The American Society of Cinematographers has named the three cameramen who will be receiving honorary recognition at next year's ASC Outstanding Achievement Awards on February 1. So, if Emmanuel Lubezki is as safe a bet as most seem to think in the feature film category, you can start composing the winners lineup already. Dean Cundey, Eduardo Serra and Richard Rawlings, Jr. will all be celebrated for their careers' work.
Mark Harris notes, as many have before him, that the Academy's Best Screenplay categorizations are a bit confusing. Why should films like "Before Midnight" and "Toy Story 3" compete as adaptations when they're not adapted from anything, simply because they use pre-existing characters? And on the original side of things, are factual or biographical screenplays really that comparable to fiction crafted entirely from the writer's imagination? Harris argues that the only solution is to divide the writing Oscars into three categories: Best Original Screenplay, Best Screenplay Based On Factual Material and Best Adaptation. Even then, though, a part-factual, part-fabricated film like "The Butler" could blur the lines. What do you think? [Grantland]
LOS ANGELES (AP) — It's an Oscar ceremony with dinner, drinks and no commercial breaks: For the fifth consecutive year, the motion picture academy will present its honorary Academy Awards at a private, untelevised, black-tie dinner.
There are a handful of filmmakers looking for rare air this year. If "American Hustle," "Inside Llewyn Davis" and "Nebraska" end up with Oscar nominations for Best Picture in January, then that means David O. Russell, the Coen brothers and Alexander Payne will enter the exclusive company of 11 other filmmakers who have directed three Best Picture nominees in a row. And next year, Bennett Miller will be looking to do the same with "Foxcatcher," which was recently rescheduled for a 2014 release.
In terms of media coverage, the AFI Fest in Los Angeles is generally portrayed as yet another launchpad for big-name Oscar contenders in this crowded season -- headlines were dominated by the US premiere of "Saving Mr. Banks," the surprise package of "Lone Survivor" and so on. All that Hollywood-focused talk, however, tends to obscure what a fine selection of world and art house cinema the festival also showcases -- and it's this lower-profile part of the programme that comes to the fore when it's time for the jury and audience awards to be handed out.
If you were an Academy or guild member Wednesday night, you may have had a tough time determining your social schedule. There were at least four major events you could have attended tied to this year's awards season. Yes, the circuit is in full effect and it's just the second week of November.
In recent years, the awards media has caught on to the relationship between the categories of Best Film Editing and Best Picture. Even films like "Argo" and "Crash," which did not win the Best Director Oscar, picked up the trophy for Best Film Editing. Every year, the vast majority of nominees in this category (sometimes even five out of five) are also cited in the top category.
SANTA MONICA, Calif. — After premiering at Cannes and bringing the film (and a jam session) to Telluride, not to mention a big concert event in New York ahead of a NYFF bow, it was time to bring the "Inside Llewyn Davis" party to Los Angeles Wednesday night as CBS Films, producer Scott Rudin and music maestro T Bone Burnett turned out quite the crowd at The Buffalo Club in Santa Monica. A number of talented young acts hit the stage to offer up a pair of folk music sets for the largely industry crowd, and they even had a celebrity surprise up their sleeve.
HOLLYWOOD — Unfortunately for Spike Jonze, the pivotal role of "Samantha" in his new sci-fi tinged romantic drama "Her" had to be recast after the film was already in the can. Luckily for Spike Jonze, "Samantha" is actually a computer operating system - i.e. she's never actually seen on-screen.
The best vaguely Oscar-related feature online today is Variety's "Directors on Directors" gallery, in which notable filmmakers comment on other directors' work that most stood out to them this year. Obviously, it's one big back-patting session, but it's the occasionally surprising combinations that make it interesting. It's not hard to see why Peter Bogdanovich would be so keen on Alexander Payne's "Nebraska," or Michael Mann on "Captain Phillips," but I wouldn't necessarily have expected Ben Affleck to single out Nicole Holofcener's "Enough Said." "Her direction is void of spectacle, distraction or maudlin sentiment," he says. "She directs with the humanist, realist sensibility of Renoir." Also cool: Ryan Fleck on Derek Cianfrance's "The Place Beyond the Pines," and plenty more. [Variety]