Channing Tatum, Steve Carell and Bennett Miller dig into the psychology of 'Foxcatcher'

Channing Tatum, Steve Carell and Bennett Miller dig into the psychology of 'Foxcatcher'

The film saw its North American premiere Saturday morning in Telluride

TELLURIDE — In August of 2005, the Palm Theater in Telluride was inaugurated with the world premiere of Bennett Miller's Oscar-winning biopic "Capote." Nine years later Miller was back for the North American bow of his latest film, "Foxcatcher," which screened to a packed audience eager to get a look at this dark and mysterious story.

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Review: Jon Stewart finds humor in the harrowing true story of  'Rosewater'

Review: Jon Stewart finds humor in the harrowing true story of 'Rosewater'

Gael Garcia Bernal delivers a strong performance as Maziar Bahari

TELLURIDE - In recent years, Journalists have come under siege all across the world from governments trying to minimize their influence either through subtle or not-so subtle means.  One of the more dramatic instances in recent memory was chronicled in Maziar Bahari's 2011 memoir "Then They Came for Me" which has been adapted into the new film "Rosewater." The film, with director Jon Stewart on hand, debuted Friday night at the 2014 Telluride Film Festival.

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Review: 'The Humbling' is an unnecessary adaptation of a bad book

Review: 'The Humbling' is an unnecessary adaptation of a bad book

HitFix
D
Readers
n/a
Humbling indeed: Al Pacino stumbles with Philip Roth

VENICE - The first scene in "The Humbling" ends with a once great veteran actor falling flat on his face. Well, quite.

“Do you believe that? Was that real for you?” Oh, Al Pacino. Playing a formerly great, now floundering actor like a needy lover, the scene begins with Simon Axler (Pacino) monologuing to himself in his dressing room. He's due on stage any moment to deliver Prospero's closing remarks in "The Tempest" ("We are such stuff / As dreams are made on; and our little life / Is rounded with a sleep").

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Review: Slow-burn drama 'Manglehorn' gives Al Pacino his best role in ages

Review: Slow-burn drama 'Manglehorn' gives Al Pacino his best role in ages

HitFix
B+
Readers
n/a
Harmony Korine has fun in supporting role

VENICE - Yesterday's Al Pacino vehicle here at Venice, "The Humbling," was a disappointment: this is not the Pacino you are looking for. Thank goodness, then, for "Manglehorn", where the sure directorial hands of David Gordon Green know exactly how to unlock latter day Pacino's strengths while reining in his worst excesses.

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Telluride kicks off with a tribute to a masterpiece

Telluride kicks off with a tribute to a masterpiece

Breaking down one of American cinema's crown jewels

TELLURIDE — While press and patrons were hustling into gondolas and over to the Chuck Jones Cinema for the World Premiere of Jean-Marc Vallée's "Wild," the 41st annual Telluride Film Festival was kicking off with a bang at an over-stuffed Werner Herzog Theater for the lead program of this year's schedule: a tribute to Francis Ford Coppola's "Apocalypse Now." The ticket was so hot that well over a hundred pass holders were turned away at the door.

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Review: Benedict Cumberbatch is the only puzzle worth solving in 'The Imitation Game'

Review: Benedict Cumberbatch is the only puzzle worth solving in 'The Imitation Game'

HitFix
C+
Readers
n/a
Does the film do the man's life justice?

TELLURIDE - There are two reasons Andrew Hodges' biography of Alan Turing references "The Enigma" in its title. The first is in reference to the Engima machine, the legendary secret code the Nazis used during World War II, which was solved by a secret UK military division lead by Turing. The second is Turing himself. 

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Review: 'She's Funny That Way' is a creaky throwback comedy with a charming cast

Review: 'She's Funny That Way' is a creaky throwback comedy with a charming cast

HitFix
C
Readers
n/a
Wacky plot strains credulity

VENICE - Your enjoyment of dodgy comedy "She's Funny That Way" will depend hugely on your personal tolerance for coincidence as plot mechanic. How many coincidences need to occur before the characters might as well start saying "a wizard did it" by way of explaining the wherefores of the plot? What's your personal tipping point? Perhaps your answer will depend on genre. Even in sci-fi or fantasy, "a wizard did it" is still a pretty poor explanation unless the wizard has a satisfying motive. In a more realistic genre, the greater the number of coincidences, the greater the strain on audience credulity. The genre of farce, though broadly realistic (there are usually no wizards), is of course often borderline fantastical in terms of the believability of people's behavior and the frequency with which coincidence craps all over the characters' hopes and dreams. "She's Funny That Way" leans heavily on this creaky genre convention until it finally gives way and collapses.

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Review: Reese Witherspoon goes for it all in 'Wild'

Review: Reese Witherspoon goes for it all in 'Wild'

HitFix
B+
Readers
n/a
Director Jean-Marc Vallée is the film's unsung hero

TELLURIDE - There is a moment near the end of "Wild" where Cheryl Strayed (Reese Witherspoon) runs into a young boy and his grandmother out on a weekend hike. Strayed has walked hundreds of miles on the Pacific Crest Trail in an attempt to deal with personal, emotional pain that has plagued her most of her young adult life. After learning of Strayed's heartbreaks the young boy (Evan O'Toole) sings her the song "Red River Valley." In the hands of a lesser director this scene could have been overly saccharine and misplaced. But director Jean-Marc Vallée makes it as artful and touching as it needs to be. Clearly, we should not have doubted him.

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<p>&quot;Leviathan&quot;</p>

"Leviathan"

Exclusive: International 'Leviathan' trailer sets the stage for Russian social critique

Will Russia balk on submitting it for foreign Oscar consideration?

When last we left Andrey Zvyagientsev's "Leviathan," it was causing a stir at the end of Cannes and looking like a sure-fire Palme d'Or winner. In the end, the Russian drama — which is a spin on the Biblical Book of Job — settled for a screenplay award at the fest, but now it's set to spur discussion again as it's set for a North American premiere at the Telluride Film Festival Friday night.

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Review: The First Lady of Iranian Cinema returns with dialogue-heavy 'Tales'

Review: The First Lady of Iranian Cinema returns with dialogue-heavy 'Tales'

HitFix
B-
Readers
n/a
A multi-stranded portrait of everyday lives

VENICE - Known as the "First Lady of Iranian Cinema", Iran's premier female director Rakhshan Bani-E'temad is a formidable chronicler of the day-to-day existence of Iranian people. Not a million miles removed from the outlook of the Dardennes brothers in Belgium or Ken Loach in the UK, she is concerned largely with so-called ordinary lives. "Tales (Ghesseha)" is a multistranded take on a dozen or so people's stories intersecting across a single city. Some characters are encountered once, never to return, others recur throughout, but it's not a film with a protagonist or supporting characters in the traditional sense; it's much more a slice of life/lives.

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