Band is experimenting with social media in their post-Geffen days
Yeah, what did happen to the Counting Crows?
I was thinking about that as I saw the movie "Gypsy Davy" at this year's Sundance Film Festival. The documentary film, in a tangent, reveals the origins of "a black-haired / flamenco dancer" and the father who plays guitar in the '90s hit "Mr. Jones." There's footage of the band's floppy-dreaded frontman Adam Duritz singing the song live and a reminder that Duritz and his bandmates had lives and other bands before Counting Crows. And they've seen some strange years after its inception.
The rock act parted ways from Geffen in 2009, and I honestly thought that may be the end of that. They'd released the immensely personal and very dark double-disc "Saturday Nights & Sunday Mornings" in 2008, with some interviews revealing some of heavy baggage. There were some good reasons why it took the band six years to release an album of new material after 2002's "Hard Candy," including Duritz' struggle with a dissociative disorder. It's a mental illness spurred on by pressure, which the band undoubtedly had after its string of hits starting in 1993 and throughout the '90s into the 2000s.
Being an immensely popular rock band from the 1990s doesn't always bode well in this jaded post-Internet age. Ask Bush, or the Wallflowers or Creed.
All this while, the Counting Crows have been touring consistently, and Duritz and the crew have been pretty lively on Twitter, with well over a million followers, and vibrant in other online community hotspots. It's this relationship that may have spurred an experiment from the band for the release of their next studio effort.