Tyson Ritter, in a few mere motions, slipped off his artfully ripped t-shirt in front of 15 people and slipped on a Mickey Mouse sweatshirt, all for the sake of being "twinsies," to match my last-ditch gray digs. He bounced on the balls of his feet between questions and smoothed his long hair during our interview at this year's 2012 Sundance Film Festival, cunningly throwing in a phrase like "bag of d*cks" with his philosophizing on his band's varietal fanbase.
Like their frontman, the All-American Rejects are kind of all over the place. The quartet has been finished with their newest album "Kids in the Street" for a year, and in between have been "finagling" with their record label Interscope and their core listeners, lining up dates with Warped Tour and mulling how to depart from the traditional album release cycle and the alt-pop mold.
"We're melodic, we have a pop orientation," Ritter tells me of "Kids," "but this record... has a story in it."