I decided to do something a little different with the shots column for this, its sixth year (and finally imitated -- we're flattered). I thought I'd go with a metric of instinct rather than analysis.
First let me introduce the overall concept for those perhaps unfamiliar. Every year I recap the year in my own unique way. Film is, after all, about the image first, and so what better way to put 12 cinematic months in a time capsule than to feature the most striking single images of the year? But what is striking to one is always not so much to the next. Like all of this, it's in the eye of the beholder.
For my part I would always try to give my perspective on shots that might seem, well, unexpected to others. I would posit that an Eric Gautier shot of an eagle picking away at a carcass in "Into the Wild" says something about a country weighing on the soul; or that an unassuming Anthony Dod Mantle shot crammed into a frenetic "Slumdog Millionaire" montage better sums up character motivations than any other frame; or that the simplicity of Anna Kendrick riding slowly away on an airport people-mover as seen through Eric Steelberg's lens in "Up in the Air" speaks elegant volumes.