Inside Music with Katie Hasty
That's where the pain comes in
Fiona Apple has been performing new track "Every Single Night" at many of her tour stops this spring, and now the song is officially available to stream.
As previously reported, "Every Single Night" features a refrain of a disturbed war cry, "I just want to feel / everything." Apple's voice is mixed and recorded so close, like fractured and delicate china, her breaths moving over spare plunks and chiming keyboard parts. This is no "single" in the traditional sense, but it carries a lot of weight and personality. Again, the songwriter proves that one of her biggest strengths is her vulnerability.
'No.1 Against the Rush' pairs something very creepy with the sentiment 'I want you'
For all you fans of "Criminal Minds," quick: why would a dry cleaner murder the band Liars?
There are a few answers but mostly questions in the music video for Liars' "No.1 Against the Rush," as a killer finds a few ways to capture the three-piece band. It's not cute, though. It's all disturbed blue hues and everyday circumstances to the weird lyrical sibling "I want you." Tonight's an Ambien night.
Check out some clips of the songwriter and consumate working musician
The thing I've heard most this week when talking about the imminent passing of Levon Helm is that the lifelong musician was still playing shows even a few short weeks before he was hospitalized in New York. As he battled his last against cancer, the Midnight Rambler was still rambling in Woodstock, N.Y., as a host, a part of the whole in addition to being a centerpiece.
You could say similar things about The Band, whose communal strength in the '60s in '70s was in its individuals, and the group's ability to be its own centerpiece or to play well with others. Backing Bob Dylan or -- in its earliest incarnation, Ronnie Hawkins -- the Band stepped out with brilliant "Music from Pink House" and went on to define, reform and inform roots-based rock music of the era from within the band and through those they worked with outside of it. Despite the loss in gravitational pull that brought Helm and other Band members together with Robbie Robertson, the group's legacy was firm by time they broke up in 1976.
That bust confirmed at least a couple of things: one, it put "The Last Waltz" firmly into the living curricula of any music lover and, two, it was a proven moment that Helm would continue to be a lasting, working musician, solo or in a group.
System of a Down and Das Racist too, plus: One of the Ramones resurrected
Sometimes you gotta go it alone. That's what members of Interpol, Vampire Weekend, System of a Down and Das Racist are saying this week. And wouldn't you know it? Joey Ramone, were he alive, would agree. Or at least, that's what BMG would have you believe.
The record label will be releasing the Ramones frontman's long-gestating second posthumous solo album "...Ya Know?" on May 22, with its 15 tracks featuring collaborations from " Joan Jett, Little Steven Van Zandt, former Ramones drummer Richie Ramone, Bun E. Carlos of Cheap Trick, Dennis Diken of the Smithereens, Patti Smith Group guitarist Lenny Kaye and members of the Ramones' punk-era contemporaries The Dictators."
"Joey Ramone was one of the key figures in a musical revolution whose impact is still being felt today. We are honored that Joey's brother Mickey and his estate have entrusted this album to BMG," BMG exec Jason Hradil. "The album represents the very best of the recordings Ramone left behind and assembled by his brother Mickey Leigh, manager Dave Frey and trusted producer Ed Stasium."
I know it's hard to believe, but...
I know conceptually, the music video for R. Kelly's "Share My Love" will be difficult to comprehend, but bear with me.
Girls with big boobs and small waists are romanced by Kelly in his mansion and then join the R&B singer at a party that is also mostly populated by girls with big boobs and small waists and they all dance for and with him. There is a brand name liquor product placement. Kells looks satisfied with all his achievements, he makes love to the soft edges of the '70s, the end.
Hell, at least I liked the song.
Can Jason Pierce find new converts or is he preaching to and with the choir?
Spiritualized’s head pastor Jason Pierce, after 20 years of album-making, has forced himself into re-working well-trod scripture and reiterated motifs. Because it’s not broken, he doesn’t fix it. It’s hard for these new tunes on “Sweet Heart, Sweet Light” to not sound like something that’s been made before.
The group boasts the same confluence of influences from the ‘60s and ‘70s into a pop pickled in psychedelia. Sonically skronky songs like “Headin’ for the Top Now” and Dr. John co-penned “I Am What I Am” drone into musical wallpaper, sitting instrumentally on top of a single note or oscillating between two as J Spaceman (Pierce’s other name) slides off-key up and down his easy melodies, a pack of wild cheerleaders leading the way. On single “Hey Jane
” and “Get What You Deserve,” he again gives way humping Lou Reed’s grave even before the Velvets’ main man is even dead (something to which Mr. Reed may not be all that averse
) with climactic bursts of blissed-out white noise.
And I don’t mean the sexual metaphor purely provocatively: violence and pleasure, death and life and borrowing and taking are among Pierce’s favorite lyrical themes, with a couple cameos from recurring character Jesus, on whom Pierce places some of his most despairing and simple lyrics. These sometimes border on false profundity, like on woozy “Freedom” and sing-song ballad “Too Late” (which is a perfect partner with “Baby I’m Just a Fool” from 2008’s “Songs in A&E”).
All these are good for collectors to hear, but it’s the clincher – album closer “So Long You Pretty Thing” – that could make new converts. The track’s epic proportion still feels familiar, with Spaceman’s inviting vocals paired with his instrumental kindred in a plonky-plonk banjo, the slow-burn swelling into a choir of “help me Lords” and schemes that put rhyming bedfellows radio/souls/and rock ‘n’ roll together.
This current Spiritualized devolution of genre is still blurry, but bright, tied together with cacophony and clarity. Pierce’s ability to write lasting songs is still skillful and strong, and will doubtless keep his patrons coming back.
'I don't want to suffer from the sophomore slump'
After years and years of what Michael Fitzpatrick calls “failing,” Fitz & the Tantrums are finally having good years. In fact, 2012 is already shaping up to be their best.
As of today, the soul-rock band is officially part of the 2012 Outside Lands music festival lineup
in August. This week, the six-piece is in between weekends playing at Coachella, the kickoff to their spring tour. That stint segues directly into stints opening for Dave Matthews Band and recent Immaculate Noise interviewees the Flaming Lips
and performing at major festivals like Bonnaroo and newly minted The Great Googamooga in Brooklyn. Palladia is airing concert film “Fitz and the Tantrums: Live at the Metro” starting this Saturday (April 21). All this, and the band will be releasing their second effort for indie Dangerbird later this year.
Fitzpatrick and his cohorts – co-vocalist Noelle Scaggs, saxophonist/flutist James King, bassist Joseph Karnes, drummer John Wicks and keyboardist Jeremy Ruzumna – have exhibited an astonishing devotion to the road and to the social mechanics that normally destroy bands half their size. There’s just a rare commitment and collection of talent that has resonated with fans, beyond just their outta-nowhere hit “Moneygrabber”
from their debut “Pickin’ Up the Pieces.”
Below is an abridged interview I had with Fitzpatrick at the end of this winter. For aspiring bands, it’s almost a check-list or outline of what it is to slog, and to succeed in slogging.
Produced by 'N*ggas in Paris' hitmaker Hit-Boy
A$AP Rocky wasn't on our Hip-Hop's New Class list for nothing. The general behind-the-beat swagger of the rapper's new "Goldie" is no "understatement," aided by the big beat of Hit-Boy.
For those playing at home, that producer was the same hitmaker behind Lil Wayne and Eminem's "Drop the World and Kanye West and Jay-Z's "N*ggas in Paris," and is a firm associate of Ye's G.O.O.D. Music label. (Perhaps he'll be contributing to that forthcoming compilation?)
"Goldie" is off of A$AP's forthcoming RCA debut "LongLiveA$AP," out in July, not to be confused with recently re-released mixtape "LiveLoveA$AP." The track features an easy beat and Rocky dropping his vocals an octave for the refrain, a la Tyler's Golf Wang Goblin growl. No zingers stand out more than others, though I could swear there's a Naked And Famous name-drop in there and I could definitely do without the "ch*nk eyes" reference. However, his voice fits in a perfect mix range, where the rhymes rattle off like a drum. He's got a good grip on Hit-Boy's particular brand. Hopefully there will be another pairing in the future.
Jack White, Foo Fighters, Beck, Skrillex... so many dudes
Outside Lands has confirmed its major lineup announcement, with Stevie Wonder, Metallica, Neil Young & Crazy Horse and Jack White leading the way for the weekend music and food festival.
The San Francisco event runs Aug. 10-12 in Golden Gate Park. Tickets go up via the Outside Lands website on Thursday (April 19) at noon PST and, judging from years past, get 'em quick: it will likely sell out, particularly with a few factors in mind...
First, Metallica's from there, folks, and have no other U.S. tour dates on slate this year except for June 23-24 at their own Orion Music + More Festival in Atlantic City, N.J. Furthermore, the Metallica 3-D movie is slated to start shooting in August, and you can bet there will be footage taken at this Outside Lands gig. If you're a fan, fight to the front.
Neil Young & Crazy Horse are releasing their first new album in 15 years ("Americana") on June 5, but the band's status in rock annuls was marked by their electric live concerts. The collaborative group has only played one show this year, and this gig is only their second announced.
Stevie Wonder -- for all anybody cares -- can just continue being Stevie Wonder as his marquee moment this year.
Jack White seems to be sticking largely to festival bookings to support his solo album; Beck already signalled a return to the stage with his headlining gigs at the Governor's Ball in New York and Sasquatch! in Washington state; and, yesterday, we explained that the Foo Fighters were plotting to record new material later this year, in addition to promoting Dave Grohl's "Sound City" documentary.
Blink-182 singer and electro-pop star are a perfect combo
Well, look what just flew onto my desk. A brand new Owl City song "Dementia" has surfaced, signalling the way for a fresh album from the electro-pop star.
And it appears that Adam Young has made some more famous new friends. Mark Hoppus -- singer for Blink-182 and +44 -- helps out on vocal duties for this high-energy track. I can't tell if Hoppus also had a hand in producing this sure-fire radio hit, but he has helmed for acts like Motion City Soundtrack, Fall Out Boy and New Found Glory. So this particular combo is just slightly out of each artist's usual arena, with Owl City branching out into a much more rock-reliant sound.