<p>From &quot;We Found Love&quot;</p>

From "We Found Love"

Grammy Awards: Mumford & Sons movie and Rihanna win video categories

'Big Easy Epress' amps Old Crow Medicine Show and Edward Sharpe & the Magnetic Zeros

LOS ANGELES --  In the first two awards issued today for the 55th annual Grammy Awards, two of the biggest nominees from the night already run away with wins. The clip for Rihanna's "We Found Love" featuring Calvin Harris won Best Short Form Music Video, while "Big Easy Express" -- featuring Mumford & Sons, Edward Sharpe & The Magnetic Zeros and Old Crow Medicine Show -- earned Best Long Form Music Video.

The former was directed by Melina Matsoukas with Juliette Larth & Ben Sullivan as its producers. Rihanna, however, wasn't on hand to accept the award, which made its bow first at 1:10 p.m. PST. The pop superstar is probably busy getting ready for the big show tonight.

Director Emmett Malloy was around for his honors helming "Big Easy Express," which followed the Mumfords, Edward Sharpe and Old Crow around on their short stint touring from a locomotive around the South and Southwest United States.

"Thank you to the bands for letting us join a pretty remarkable trip that will be etched in my head forever," Mallow said in his acceptance. "The country we live in, I've never seen so beautifully than on a train."

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Listen: Fitz & The Tantrums release dance-happy 'Out of My League'

Listen: Fitz & The Tantrums release dance-happy 'Out of My League'

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A different kind of retro

Fitz & The Tantrums earned a reputation for being a bit of a '70s soul-funk revival band as they grew in popularity in 2011 and 2012. For the recordings -- and for 2013 -- it looks like the sextet is bringing back a little of the '80s.

"Out of My League" is the first single from Fitz & The Tantrums' new album "More Than Just a Dream," and you can hear it below. The set will be out on May 7.

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<p>&quot;Paul's Not Home&quot;</p>

"Paul's Not Home"

Credit: Third Man

Jack White at work on new solo album and drops track with Butthole Surfers' Gibby Haynes

Label man an axe-wielder already 20 songs in to a 'Blunderbuss' follow-up

Surprising no one, Jack White says that he's already knees deep into making a new solo album, the follow-up to 2012's "Blunderbuss."

Talking to BBC 6 Music, the Third Man Records founder and current Grammy nominee said “I’m writing a lot of songs for another record… I have over 20 tracks I’m working on right now.”

America will be hearing a bit more from White this coming weekend, as he hits the stage for the 2013 Grammy Awards in support of his three nods at this year's ceremony, including Album of the Year.

White also revealed in his interview this week that 25,000 blues tracks originally released on Document Records are going to be remastered and reissued on Third Man Records. That's a lot of tracks, maybe even more than he's produced in the last two years. BAH-ZING.

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<p>Elton John on &quot;Chelsea Lately&quot;</p>

Elton John on "Chelsea Lately"

Credit: E!

Elton John guesting on new Queens Of The Stone Age album, because why not

Sound City man sits down with another great on 'Chelsea Lately'

Dave Grohl not only wielded his fame for good for doc "Sound City," but he has also been able to wrangle more music stars for his "Chelsea Lately" takeover this week, last night's guest Elton John included.

The "Rocket Man" singer sat down with the Foo Fighters frontman to confirm something nobody expected: that he would be featured on the forthcoming Queens of the Stoneage album.

"Recently Elton and I recorded something together, something people wouldn’t imagine the two of us doing together," Grohl started. Imagination... yes. That's what this takes.

Grohl, Trent Reznor, the Scissor Sisters’ Jake Shears, Mark Lanegan and Brody Dalle (of the Distillers, and also Homme's wife) are lined up to guest on the new QOTSA set as well, with release and title TBA. Grohl had that rock band's frontman Josh Homme on hand for "Sound City," and the two collaborated with Trent Reznor for a new song "Mantra."

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Listen: Another new Prince song 'Breakfast Can Wait' rises
Credit: AP Photo

Listen: Another new Prince song 'Breakfast Can Wait' rises

What are you waiting for

I would almost never call Prince "headphones" music, but his production and engineer expertise sometimes warrants a closer listen. "Breakfast Can Wait" is a flirtatious, sultry little jam (with an annoying octave pitch, but whatever), and his halcyon call for you to hit "snooze" in favor of a pajama-less party sounds so pure and clean next to your eardrums. So delicious, I could eat it... for... some other meal.

This is the third song the Purpleness has "leaked," quotations due to the fact that you can purchase it now from 3rdeyegirl.com, home to those other recently released tunes. No word on a new album yet.

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<p>Fitz and the Tantrums</p>

Fitz and the Tantrums

Fitz & The Tantrums announce 'Dreamy' new album

'More Than Just a Dream' due on May 7

Fitz & The Tantrums' sophomore set will finally drop this spring. "More Than Just a Dream" is due May 7 through Elektra, a change-up from the soulful band's first album drop through indie Dangerbird.

The first single from "Dream" will be "Out of My League," described in a release as "an exhilarating slice of pop-soul."

The Los Angeles-based sextet released "Pickin' Up the Pieces" in 2010, but grew in stature much more substantially in 2011, when they performed at some of the country's biggest music festivals. That growth was also amped by their single "MoneyGrabber," so with any luck, "Out of My League" will have the same effect.

Second album releases are also crucial for a tour-heavy band like Fitz, giving them a promotional opportunity to head back into the waters. When I interviewed lead Michael Fitzpatrick in 2012, he was all too aware of the need to grow, as well as the need to satisfy with the songs.

"For me, the focus is  songwriting, like challenging myself as a songwriter, as a producer, to make sure that I like really push myself, evolve and write the kind of songs that I think are going to hopefully sustain us for a whole other record. I don't want to suffer from the sophomore slump," he said at the time.

This time, it's producer Tony Hoffer (Beck, M83, Phoenix) who is helping to shoulder the weight of a new record. The biggest hurdle may be radio, and moving over to a major may help. Elektra (an "independent entity within Warner Bros.") was dormant for a minute in the aughts, but relaunched a couple of years ago by moving over the careers of Bruno Mars and CeeLo; Elektra's new president Jeff Castelaz co-founded Dangerbird, and so his success has been their success, too. So there's hope?

The single release, as well as expected tour dates, will follow soon.

Review: Jim James 'Regions of Light and Sound of God'

Review: Jim James 'Regions of Light and Sound of God'

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My Morning Jacket frontman's funky solo step outside of arena-sized jams

In his work with Monsters of Folk and on all the varietal Yim Yames tracks, its easy to hear that Jim James has a "small music" streak in him when he's not fronting arena jammers My Morning Jacket.

And make no mistake: there are what I'd call "jams" still on "Regions of Light and Sound of God," with keen, rolling guitar lines and long instrumental sections. This solo set contains more hooks and melodic pop ideas tucked in the back pocket of James' jeans, flourishing with the help of horns and sampled drums. Pushed to the front is James' delicate alto, as opposed to his full-throated tenor, dreamily looping through left-of-center world rock like "All Is Forgiven" and time-travel funks like awesome opener "State of the Art (A.E.I.O.U.)."

At times he channels George Harrison to cool, wallpapery, new-age effect. The close-eyed groove of "Dear One" and acoustic hybrid "A New Life" feel amicably retro, in its lyrics of "babes" and "stardust" and "daily every minute your possession of my mind / ticking synchronicty of time." Other times, he's chopped up his pop-folk motifs and re-assembled them into a similar sonic magic that the Dirty Projectors have (here's looking at you "Of The Mother Again"). Conceptually, it's "inspired by life and the novel in woodcuts 'God's Man' by Lynd Ward." Sonically, it's an earful.

"Regions of Light and Sound of God" is progress for James, with nuanced and progressive performances all over its, well, regions. Not every song will captivate the listener, but maybe that's the secret to relaxing and enjoying  James' little mists and mystics.

<p>Local man starts from bottom</p>

Local man starts from bottom

Credit: AP Photo

Listen: Drake drops new song 'Started from the Bottom' a week early

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Rapper posts open letter to fans, hype machine revs up

Drake told the world he'd be dropping a new single on the weekend of the Grammys, but it appears "Started from the Bottom" wished to make itself known a few days early.

The Young Money MC and singer hatched the song on his OVO website, along with an open letter supporting the song's claims that he "started from the bottom."

"I feel sometimes that people don't have enough information about my beginnings and therefore they make up a life story for me that isn't consistent with actual events," Drake said. "My family and my second family (consisting of the best friends anybody could ever have) all struggled and worked extremely hard to make all this happen. I did not buy my way into this spot and it was the furthest thing from easy to achieve."

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Vampire Weekend announces new album title and tour dates
Credit: XL

Vampire Weekend announces new album title and tour dates

'Modern Vampires of the City' creeps in on May 7: Check out the album cover

Vampire Weekend have finally formally announced their new album, dubbed "Modern Vampires of the City." The NYC band remains with XL for this third full-length, which will get a touring launch starting at South By Southwest.

"Modern Vampires of the City" features 12 tracks, making it the most tracks of any VW album; as previously reported, the set was produced by member Rostam Batmanglij and Ariel Rechtshaid (Usher, Major Lazer, Charli XCX) and it will be released May 7.

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<p>Joe King</p>

Joe King

Exclusive Interview: The Fray’s Joe King stepping out solo with KING

King isn’t stepping off, though: The Fray aim for Q4 release

The Fray’s Joe King is ready to step out solo with a new pop-oriented project, with a radio-ready single and an album in the wings. The Colorado-based songwriter will be releasing new music under the simple name KING and aims to release an EP of fresh material by April. 

Since starting out 11 years ago, The Fray has featured King and singer Isaac Slade splitting songwriting duties, each track a collaboration. After three albums, some No. 1 hit singles and millions of tickets sold, King felt that the time was now to hunker down and release tracks that are all his, from writing to the performance.
 
The project has been in the works for a year-and-a-half, with songs produced as the band has been on tour. Now, as The Fray are in-between albums in the release cycle, King knew the time was right. He’d be able to make the solo effort he wanted and still remain with the band.
 
“There comes a bit of a downside when you’re writing these songs, and you end up letting your best friend sing them. It’s worked, and he’s the only other person I ever want to sing them. He’s a great singer, and I’m not trying to throw that whole thing. But creatively, it became such an urge. I kept thinking ‘I’m ready for this,’” he said in our recent interview. “It’s been talked about. I just hadn’t been in the place to do it.”
 
On a personal level, the 32-year-old hitmaker found himself in a “place” he’d never been before. Married when he was 19, King is now divorced, with some free time and some new “beginnings.”
 
“Post-divorce and dating girls… Man, yeah, I’ve never done that. I’ve only been with one woman, so I definitely started to experience things and new ways of thinking. Making this album became this self-discovery thing,” he said. 
 
The result, in part, is lead single “Need a Woman” featuring Trombone Shorty, with the hooky refrain “I need a woman by Friday.” The first lyric: “I get addicted to beginnings.”
 
"It’s about loving the beginnings of something, the flirtatiousness and that energy.”
 
Sonically, “Need a Woman” is synth-driven and uplifting, King’s rich, consonant-heavy vocals balanced with high keyboard pings and persistent programmed drums. And it does not at all sound like the Fray, nor what one would really call a “breakup record.”
 
“I didn’t want it to sound like a stripped down, acoustic, real melancholy piano thing. On so many solo records, that kind of thing’s really obvious. Not that that's bad -- everyone wants to do a Ray Lamontagne record. But I didn’t want to play coffeeshops,” he said. “I became obsessed with Peter Gabriel and his breakaway from Genesis, because it doesn’t sound like a solo thing. His approach to production, the blending of synth bass and real drums, programmed drums and real drums… I love that ‘80s blending of instruments.”
 
Helping with the aesthetic was Brooklyn producer Adam Pallin, who would swap tracks with King remotely, and other Denverites like Patrick Meese (Tennis, Meese) and Grammy Award-winning artist/producer Ryan Tedder (OneRepublic). He’d bounce his songs off of other area musicians, like Immaculate Noise favorite Nathaniel Rateliff.
 
“I did all of my vocals at [Tedder’s] place. He’s like Nathaniel. They’ll play something for you and it’ll just kinda kick your ass. They’ll show you what they’re working on and you’ll be like, ‘F*ck, I gotta step up my game,’” King said. “Someone told me, ‘Don’t do this because you’re reacting to The Fray.’ And I’m not, it’s not a brush-off to what The Fray does. It’s hard being the songwriter continuing to write songs for 10 years and then after a while it becomes empty when you don’t have an outlet. It’s a family, you have to change it up and push yourself.”
 
So just what does his family think of the music? King didn’t want to play the songs for the rest of The Fray until they were in finished form. So it was only at the end of December they sat down.
 
“These are my brothers, I care more about what they think about than my mother. As I hit play, I thought, am I having an affair?” he said. “After it ended, it was the response I dreamed of. Ben clapped. Isaac was like, ‘Holy sh*t.’ Dave was dead silent, and that’s Dave for you. Ben was like, ‘All I cared about was that it doesn’t sound like The Fray.’”
 
Now King is shopping KING to labels with plans for a five-song, as-yet-untitled EP due this spring and hopes that “Need a Woman,” when it's released, becomes a 2013 summer jam.
 
And this is not at all to say that The Fray – who have best-sellers like “How to Save a Life” and “You Found Me” – won’t have more hits of their own. King is confident KING set won’t interfere with his band’s album-making schedule, as the group is currently writing for their fourth full-length for an estimated Q4 release this year.
 
“As I’ve been talking to labels, they rightly asked ‘How’s it gonna work with The Fray?’ But I’m not as concerned about that. It’s just now I feel that same anxiety I felt seven years ago, when The Fray was about to put out [the album ‘How to Save a Life’]. I’m thinking, Are people gonna like this? I believe in it. I think its good. It’s a happy, confident new artist anxiety.”