"The only way I can get through the day..." is to check out this new song from the reunited Afghan Whigs.
"See and Don't See" is a damned bummer of a cover, but great news for fans of the band -- which hasn't performed together live in 13 years. This track is their first new one in five, after in 2007 they dropped "Unbreakable: A Retrospective 1990-2006" which contained two new tracks recorded when the Greg Dulli-led band reunited temporarily to record "I'm a Soldier" and "Magazine."
The band officially split in 2001 and last released their album "1965" in 1998. Next week, though, they'll take the stage once again on "Late Night with Jimmy Fallon" on May 22 and will play New York's Bowery Ballroom on May 23. They have 28 dates on slate; stops include Lollapalooza, plus at All Tomorrow's Parties' New Jersey edition, which Dulli is curating for a night.
Reggie Watts kicked off a headlining tour this week, but it wouldn’t be fair to say that the stint is in support of one single thing.
The musician/comedian/musical comedian dropped “Reggie Watts: A Live In Central Park” on CD/DVD on Tuesday, with airings having ramped up the week before on Comedy Central. He’ll be featured in each episode of new IFC show “Comedy Bang! Bang,” which debuts on June 8 (you can get a taste of him collaborating with Jon Hamm on the theme of “Taxi” here). He’s warming up for festival season with stop-offs like Bonnaroo and Electric Forest this summer, and he’s dropped off everywhere from SF Sketchfest to Sasquatch! to Fun Fun Fun. He continues to work with Louis C.K. on his show “Louie,” writing incidental music, and made his own score to Ridley Scott's "Legend."
The Williamsburg, Brooklyn resident opened for Conan O’Brien on his “Legally Prohibited From Being Funny On Television Tour” last year and gained rep online through the word-of-mouth success of “Why Sh*t So Crazy?” from 2010 (featuring “F*ck Sh*t Stack”) and his CollegeHumor “Blowjobs” bit. He also held down a high-profile gig singing with LCD Soundsystem at their last show at Madison Square Garden in 2011, a performance captured in “Shut Up and Play the Hits.”
Watts is mesmerizing to watch, as he blends pre-planned comedy bits and banter with himself in with improvised music composition, beat boxing, experimental motifs and rapping. He looks like a crazy person. He can make himself sound like Chaka Khan and Fred Rogers in the same breath.
Below, we talk about “Central Park,” Jack White, lazy pop production, All Tomorrow’s Parties and just how ugly Steely Dan are.
The xx just kicked off a tour in time for festival season, and are bringing new songs with them.
Below, in a surprisingly well-recorded video at Chats Palace in London, a show-goer captured the Mercury Prize-winning band perform a fresh track, title still unknown, earlier this week. The thing only goes for about 2:15, but it's got that chilly guitar riff and big bass thuds that make the kids crazy.
The setlist from their Electrowerkz gig this week indicates that half of the songs played at the gig were actually new.
When Whitney Houston died in February, Sony "accidentally" spiked the price of the singer's albums. Celebrities seemingly re-engaged with the media just to be part of the dialogue on her death, to their own benefit. I've seen press releases for tribute groups who are "touring" in order to "celebrate" her legacy, a predictably profitable time in their careers. Cover songs were made in tribute and sold on iTunes.
"Let me see your phone..." Gotta love Nicki Minaj's gall to have a verse about checking her boyfriend's cell phone in a song that features Chris Brown.
The Young Money would-be pop-star and rapper combined with Brown for "Right By My Side," another cut from "Pink Friday: Roman Reloaded." In addition to the socially repugnant pop star, Minaj also tapped another super-talent for the track, or at least the video: Nas.
The music video seemingly set up shop in the 1990s era of R&B, with Minaj's slo-mo'ed long blonde locks and wack lounge wear, and the ever-lovely Nas sporting eyeglasses like he's Nate from Boyz II Men (of course he was the cute one). Oh, a new car! Oh, a make-out session on a park bench! Kelis is somewhere, weeping and sharpening a blade.
This clip is thankfully much more cohesive than Nicki's last, neon eyesore "Starships." Where I take issue here, though, is that she spends about 75% of the time doing capital-S Serious acting for the VH1 crowd, and the rest of it goofing off. It's one kind of comedy to watch Brown try to lip-sync to his auto-tuned solo, it's another to perpetually act like its the end of a long day. The tail-end of the vid hints at a "Thriller"-like sequel, but I don't feel like dancing.
Nine months ago I was standing on the Sunset Strip. It was in Florida.
That is, the set for the movie make of musical "Rock of Ages" was built in Miami, Fla., note-for-note of the famed rocker row circa the mid '80s. There's choppers and crimped hair on the extras, and it's all very dirty.
So is Tom Cruise, who plays man-child music star Stacee Jaxx in the Adam Shankman-directed flick. His locks are worn long and he's positively brimming tattoos and shabby furs. He'll be centerstage of a ensemble that includes co-leads Julianne Hough and Diego Boneta, plus Paul Giamatti, Alec Baldwin, Mary J. Blige and Catherine Zeta-Jones.
Shankman guided me and some other journalists through some Stacee footage last year in a trailer off the strip, of the 49-year-old actor playing an early 30s-something sex god with microphone. I am skeptical of "Rock of Ages," partly because I enjoyed the Broadway show and I'm leery of the scale of this project; I'm also weary of co-opting the music of my youth to force into caricature.
But I will say this: watching tape of Tom Cruise sing in the scene for Def Leppard's "Pour Some Sugar on Me"? We were all fanning ourselves, more than a little bit.
I'll be publishing more on the visit to Los Angeles-by-way-of-Miami next week about this same time. Meanwhile, Cruise has been showing up on the pages of W and Playboy this week in promoting his image. Below check out a clip of Cruise's Stacee Jaxx sing some "Sugar":
I continue the exploration of my love and loathing of R. Kelly, that time-traveling horndog of R&B mysterium. Today his label RCA announced a June 26 drop date of his new album "Write Me Back," as well as lifted the veil on another new song from it, "Feelin' Single."
Like "Write's" first song-single "Share My Love," "Feelin' Single" borrows from the same strings-dripping '70s era of soul and disco, this time with Kels fondling playing with the space bars between lonliness and landing the skinny, big-boobed lady of his dreams. It goes up via digital retailers on May 29.
It was only a couple weeks ago that Usher unzipped "Lemme See" featuring Rick Ross in promoting his new album "Looking for Myself"; now the pair are back together for another sexy back-and-forth for Rozay's new single "Touch'N You."
If that's so, then look for a lot of steam-windowed R&B combos with Bawse's confident woof, because this mid-tempo bedroom jammer has Usher over-repeating his intentions of "f*ckin' you." Of course, there's a radio version available -- "Touch'N You" -- reminiscent of how Enrique Iglesias, tonight, is "lovin'" you.
Ross' rhymes work, though, and its another gangbusters combination from this team, who could benefit from each others' prowess as they drop their respective new albums. As repetitive as I think "f*ckin' you" gets, it on a meta-level reflects the actual nature of, well, f*ckin'. Good work, lit team, "Touch'N You" sounds like a definite hit.