No one needs awards coverage this deep
'Traumatized critics exhale.'
When last year's Oscarcast producers Craig Zadan and Neil Meron were tapped for the 2014 Academy Awards, speculation immediately swirled around the possibility that they would offer hosting duties to Seth MacFarlane once again. With Academy president Hawk Koch keeping the "consistency" mantra going -- citing a ratings boost, though failing to consider that the films in play had plenty to do with it -- it made sense that MacFarlane might be back, regardless of the critical thrashing he and the telecast took in February.
Indeed, an offer was extended to the "Family Guy" funny man, despite his stern "no way" response to a Twitter query in the wake of the 85th annual show about whether he'd consider it again. Well, whether he was game or he wasn't, MacFarlane has officially dropped out of the running today, he revealed on Twitter. And he even took a bit of a shot at that critical thrashing in the process.
The prestige distributor also handled Asghar Farhadi's 'A Separation'
CANNES - As a rule, Sony Pictures Classics tends to make the first big acquisitions strike at the Cannes Film Festival: last year, they moved quickly when Chilean sensation "No" started getting sidebar buzz (and steered it all the way to an Oscar nomination.
Oscar Isaac is a revelation in melancholy study of arrested artistry
CANNES - For artists now closing in on their thirtieth year of sustained filmmaking success, Joel and Ethan Coen still find an inordinate amount of inspiration in failure. From Barton Fink to Larry Gopnik to the Dude himself, underachievement – whether by personal or social standards – has been the hallmark of many a great Coen hero, sometimes more proudly (and more deservedly) than others. To this estimable gallery of schmucks, we can now add Llewyn Davis: a sincerely talented musician, a compellingly gauche social maladjust and, as played by the winningly rumpled Oscar Isaac, star of one of the brothers’ most bittersweet films.
Putting a bow on last year's awards season with a few laughs
You didn't think "Argo" and its Oscar run was through with you yet, did you?
Tonight on "Saturday Night Live," last year's golden boy Ben Affleck took up hosting duties for the fifth time in his career, bringing the 38th season of the show to a close and putting a big bow on the 2012-2013 Oscar season.
How has the franchise fared at the Academy Awards over the decades?
J.J. Abrams' "Star Trek Into Darkness" has arrived. From here the film goes out into the unforgiving summer and we'll just have to see where it stands fiscally on the other side of things. But I imagine at the very least its various craft achievements will be in the awards discussion at the end of the year.
So with that in mind, how has a franchise that spans 12 films over 34 years fared at the Academy Awards all this time? It seemed like something worth digging into for our purposes here and with the new film on screens, so let's take a look…
Competition's first outright dud is a major letdown from Arnaud Desplechin
CANNES - Something's ailing Benicio Del Toro's title character in "Jimmy P. (Psychotherapy of a Plains Indian)," but let's lay that to one side for now. More pressingly, what is up with Arnaud Desplechin? The French writer-director is typically one of his country's liveliest talents, with big, crowded, unapologetically chaotic films like "A Christmas Tale" and "Kings and Queen" bristling with emotional and intellectual curiosity -- but he's come a cropper in this lethargic, self-important psychiatry study, which he himself seems to have directed from the couch.
Un Certain Regard entry sets pulses racing with surfeit of steamy gay action
CANNES - Nothing I've seen at Cannes so far -- not even the current Palme d'Or favorite, Hirokazu Kore-eda's button-cute parenthood drama "Like Father, Like Son" -- has, to my ear, pushed the end-credits clap-o-meter quite as far into the red as Alain Guiraudie's Un Certain Regard entry "Stranger by the Lake." Elated whoops and whistles greeted this minimalist French thriller's final fade to black: not the reaction you'd usually expect from a civilian festival crowd for a work of such sleek, stark nihilism as to prompt visions of Robert Bresson adapting Patricia Highsmith. All of which leads me to at least one conclusion: audiences out there are really starved for gay sex.
Matthias Schoenaerts will also star in the Fox Searchlight co-production
A year ago at Cannes, Dogme 95 co-founding filmmaking Thomas Vinterberg was stirring up talk with his film "The Hunt." It went on to win an acting award for Mads Mikkelsen, currently creeping out television audiences in NBC's "Hannibal." Drew was a fan of the film, noting that it "infuriates in all the right ways." This year's fest brings news for Vinterberg's next.
Noah Baumbach's latest heads out in limited release this weekend
Here's some counter-programming for you. Noah Baumbach's "Frances Ha" is slipping into select theaters this year as "Star Trek Into Darkness" dominates the wide release conversation. I saw and was delighted by the film at the 2012 Telluride Film Festival, and that's coming from someone not particularly in love with Baumbach's aesthetic. It's also one of our under-the-radar films for the 2013 summer movie season. Will we be talking about the screenplay and Greta Gerwig's performance come Oscar time? Can the film push out of the critics and indie awards circuits? Time will tell, but for now, those of you who get around to seeing it (or have caught it on the festival circuit the last few months), tell us what you thought in the comments section and by voting in our poll below.
The wrath of a sequel lands on screens this weekend
It's here. Was the mystery box worth it? You tell us. Yes, J.J. Abrams' "Star Trek Into Darkness" is finally in theaters and I imagine many of you have either seen it already or will be making it out to see it this weekend. We've covered it about as much as we can. Drew's review was favorable. We charted the best and worst of the franchise to date. There are plenty of interviews to chew on at the site. (And stay tuned this weekend for some discussion on "Star Trek" at the Oscars.) But now it's your turn to tell us what you thought. Dug it? Didn't? Give us your take in the comments section, and as always, feel free to boldly vote in our poll below.