There are cavernous ideas resting under the surface of writer-director David Michôd's "The Rover." What would happen if there was an actual global fallout? Michôd allows theories on economic implosion, geographic relocation, a societal reversion to linger in the background, his setup, "10 Years After the Collapse," merely a cloudy backdrop for a revenge thriller.
Director Ang Lee and writer-producer James Schamus are one of industry's inspiring pairs. Over 22 years, they've worked on nine out of Lee's 12 feature films together, everything from the director's 1992 debut "Pushing Hands" to "Crouching Tiger, Hidden Dragon" to "Hulk" to the little seen "Taking Woodstock." But the relationship doesn't define them — they're two distinct voices approaching the film business from their personal experiences. Case in point: This week, Ang Lee signed on to helm a biting war drama for Sony while Schamus cut the artistic ambition of screenwriters off at the knees.
I've been diving back into Tim Burton's filmography as of late in preparation for this winter's "Big Eyes." The film will tell the story of artist Margaret Keane (Amy Adams), who build an empire with her husband Walter (Christoph Waltz) on the little white lie that he was the one responsible for her popular images of children with, well, big eyes. They would simply sell better if considered a dude's work, you see.
The Oscar race has barely started, but there is already a laundry list of once-expected contenders that will not get released in 2014 and will try to be in the game next year.
If the National School Boards Association is to be believed, we're in a golden age of education Oscar movies.
Fox Searchlight announced today that a partnership with the NSBA, New Regency and Penguin Books will make copies of the 2014 Best Picture winner "12 Years a Slave" and Solomon Northup's autobiographical source material available to America’s public high schools. This follows Participant Media's own educational campaign for "Lincoln," which put DVD copies of Steven Spielberg's historical film and the necessary projection technology in a number of underserved communities.
Lots of questions have been surrounding J.C. Chandor's "All is Lost" follow-up "A Most Violent Year" this season, but we've been telling you to chill out, it's coming, etc. The sound mix has been moving along this month and it's being primed for a big winter bow. Now it has a date: Dec. 31. A platform release in January is expected to follow.
The British Academy of Film and Television Arts Los Angeles (BAFTA Los Angeles) has announced that Robert Downey Jr., Mark Ruffalo, Emma Watson, Mike Leigh and Dame Judi Dench are among the first honorees of this year’s Jaguar Britannia Awards ceremony. Each year, BAFTA Los Angeles honors "individuals who have dedicated their careers to advancing the art forms of the moving image in the U.S., U.K. and beyond."
Similar to the first wave of Telluride reviews for "Labor Day," just a year ago, reactions sprouting out of the Toronto Film Festival for Jason Reitman's "Men, Women & Children" encompassed a full spectrum. Critical opinion from voices on the ground ranged from impressed praise to cries that the film was DOA. A new trailer for "Men ,Women & Children" cuts through the schizophrenic chatter.
You won't find many comedies in the Academy Awards' Best Foreign Language Film category (2003's "The Barbarian Invasions" and last year's "The Great Beauty" stand out as recent, funny-ish winners). But that's not stopping Sweden from backing Ruben Östlund's incisive, family dramedy, "Force Majeure," as its 2015 contender. The film's first trailer should help skeptics understand the decision.