Song Of The Day: Lightning Dust's 'Diamond'
Credit: Ila Meens

Song Of The Day: Lightning Dust's 'Diamond'

Get your Sinead fix

Get your sad synth on: Lightning Dust's new song "Diamond" cuts deep, and it is divine.

The electronica duo is prepping the release of "Fantasy" on June 25, and have come with a light load. This, their third full-length, will be a concentrated effort of minimalism, and "Diamond" gives the listener a good idea of just what that really means.

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Watch this beautiful music video for James Blake's haunted 'Overgrown'

Watch this beautiful music video for James Blake's haunted 'Overgrown'

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Another gorgeous go from Nabil

Pretty pretty pretty pretty pretty pretty pretty, haunted.

Check out Nabil's breathtaking video for James Blake's "Overgrown," the title track from his latest album, out this week. Reconsider your feelings on lightness and dark. Repeat.

Watch other videos from Nabil Elderkin, including some from Bon Iver ("Holocene"), Kanye West ("Coldest Winter") and Antony & the Johnsons ("Cut the World").

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Watch: Nicki Minaj's 'Up In Flames' video defends Nicki Minaj's brand

Watch: Nicki Minaj's 'Up In Flames' video defends Nicki Minaj's brand

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Look at all those awards...

Nicki Minaj defends the Nicki Minaj Brand in the new music video for her "Up In Flames," yet another cut off the endlessly long-slash-promotable "Pink Friday: Roman Reloaded - The Re-Up."

The rapper/singer spends some serious screen-time mugging seriously in the dark as stunt bikers remind you that the '90s were real and this was a thing that happened. This very slow beat allows for Minaj's Queens accent bite at her competitors in full-throat, though I've never found the zingers particularly zingy. Instead, she seems defensive, rather than offensive, and the camera is out fishing for proof of her successes.

One particularly funny (and awkward) moment is when it pans to a table of her endorsements and branding opps -- for her perfume, for a liquor endorsement -- and it just looks like a plate full of tchotchkes sitting sad and alone in a room. Then zoom to the shelves of her awards, including some MTV and BET honors. The quick shot barely allows the viewer to remember there's no Grammys glistening in the collection.

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Love this: Thom Yorke and Nigel Godrich answer 'Ask a Grown Man' questions

Love this: Thom Yorke and Nigel Godrich answer 'Ask a Grown Man' questions

Radiohead and Atoms For Peace members tackle what happens when girls like boys

Rookie Magazine -- Tavi Gevinson's online features site for teenage girls -- has a fabulous feature called "Ask a Grown Man," and the featured "grown men" this week? Thom Yorke and Nigel Godrich of Atoms For Peace and Radiohead.

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<p>&quot;Paramore&quot;</p>

"Paramore"

Credit: Fueled By Ramen

Album Review: Paramore, 'Paramore'

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Readers
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Self-titled set has the band right where you want them

Especially when it comes to music made by women, rock bands are frequently described in terms of their infancy or when they're all-grown-up. Rarely is there an album that so perfectly encapsulates the in-between, the space where Paramore now occupies with the release of their self-titled set out this week.

Prior to recording, two of the band's founding members were gone; the group took on deft hired gun Justin Meldal-Johnsen in the studio to round out the rhythm section; and with that, the band embraced the "alt"-ness of alt-rock and let no genre border hinder them.
 
The result, for one, furthermore firms up Hayley Williams as one of modern pop music's more daring vocalists, unafraid of the big notes, brilliant with the small, and yet still excited to introduce sarcasm and fun into her own emotional narratives. And for anyone who's seen Paramore live, she's a damn superstar, with seemingly no need for filters or autotune on her raw abilities.
 
Instrumentally, the band experiments with girl-group backing vocals, travel guitars, glockespiels, hell, even a triangle in one breath, and then lunge into shoegaze like "Future" or '90s ska and new-wave for "Now" or the fearless power-pop of "Daydreaming." Treacly but endlessly catchy "Hate to See Your Heart Break" that, given different backing, would have Carrie Underwood clawing for the rights.
 
But this is all interlaced with the band's space-bound rock and peepholes of pop-punk, their bread and butter, yielding "Part II (Flame)," coy new single "Still Into You" and rock 'n' roller "Ankle Biters."
 
"Some of us have to grow up sometimes / And so if I have to I'm gonna leave you behind..." Williams sings in kiss-off and break-out "Grow Up. "I don't want your pity / So don't feel sad for me / I got a love I would die for and a song to sing / Maybe we're both just living out our dream." She alludes to, again, moving on and re-establishing professional and romantic ideals in "Daydreaming" and oozes self-awareness of her own maturation (and lack thereof) in a trio of ukelele-led Interludes.
 
But even in these moments of epic, arena-filling, teeth rattling rockers, Paramore gets a little ahead of itself. "Ain't It Fun" certainly sounds fun, hopping from an '80s adult-rock groove to Pink anthem to honest-to-God gospel. But why gospel? The band does it because it can. This doesn't seem to further any other goal then find a new way to sing the chorus, an impulsive way to prove to listeners they're capable of copping a style that's outside their wheelhouse. Same goes for the interludes, the whopping 8-minute "Future," the endless chorus vamps, the 17-song tracklist, a couple overly eager synth-lines, the 62 minutes of playtime. Length and idiosyncratic hiccups don't make "Paramore" a better album, but they seem like they have something to prove. Not a deal-breaker -- and certainly not to their fans -- but some annoyance nonetheless.
 
However, they're still growing up. Paramore is fully becoming the band they're intended to be. This substantial album is the best stepping stone so far to get them there.

 

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Listen: Queens Of The Stone Age's awesome 'My God Is the Sun'

Listen: Queens Of The Stone Age's awesome 'My God Is the Sun'

'... Like Clockwork' due in a month

Queens Of The Stoneage will release their first album in six years on June 4. Judging from first single "My God Is the Sun," it will be worth the wait.

Just listen to those crunchy guitars. You could spread butter on them and a sell 'em at Whole Foods but, like,   the hard rock version of Whole Foods, which I think may be opening in Norway later this year. Anyway. Every part is exacted and I feel an amphitheatrical rising in my chest when the bass takes the lead in those first few bars. Josh Homme -- who now goes by Joshua Homme, apparently -- keeps his operatic tenor in the same wheelhouse as ever, but the mix is all gnarls and groove.

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Listen: Selena Gomez releases new single 'Come & Get It'

Listen: Selena Gomez releases new single 'Come & Get It'

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Tablas and little tiny race cars

Vanessa Hudgen's first song since starring in "Spring Breakers" was much inspired by Spring Break in general. For Selena Gomez' "Come & Get It?" Her new boppy, fun track has some Indian influence.

Check out the Disney star's full-throated singing on "Come & Get It," rife with tablas and adages that are most definitely not about Justin Bieber, according to her interview with Ryan Seacrest. The pop personality was the first to present Gomez' single this morning, and among the first to hear that harmlessly bitter-sweet bridge on the "death of me." It's backed by synths that sound like really little race cars racing.

Dust off your na na na nas and eh eh eh eh eh ehs: this is like Rihanna Lite and will undoubtedly be on all summer long. Is the the first of the 2013 Certified Summer Jams?

"Come & Get It" is off of Gomez' next, as-yet-untitled album, due this summer. The song goes on sale tonight.

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Listen to The National's first new single 'Demons' from 'Trouble Will Find Me'

Listen to The National's first new single 'Demons' from 'Trouble Will Find Me'

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New track looks back at the past and sighs heavily

Grab your chalk and run crying toward "Demons," The National's new single from forthcoming album "Trouble Will Find Me."

As singer Matt Berninger intimated, the new music seems to deal with the past, and growing older, as the chorus to this wistfully cinematic, chugging track suggest "I stay down with my demons." It name-checks people of his past and sideways glances at the rock band's former album "Alligators."

I'm loving the singing in octave, unison with Berninger's looow baritone, and the strings and piano finale, like Rick Rubin was sitting on and smiling. "Wanna see the sun come up above New York/Oh, everyday I start so great/Then the sunlight dims," he sings. Everyone shivers.

This little heartbreaker is the second track on 13-song "Trouble Will Find Me," due May 21 via XL. It was recorded in Rhinebeck, NY, produced by the band and mixed by Craig Silvey, Peter Katis, and Marcus Paquin.

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<p>Danny Brown</p>

Danny Brown

Credit: AP Photo

Listen to a new Danny Brown and Trampy track 'Express Yourself'

Detroit rapper out all spring

N.W.A.'s "Express Yourself" centers on freedom of expression and radio censorship. Madonna's "Express Yourself" is about empowerment and never settling. Danny Brown's "Express Yourself" is about bouncing asses.

To be fair, the Trampy-produced track is inspired by Diplo's own butt-empowering "Express Yourself" featuring Nicky Da B. "Spread your legs and watch your back," it vamps. Back-watching is actually fairly difficult, particularly when one is on the floor...

So anyway, Immaculate Noise favorite Brown has the perfect alto whine in his rhymes for the bumping, purring tone of the track, like he and the keys are in call-and-response.

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'Great Gatsby' soundtrack tracklist: Jay-Z, Beyonce, Sia, Florence + The Machine

'Great Gatsby' soundtrack tracklist: Jay-Z, Beyonce, Sia, Florence + The Machine

Watch the trailer featuring 'Back to Black' cover and new Lana Del Rey

Baz Luhrmann's forthcoming "Great Gatsby" film adaptation will boast some of the A-list-iest of A-lister actors, and the same goes for its soundtrack. Jay-Z was roped in as executive producer and supervisor on the film's soundtrack, so as you can imagine, he showed up, his wife Beyonce showed up and new songs from big names like Florence + The Machine made the cut.

A new trailer for the film dropped this morning, and it includes Beyonce and Andre 3000 previously confirmed cover of Amy Winehouse's "Back to Black"; a fresh track from Lana Del Rey called "Young and Beautiful"; and Florence's new "Over the Love." "Will you still love me when I'm no longer young and beautiful," she sings. (Ugh, Lana.)

Bryan Ferry and his Orchestra show up twice, including for one take on Bey and Hov's "Crazy in Love" with Immaculate Noise favorite Emeli Sande taking the lead.

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