<p>Denis Lavant in &quot;Holy Motors.&quot;</p>

Denis Lavant in "Holy Motors."

Credit: Indomina Releasing

International Cinephile Society big on 'The Master,' 'Holy Motors'

Nominations for the group's awards were announced last week

Amid the Sundance rush, it slipped my mind to list the nominations for the International Cinephile Society's awards -- for which I had a hand in voting. The ICS is a diverse group of over 80 film journalists, academics and the like, so their picks tend to veer a little off the beaten track. Here, for example, you'll find no mention of "Argo," "Les Mis" (no, not even for Anne Hathaway), "Life of Pi" or "Silver Linings Playbook," but plenty for foreign standouts like "Tabu" and "Once Upon a Time in Anatolia." "The Master" leads with 10 bids; "Holy Motors" follows with nine. Winners will be announced on February 9; check out the full list of nominees after the jump, and at The Circuit.

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<p>Tony Kushner, screenwriter of &quot;Lincoln.&quot;</p>

Tony Kushner, screenwriter of "Lincoln."

Credit: AP Photo/Jeff Chiu

Roundup: Kushner honored with WGA's Selvin Award

Also: Michael Moore on 'Zero Dark Thirty' and Dr Ruth's Oscar night tips

Guild favorite "Argo" may be closing in on "Lincoln" in the Best Adapted Screenplay race, but even if it continues its sweep, the WGA has ensured Tony Kushner won't go home empty-handed on February 17. The "Lincoln" scribe will be presented with the group's Paul Selvin Award for the script that "best embodies the spirit of the constitutional and civil rights and liberties, which are indispensable to the survival of free writers everywhere." If that award sounds pretty much tailor-made for "Lincoln" (hey, it wasn't going to go to "Django Unchained") it isn't: last year's winner was Tate Taylor for "The Help." [Deadline

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<p>Sandy Powell, three-time winner of the Best Costume Design Oscar.</p>

Sandy Powell, three-time winner of the Best Costume Design Oscar.

Credit: AP Photo/Matt Sayles

Costume designers finally get their own Academy branch

Makeup branch gets increased representation on Board of Governors

I confess it's news to me that the costume designers of the Academy didn't already have their own separate voting branch -- instead, they've always been lumped into a single Designers' Branch with the production designers, art directors and set decorators. Yet nominees in the Best Costume Design category are often so distinctive -- several of them scoring in no other Oscar field, even Best Art Direction -- that I'd assumed they were the result of a smaller branch of peers voting.

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<p>Ang Lee on the set of &quot;Life of Pi&quot;</p>

Ang Lee on the set of "Life of Pi"

Credit: 20th Century Fox

Off the Carpet: Ang Lee's position in all of this

We now return to our regularly scheduled programming

I have to say, it was nice to spend a week or so away from the Oscar fray, and for its part, the Oscar fray seemed to be very content with putting things on hold while the Sundance Film Festival did its thing in the mountains of Utah. I guess maybe that's one good thing about this season's scheduling change: room to breathe in January.

But the festival is over and now it's back to our regularly scheduled programming, with the deep dive happening this weekend as the guild awards got going. And the question rises once again: What's going to win Best Picture? Though that would seem to have been answered by the events of the last two days, it's still a question for some.

But I'll leave that for now. Lately I've been curious about the Best Director race. With an "Argo" win would obviously come a split director decision (unless that write-in stuff finds traction). My instinct has been Steven Spielberg, because "Lincoln" is a hell of an accomplishment and even if I'm betting "Argo" will reap the benefits of the preferential ballot system (born out by its victory Saturday), it still makes sense for Spielberg to get some love.

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<p>Susanne Bier at the 2010 Academy Awards.</p>

Susanne Bier at the 2010 Academy Awards.

Credit: AP Photo

Roundup: Tim Robbins and Susanne Bier on Berlinale jury

Also: Soderbergh talks not-quite-retirement, and Foster champions Wallis

With the exhausting thrill of Sundance still in my bones, I'm not quite ready yet to think about diving into the Berlin Film Festival -- but there it is, less than two weeks away. The programme has been revealed in drips and drabs, and today we learned who'll serve alongside present Wong Kar-wai on the competition jury. As usual, it's an interesting group, and one that includes two Oscar winners: Tim Robbins and Danish writer-director Susanne Bier. Meanwhile, the addition presence of the superb cinematographer Ellen Kuras ("Eternal Sunshine of the Spotless Mind"). Iranian video artist turned filmmaker Shirin Neshat and Greek New Wave talent Athina Rachel Tsangrai (director of "Attenberg," but also a producer on Richard Linklater's "Before Midnight") makes for a mostly female jury this year. [Berlinale]  

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<p>The cast of &quot;Argo&quot;&nbsp;at the 2013 SAG&nbsp;Awards</p>

The cast of "Argo" at the 2013 SAG Awards

Credit: John Shearer/Invision/AP

'Argo' stuns for second-straight day this weekend at the SAG Awards

The actors are the latest to embrace Ben Affleck's Best Picture hopeful

I've been out most of the evening but some quick thoughts on tonight's SAG outcome...

"Argo" is the story of the weekend, clearly. After coming out victorious at the PGA Awards it picked up the ensemble prize that everyone had either chalked up to "Lincoln" or "Silver Linings Playbook," with some outliers thinking "Les Misérables" had a shot at it. Surprise!

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<p>Ben&nbsp;Affleck and Bryan&nbsp;Cranston in &quot;Argo&quot;</p>

Ben Affleck and Bryan Cranston in "Argo"

Credit: Warner Bros. Pictures

'Argo,' 'Wreck-It Ralph,' 'Searching for Sugar Man,' 'Homeland' win PGA Awards

Does that wrap it up for Best Picture or is there more nuance at play?

The Producers Guild of America (PGA) has crowned Ben Affleck's "Argo" with this year's Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures. Affleck received the award along with co-producers George Clooney and Grant Heslov.

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<p>Ben Affleck accepts the Modern Master Award at the 28th annual&nbsp;Santa Barbara&nbsp;International Film&nbsp;Festival</p>

Ben Affleck accepts the Modern Master Award at the 28th annual Santa Barbara International Film Festival

Credit: Richard Shotwell/Invision/AP

Ben Affleck speaks to a career transitioned at Santa Barbara Film Festival tribute

'This last seven years is something new and also incredibly rewarding.'

SANTA BARBARA - As "Argo" star and director Ben Affleck took the stage of the Arlington Theatre last night to begin a two-hour Modern Master Award fete at the 28th annual Santa Barbara Film Festival, he settled into that on-going self-effacing tone immediately. "Ben Affleck, career retrospective," he said. "That could go one of two ways."

Indeed, the usual reminder reel of accomplishments that kicked off the evening was set to the Foo Fighters' "Walk," with lyrics ringing a note of redemption: "I think I lost my way," "getting good at starting over," "learning to walk again," "I believe I've waited long enough, where do I begin."

And maybe that angle is slightly played out to some at this point. How much can you really feel for a millionaire who cashed in early on and wants to be taken seriously as a craftsman now? That's a point of view for the cynical, though.

Affleck, who talked with moderator Leonard Maltin about getting the acting bug early and relishing the responsibility and commitment of the job, said he was pulled aside once and given a speech of encouragement by an acting mentor that has stuck with him and gave him a leg up into the early stages of his career. Lately, as he's looked to transition from tabloid beefcake to respected filmmaker, another vote of confidence wouldn't be misplaced. And that's what he's been getting every step of the way this season -- well, from everyone save the Academy's directors branch.

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<p>Denis Lavant and Edith Scob in &quot;Holy Motors.&quot;</p>

Denis Lavant and Edith Scob in "Holy Motors."

Credit: Indomina Releasing

César Award noms celebrate 'Amour,' 'Holy Motors'... and 'Argo'

Noemie Lvovksy's 'Camille Rewinds' leads with 13 nods

The nominations for the César Awards -- the French film industry's answer to the Oscars -- were announced this morning, and most of the top contenders were easily seen coming: Oscar hopeful "Amour" received nine nominations, as did historical drama "Farewell My Queen," while "Rust and Bone" and "Holy Motors" scored eight apiece. The field leader, however, may come as a surprise to non-French observers: actress-director Noemie Lvovsky's time-travel comedy "Camille Rewinds," still little seen outside its home country, racked up a massive 13 nods.

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Oscar Talk: Ep. 103 -- Sundance reflections, PGA and SAG Awards preview

Oscar Talk: Ep. 103 -- Sundance reflections, PGA and SAG Awards preview

Is 'Argo' coming on stronger than ever or did it peak too early?

Welcome to Oscar Talk.

In case you're new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar's stage and we're here to address it all as it unfolds.

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