'Zero Dark Thirty' tops New York Film Critics Online winners
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Just minutes after the Boston Society of Film Critics crowned "Zero Dark Thirty" the year's best film, the New York Film Critics Online went and did the very same thing. They also spotlighted Kathryn Bigelow in the Best Director category (as well as Mark Boal's screenplay), and, like Boston, went with Daniel Day-Lewis and Emmanuelle Riva in the lead acting categories.
Check out the full list of NYFCO winners below with running commentary.
Best Picture: "Zero Dark Thirty"
Thoughts: Falling in line...
Best Documentary: "The Central Park Five"
Thoughts: All this does is just remind me of how annoying it is that the film wasn't shortlisted by the Academy. It's an exemplary piece of work, balanced, fully formed, a vital documentary.
Best Animated Film: "Chico & Rita"
Thoughts: A blast from the past. Last year's Oscar nominee makes good with the New York online crowd. I saw this film so long ago but I remember how vibrant it was and what a handsome choice it would be for animation awards. I'm glad it got a few notices along the way.
Best Ensemble Cast: "Argo"
Thoughts: A great pick. I just watched it again a few days ago and the organic nature of the cast is top notch. It could be one to watch at SAG, along with "Les Miserables" and "Lincoln," of course.
Related
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'Zero Dark Thirty' wins Best Picture and Best Director from New York Film Critics Circle
'Lincoln' wins three prizes, for Actor, Supporting Actress and Screenplay
Best Actor: Daniel Day-Lewis, "Lincoln"
Thoughts: What else can be said? His second award of the day after the Boston prize
Best Actress: Emmanuelle Riva, "Amour"
Thoughts: See my thoughts in the Boston post, where NYFCO was beaten to the punch. I won't complain about another award for this performance, you can bet on that.
Best Director: Kathryn Bigelow, "Zero Dark Thirty"
Thoughts: That's three out of three so far. Is the film set to just dominate and run the critics table?
Debut Director: Benh Zeitlin, "Beasts of the Southern Wild"
Thoughts: This was apparently a landslide and rightly so. A stellar debut and announcement of a unique, vital voice.
Best Use of Music: "Django Unchained"
Thoughts: See my thoughts on this category at the Boston Society of Film Critics post. Suffice it to say, thumbs up from me.
Best Cinematography: "Life of Pi"
Thoughts: This brings up an interesting question, as it did with "Avatar." Claudio Miranda is a singular talent, so make no mistake, but are the visuals people are responding to with this film due to effects, cinematography or a combination? Or have we entered territory with the continued hybridization of things that "Best Cinematography" is beginning encompassing it all, particularly with the decline of celluloid. It's an interesting thing to consider.
Best Screenplay: "Zero Dark Thirty"
Thoughts: Whatever issues I might have with "Zero Dark Thirty," one of them is NOT the work Mark Boal put into the screenplay, which is a triumph of journalism. He might be considered the prohibitive favorite for the Oscar, might not, but his accomplishment is entirely unique in the history of film.
Best Supporting Actor: Tommy Lee Jones, "Lincoln"
Thoughts: I've come around to expecting Jones to win the Oscar for his work in "Lincoln" this year, but it still feels a bit off. Nevertheless, all of the actors from the film continue to do very well on the precursor circuit, which is an intriguing first for a Spielberg film.
Best Supporting Actress: Anne Hathaway, "Les Misérables"
Thoughts: It was the first thing I said after seeing the film last month: Hathaway wins. It will likely be a long, forceful march to Oscar, despite Sally Field besting her with the NYFCC. And she'll win it for one take, one shot, one song.
Breakthrough Performance: Quvenzhané Wallis, "Beasts of the Southern Wild"
Thoughts: As her "Beasts" co-star Dwight Henry wins a big award with the LAFCA, young Quvenzhané Wallis rightly takes breakthrough recognition. The girl is a force in the film, maintaining such an even keel and revealing such a well of emotion. It really is a striking turn.
Remember to keep track of all the ups and downs of the 2012-2013 film awards season via The Circuit.
2012-2013 OSCAR PREDICTIONS
Best Picture
Best Director
Best Actor
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Adapted Screenplay
Best Original Screenplay
Best Cinematography
Best Costume Design
Best Film Editing
Best Makeup And Hairstyling
Best Original Score
Best Original Song
Best Production Design
Best Sound Editing
Best Sound Mixing
Best Visual Effects
Best Animated Feature Film
Best Documentary Feature
Best Foreign Language Film
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December 9, 2012 at 4:04PM EST Reply to Comment"are the visuals people are responding to with this film due to effects, cinematography or a combination?"
One word: Avatar. It won Best Cinematography at the Oscars for whatever reason...
Kristopher Tapley Yes, I noted Avatar specifically in the graph.
December 9, 2012 at 4:13PM ESTJake
December 9, 2012 at 4:08PM EST Reply to CommentWhat game are you watching?
Kristopher Tapley Redskins/Ravens
December 9, 2012 at 4:13PM ESTJoey This is a great game! Kirk Cousins is clutch!
December 9, 2012 at 5:11PM ESTJJ1
December 9, 2012 at 4:12PM EST Reply to CommentSupp actor kinda cray cray right now. Tommy Lee Jones a few times. Dicaprio. Dwight Henry lives. Christoph Waltz popping up a few times (yet I thought a campaign for him was Lead). Sam L Jackson has some buzz. And then there's academy fave Phillip Seymour Hoffman. I don't have a clue who's taking the Oscar.
Kristopher Tapley The campaign IS lead. But critics groups are clearly calling it the way they see it.
December 9, 2012 at 4:14PM ESTsomeperson I know, isn't it great?
December 9, 2012 at 4:20PM ESTsomeperson Last comment in regards to the fact that we don't know who's taking the oscar
December 9, 2012 at 4:20PM ESTJJ1 I'm loving this
December 9, 2012 at 4:22PM ESTKristopher Tapley You know what, JJ? I take it back. I was just pointed to an FYC ad that has Waltz in supporting. So either the Gold Derby story that he would go lead was bogus or they decided to change things up. That's unfortunate, as Leo and Jackson are both good enough for surprise attacks in the category.
December 9, 2012 at 4:27PM ESTJJ1 Ahhh. Ok. I'm a bit surprised by the supp. campaign because it certainly seems like Dicaprio and Jackson (both of whom have never won) could more than contend. And Waltz is said to be more Lead, and perhaps better than Foxx. It makes the race interesting, at least.
December 9, 2012 at 4:33PM ESTJames Wow. Does Jackson really have that kind of juicy role?
December 9, 2012 at 5:52PM ESTJLPatt
December 9, 2012 at 4:32PM EST Reply to CommentPeeps really missing the boat on Seamus McGarvey.
JJ1 Word
December 9, 2012 at 4:36PM ESTConor
December 9, 2012 at 5:17PM EST Reply to CommentKris, wasn't one of your main problems with ZDT how long it was? If so wouldn't the screenplay be an issue of the film for you
alynch All screenplays are long.
December 9, 2012 at 5:22PM ESTKristopher Tapley No it just bogs by the very nature of what it's covering. It's hard to explain, but I have no fault with what Boal did. It's thorough and not meant to "entertain" in the usual sense. I have slight beef with the machine-nature of the lead role, but at the same time, I understand why that is the case.
December 9, 2012 at 7:19PM ESTBasically, I have a very complicated relationship with "Zero Dark Thirty."
daveylo
December 9, 2012 at 5:28PM EST Reply to CommentNo matter how wonderful Zero Dark Thirty is, I refuse to be believe it is the only "best picture" of 2012 and it makes me think critics are a bunch of sheep.
tina Remember, Social Network won all the critics awards, and The Kings Speech won the Oscar. These critic awards are only beneficial for bringing attention to less media coverage talents.
December 9, 2012 at 5:59PM ESTMaxim
December 9, 2012 at 10:33PM EST Reply to CommentWould be nice to see some ensemble recognition for Lincoln. It goes beyond being organic - the sheer size of the cast and the quality of their work is staggering.