be pretty serious about her directing career.
Welcome back to Cannes Check, In Contention's annual preview of the films in Competition at next month's Cannes Film Festival, which kicks off on May 14. Taking on different selections every day, we'll be examining what they're about, who's involved and what their chances are of snagging an award from Jane Campion's jury. Next up, the third Canadian director in the lineup: Atom Egoyan's "The Captive."
Marc Webb's "Amazing Spider-Man 2" kicks off the summer movie season today, and I have to say I'm in league with the majority of critics on this one. It's an over-stuffed, seemingly visionless piece of cotton candy that defeats itself every step of the way.
The Weinstein Company has a pretty tight slate of prestige titles this year, a number of them likely set for the upcoming Oscar circuit. And indeed, today we're getting word that three of them are all lined up for prime awards season real estate on the release calendar, setting the stage for another slew of months in the trenches for Harvey and his team.
As usual, Woody Allen shows no signs of slowing down. He's prolific as ever and with "Magic in the Moonlight" right around the corner this summer, he's already lining up his next. And today brings news of the first casting decision: Joaquin Phoenix.