<p>Bon Iver / Justin Vernon</p>

Bon Iver / Justin Vernon

Credit: Jagjaguwar

Watch: Bon Iver's 'Hinnom, TX' gets an appropriately hazy video

Clip is part of larger A/V 'companion' to self-titled album

When you hear Bon Iver's song "Hinnom, TX," do you think of a sun-fueled hazy drive in the car as you roll right through that enormous state?

If so then, boy, do we have a video for you.

Isaac Gale and David Jensen directed the clip below as part of the larger video project from the soft-rockin' songwriter. As previously reported, there are 10 videos getting lined up for the 10 songs on the self-titled album, set for re-release as a digital deluxe edition tomorrow (Nov. 29); the vids are to be "consumed as a visual extension of the music, to enhance each listener's experience," reads a statement.

These aren't "official music videos" in the traditional sense, so perhaps that's why it's OK if you find this little orange-dappled stroll kinda boring. It's not like Bon Iver's songs are the audio equivalent of "Immortals" or anything.

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<p>Beyonce in &quot;Dance for You&quot;</p>

Beyonce in "Dance for You"

Watch: Beyonce wants to 'Dance for You,' detective

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Seventh, noir-ish music video from '4' arrives

It was a stormy night, and the detective was hard at work, gazing out the window.

He suddenly found himself to be the luckiest heterosexual model-man on the planet, as Beyonce arrived and gyrated seductively at him.

If you're a hetero sexual lady detective, however, this is sort of boring.

"Dance for You" is the seventh music video to arrive from Queen B's latest album "4" (this track was culled from the deluxe version) and is the seventh of seven to be included on her latest "Live at Roseland" DVD 2-disc collection. It was directed by the singer and Alan Ferguson, who helmed "Party" earlier this fall.

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<p>&quot;Regular Show&quot; cast</p>

"Regular Show" cast

Watch: Tyler, The Creator appears in 'Regular' Adult Swim cartoon show

Hashtag rap in animated form

Actually, this is funny.

Odd Future has its own live-action, "Jackass"-style show coming to Cartoon Network's Adult Swim, but the hip-hop troupe's Tyler, The Creator is jumping the gun a little bit and appeared on "Regular Show" in animated form.

Tyler appears as a bully Blitz Comet along side the rest of his crew CrewCrew, with Alpha Dog (Donald Glover aka Childish Gambino) and Demolition (MC Lyte [YAY!]). CrewCrew engages in a rap battle with a Shakespearean spitter named Pops, to a delightful end.

Tyler doubles as another rapper in the ep, Big Trouble. Tyler's known for his admirably smart but confrontational (and sometimes misogynistic, offensive, among other adjectives, yes) style. It's kind of fun to see him get a beat down, in a way. Have some fun with that big head of his.

"Loiter Squad" comes to the network next year.

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<p>Kid Cudi</p>

Kid Cudi

Credit: AP Photo

Listen: Kid Cudi's new project WZRD lets go of the 'Brake'

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Cudi collabs with Cleveland cohort Dot da Genius: more rock to come?

Kid Cudi has behaved erratically over the last couple of years, to say the least. After the much-acclaimed release of 2009's "Man on the Moon: The End of Days," Cudi hemmed and hawed about his next collaborations and the name of his second album (eventually settling on "Man on the Moon II: The Legend of Mr. Rager" in 2010). He's told the press he wasn't going to guest on any more records. And then he guested on everybody's record this year (including Wale, who used a boost from quite a few rappers). He slowly been melding more rock into his sets, he dissolved his old record label and started a new one and even got arrested.

Dude is busy. Good thing he's talented, and it shows on "Brake."

"Brake" is the second third fourth third-and-a-half song to arrive from his collaboration with producer Dot da Genius, also from his home town of Cleveland. The duo operated under two different names over the last year but now seem to have settled on WZRD.

The first track from now-WZRD was "No One Believes Me" (heh), but under Cudi's name. Follow? The video was cool, the music an even bigger indication of what was to come, the rock-centric "Brake."

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<p>From Fleet Foxes' &quot;The Shrine/An Argument&quot;</p>

From Fleet Foxes' "The Shrine/An Argument"

Watch: Fleet Foxes' beautiful animated clip for 'The Shrine/An Argument'

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Talk about tension

Fleet Foxes' latest album "Helplessness Blues" has been out for a while, but they've been saving up at least one particular goodie for this, the end of the year.

Frontman Robin Pecknold's brother Sean directed animated clip for the band, for "The Shrine/An Argument," which the brother animated together. It featuring myth, monsters and as much plot tension as the song's audio provides. I woke up still thinking about it. I'd recommend giving it a go.

Sean Pecknold also helped out on Fleet Foxes' "Mykonos" and "White Winter Hymnal," and on Pearly Gate Music's "Rejoice," which I love. PGM's Zach Tillman (brother of Fleet Foxes' J. Tillman) put out a damn good album last year, as previously reported.

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<p>From &quot;A Trip to the Moon&quot;</p>

From "A Trip to the Moon"

French duo Air and Scorsese's 'Hugo' honoring 'Moon' man Georges Méliès

'Le Voyage Dans La Lune' (A Trip To The Moon) gets a full album

French electronica duo Air are going hand-in-hand with "The Moon."

Director Georges Méliès' "Le Voyage Dans La Lune" ("A Trip to the Moon") was a trailblazing silent film  originally completed in 1902, and one of the first known science fiction flicks, inspiring flimmakers and writers thereafter. A hand-painted reel of the film -- the only one of its kind -- was discovered in 1993 and it was subsequently reworked for a debut on the world stage at the Cannes Film Festival earlier this year; Air was commissioned to complete a brand new soundtrack for the 14-minute film it debuted at the fest as well.

Air are expanding on that prompt and are completing an entire album inspired by "La Lune." Astralwerks will release "A Trip to the Moon" on Feb. 7.

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<p>Lou Reed</p>

Lou Reed

Credit: AP Photo

Lou Reed, Tom Morello, more launch Occupy Musicians, in support of OWS

Talib Kweli, Saul Williams, Ian McKaye... will their participation help the cause?

More than two months after the Occupy Wall Street protests popped up, creative professionals now have a formal website to show their support. Lou Reed, Tom Morello, Talib Kweli, Saul Williams, Dan Deacon, former members of Fugazi, Laurie Anderson and more have expressed their support of the movement on OccupyMusicians.com, which has sister sites like Occupy Writers and Occupy Filmmakers.

The site organizers can help pair up musicians who support the cause to protest leaders, to help schedule performances. It's also a simple way of musicians showing support for the grassroots cause.

There are names on here that don't really surprise me -- Morello is normally the first guy to sign onto anything that fights-the-power, and nobody's ever going to raise an eyebrow after the words "Ian McKaye" and "personal politics." The 99 percent is a large enough swath to lend relevancy to any artist. I'm a bit cynical about any artist's ability to bring more to the cause than the cause lending to these artists (except maybe somebody gigantic like Radiohead).

It reminds me a little bit of protests against Arizona's controversial SB 1070 law, but in that case, artists actively boycotted the state -- didn't tour through -- which is a quick way to hurt local music businesses. The unconstitutional portions of that legislation weren't affected by Morello or Conor Oberst's protests. But, then again, it was a moment of solidarity, and another way to bring the issue into national consciousness. I had mixed feelings.

Hell, the coldest months approaching, I hope OWS protesters stay warm and healthy as they exercise their right to assemble. Cynicism aside, if the best wishes of Marc Ribot and other artists are going help keep these guys warm, I welcome them.

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<p>Meg White of the White Stripes</p>

Meg White of the White Stripes

Credit: Third Man

Listen: John C. Reilly w/ Jack White, plus rare White Stripes make for a Third Man haul

New vinyl releases from White's imprint, including Edgar Oliver and merch galore

I gotta hand it to Jack White and his label Third Man's handlers. They make every vinyl release seem like an event. In a festively worded press release, Third Man announced its newest round of goodies, in time for Christmas, including rarities and singles from now-defunct White Stripes, from actor and musician John C. Reilly and from Edgar Oliver.

Check out clips of some of these below.

First, with Jack and Meg White's old band there are four records to be had, starting Dec. 6:

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<p>Mary J. Blige's &quot;My Life II&quot;</p>

Mary J. Blige's "My Life II"

Listen: Mary J. Bige and Beyonce tell you how to 'Love a Woman'

Are these useful instructions?

So you think you know how to love a woman? Mary J. Blige and Beyonce think you might be doing it wrong.

The two seasoned singers paired up for "Love a Woman," for Blige's forthcoming "My Life II... The Journey Continues (Act 1)," a title that's as much a mouthful as this track is. Blige and Bey try to delineate between just having sex with your girl and making love, that women want more than material things. Also: girls like to talk it out. Duh. It's actually a pretty standard list of grievances and explanations, but the real guts of the thing is when the two to light up, to bring out the best vocal performances in each other, shooting you straight back to the 1990s.

And you get it, with the extended bridge section, though the sparkler synth at the end of the runs really interfere with the combined fireworks of Blige's dark vowels and Beyonce's strong vibrato.

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<p>Florence Welch in &quot;No Light, No Light&quot;</p>

Florence Welch in "No Light, No Light"

Watch: Florence + The Machine 'pin' Christianity against Voodoo in 'Light' video

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This heavy and melodramtic clip is anything but 'Light'

Florence + The Machine tried to make more than just a beautiful -- though, somewhat disturbing -- music video for "No Light No Light." There seems to be a fable here, or a classic battle between good and evil.

The melodramatic clip literally pins Florence Welch against a contortionist/Voodoo priest and his minions (?), as she's tortured by a Voodoo doll, falls from a skyscraper, runs from danger, writhes in pain. She ultimately, baptismally falls through a stained-glass window through the top of a church (?) and into the arms of an all-boys choir. The priest falls to the ground, dying it seems, and Florence is comforted safely by the boys and by the cutey pie she's been singing about all along.

It's actually kind of startling when you consider the symbolism, pairing classic Christian imagery against an exotic -- and, yes, dark-skinned -- "other." I'm not sure if Welch intended commentary on spiritual matters, or was just playing with themes, but she returns, once again, to the symbol of immersion (water and otherwise) with the clip.

At the end of the day, it's a bit too much to watch. I like the rality of her running scared, and the dancers who cause her pain are impossible not to watch. It's just so... so.

"No Light No Light" is off of Florence + the Machine's latest "Ceremonials," already out this fall.

What do you think?

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