The odds-on favorite to win the Best Cinematography Oscar this year seems to be Claudio Miranda for Ang Lee's "Life of Pi." Why? The Academy tends toward aesthetically pleasing films in the category. "Beautiful pictures," you might say, and sometimes at the expense of perhaps more technically proficient work that may not be as postcard pretty.
But while that may be true, it's been leveled at "Life of Pi" as a criticism in some quarters. This is, after all, a film with a visual scope that is as much a result of visual effects as it is practical photography. But Miranda has a few things to say about that, if you think his work was somehow not as important in the greater scheme than that of the effects artists at the Rhythm & Hues and MPC effects houses.