I'm still a little hot and bothered by the news of All Tomorrow's Parties London initial lineup for 2012: Slayer performing "Reign in Blood" in its entirety, the frequently afflicted Mogwai, Sleep (!!), the Melvins, newly reunited Guided By Voices and Yuck. (Fine, fine, and Mudhoney too. Whatever.)
But included in that May 25-27 weekend will be a reunion of slow-core pioneers Codeine. That crew has put themselves back together for what might be a whole tour, in fact, with plans to released their three excellent Sub Pop records. "Frigid Stars" (1990), 1992's "Barely Real" EP and 1994's "The White Birch" are getting double-album makeovers, similar to those that enhanced Jesus and Mary Chain's six album reduxes. They're due in Spring 2012.
And it grabs hold of what everybody already knew: girls love guys with money! And, boy, do b**ches love shoes! 'miright?
It's a catchy track, regardless, and seems to directly counter the short-sight chick that broke Cee Lo, erm I mean Bruno Mars', heart in "F*ck You" and it's friendly G-rated cousin "Forget You." It looks to be a good contender for one of his performance tracks as he takes the stage float during the Macy's Thanksgiving Day Parade.
If Lou Reed is the drunk uncle that ruins your Thanksgiving, then Tom Waits is the uncle to whom you offer another glass -- in the off chance he may pull one of these in your backyard.
The songsmith turned to director Jesse Dylan, media exec and son of Bob, to helm this off-the-cuff black-and-white clip. It features a sweating Waits pointing his "gun" and scratching an itchy belly as he stomps around the dirt in front of a tree and a fence. That's it. Really.
The song is culled from "Bad As Me," the Anti- artist's latest and first top 10 set, and features steady hands from those like Marc Ribot on guitar, Les Claypool on bass, son Casey Waits on drums and a little stank from Keith Richards. In part, that's why Waits tips his hat to the Rolling Stones: they claim they can't get no satisfaction, but as he sings, "I will have satisfaction / I will be satisfied."
If you need a few moment of wank material, here's nine-and-a-half minutes for free, though not commercial-free.
Duran Duran unleashed their extremely expensive Jonas Åkerlund-directed music video for new single "Girl Panic" and, boy, are there girls. Lots of them. And they're all models, kissing each other, pretending to be hung-over, air-humping, drinking champagne RIGHT FROM THE BOTTLE (!!!), brushing their bed-head from their faces and walking around the hallways perhaps in search of some diet soda or a cigarette.
The figureheads of the video are Duran Duran, played by super models Naomi Campbell as lead singer Simon Le Bon, Cindy Crawford as bassist John Taylor, Eva Herzigova as keyboardist Nick Rhodes ("as the only blonde in the band" [!!]), Helena Christensen as drummer Roger Taylor and Simon's wife Yasmin Le Bon as "the anonymous guitarist" (ouch). They dryly talk about their stardom, address former allegations like addiction, and explain why the band is "still at it" after 30 years, in bondage unis. This "encomassing humour" is funny because super models are trying be rock stars. Isn't that hilarious?
Duran Duran meta-note that they were among the first bands to use models in the videos, because nobody would have ever thought of that. And if the models-as-rock-stars metaphor is to extended, then it appears the guys and their crew spend all their downtime just making out with each other.
But to be fair, some of the shots are head-rushingly beautiful, and the fashion is sometimes on fire. I'm still not so wild about the song, which sounds outdated, and I'm so damn sweaty and exhausted by the end, I don't have it in me to give it another go, to play a fun game of "name that designer."
Duran Duran fans who live to support this single, however, will love this.
Need a pick-me-up after the new "Breaking Dawn - Part 1" soundtrack? How about a "Happy Song" with the Muppets?
"The Muppets" 2011 movie principals Jason Segal and Amy Adams help to lead "Life's a Happy Song." The title may make you urp, as may some of the lyrical content, but it may be more digestible considering who wrote it. Bret McKenzie, one half of "New Zealand's second most popular guitar-based, digi-bongo, a cappella, rap-funk-comedy folk duo" Flight of the Conchords, is serving as music supervisor on the film. Blame him for this interestingly gummy original track for the film, due in theaters on Nov. 23. Keep your ears open: Feist and Mickey Rooney also pull a cameo on the track.
The soundtrack to “The Twilight Saga: Breaking Dawn – Part 1” follows a similar template from series music supervisor Alexandra Patsavas. Conscious of its audience and of the romance and melodrama of Bella Swan and her fans’ vampiric love affair, the sets have alternated between mania and depression, bliss and melancholia, or, as “Part 1” contributor Aqualung sings, “between heaven and hell.”
This 15-track collection furthers that dichotomy, even in its missteps and variance on that love-sick theme. To those who know Kristen Stewart and Robert Pattinson’s narrative propulsion in the forthcoming film, these polarizations can be easily heard in the warm ache of Christina Perri’s voice on “A Thousand Years.” There’s a half dozen songs here that’ll whet the rabid whistles of viewers eager for the wedding ceremony, and of Edward and Bella’s longed-for love-making.
And then there’s Bruno Mars And Theophilus London. The former’s screaming bawler “It Will Rain” smacks of studio or label interference, a big-name draw from the Atlantic crew among a sea of comparatively tiny ones (apologies, recent Warner Bros. convert and labelmate Iron & Wine). And while fresh Warner Bros. signee London’s urban/electronic sound is among the most lively of the bunch, it sticks out like a sore protagonist.
The upshots are tracks like Joy Formidable’s energetic rock opener “Endtapes” and Twilight actress and singer Mia Measto’s soothing “Llovera.” The Belle Brigade is still unconvincing as a scorned-woman blues outfit but it’s countered by a hard-working stomper Noisettes; as “Part 1” looks to capitalize on the other “F” word – feminine – it’s nice to have tracks like these to compliment the emotional sap of the soft middle section of the album (Cider Sky, Iron & Wine, Imperial Mammoth, Aqualung... damn, where are the Weepies?), a situationally befitting roar instead of a whimper from our constantly imperiled Bella.
There’s also the closer from score composer Carter Burwell: getting the full context on these songs, but especially this brilliant mood-making bit, will be a welcome sound to Twi-Hards.
"The Twilight Saga: Breaking Dawn - Part 1: Original Motion Picture Soundtrack" is out Nov. 8. The film drops on Nov. 15.
Real Estate's first music video from new record "Days" is for the dogs.
Beginning with what appears to be a Ralph Lauren commercial circa 1987 tumults into an amiable Twilight Zone of happy pooches in "It's Real." The clip was shot in Livingston, N.Y. and directed by Weird Days, who named themselves keenly.
The impossibly titled and previously unreleased "Lúppulagið" is now streaming, and boy is this piano-led track sad. Watch a dully fading sunset. Consider your options to otherwise support the 99%. Write your dead grandmother a letter.
The live album companion to "Inni" is out on Nov. 15, and the doc is heading to CD/LP and DVD in different combinations therein.
With any posthumous album, there's going to be some mixed -- if not completely sarcastic -- feelings about what comes out.
With Amy Winehouse, there were only two complete albums to her name, solo; like a lot of people (including Tony Bennett), I felt that Winehouse had such an impressive amount of talent and it was a shame she passed before she had more to share. This is no Michael Jackson moment, and thankfully "Lioness: Hidden Treasures" has been framed as a rarities collection, and not as a totally separate, purposefully formed album
I'm glad there will be more to hear, particularly after hearing the two tracks that are out today. Nas was the inspiration behind Winehouse's "Mr. Jones" and he show's up on "Like Smoke," recorded in 2008, on a pair of verses.