Ke$ha channels a number of pop divas in her music video for "Die Young," but none so closely as "Slave 4 U"-era Britney Spears. Sex and death have always been bedfellows, but the arcing, aching, sumptuous, dirty eventualities of a video like this seem to be nodding at that youthful peak era, where something so ridiculously indulgent and over-the-top proved to be the norm and nasty.
However, the chasm between the fun-bop of the song and the So Serious nature of the debauched clip that can't quite bridge. Ke$ha's mug flashes in tasteful black-and-white, then in early-'90s neon and in the leathery sepia tones of her semi-religious desert sex compound (a girl can dream); she's carried in as a idolatrous prop (a la Gaga), contorting in tribal furs (Shakira), introducing anarchy to a place of religious worship (Madonna) in a sea of triagles (Geometry 101). All together, this video and the Ke$ha brand hasn't a clue what it is, beyond blipping animal rule into a big pile of gropers till the world ends...
In the silly vid, a man's most powerful organ has departed from it's holding cavity (his chest, guttermind) and has gone around to the bars and strip clubs where it frequently serves others beyond his true love. This, in a world where he is surrounded by nothing but attractive women. The lost and devestated man goes on a hunt for his own heart, finding it has ultimately returned to its regular coop.
"Just What I Am" is the lead single from Kid Cudi's new hip-hop album. And just what is Kid Cudi about?
"F*ck yes, I'm so odd... I need to smoke," he raps, with co-partier King Chip on the track. From there, it's all red solo cups, pretty firls and puffs, as the guest rapper (formerly Chip tha Ripper) rolls regular smoke-blowing and Cudi brings something a little more real.
Any way you toke it, it's an easy song to listen to, and a good sample of what might be off of "Indicud," which follows Cudder's rap-rock record WZRD. The new set will be out some time in 2013 via Universal/G.O.O.D. Kanye's imprint also feature Cudi on a some "Cruel Summer" tracks as it was released last month.
Kid Cudi's last rap album was 2010's "Man on the Moon II: The Legend of Mr. Rager."
Growing out of live band performances of Thom Yorke's solo album, the members of electro experiment group Atoms For Peace have finished a nine-song album "AMOK" (XL) and will release it at long-last on Jan. 28.
Songs have been trickled out all this fall, of remixes and teaser bits, with excellent "Default" leading the way. You can hear it below. Yorke is joined by longtime Radiohead cohort Nigel Godrich, drummer Joey Waronker and Red Hot Chili Peppers players Flea and Mauro Refosco on the solo-project-ish thing, which was recorded out of New York's Electric Lady Studios.
According to a tidy interview with Rolling Stones' David Fricke, Yorke essentially wanted to make a dance record with the crew, but knew he needed to throw his vocals on top for it to get any traction.
"But you also have to give people something that moves," Godrich said. "This is the eternal battle with Thom. He's like 'I really want to make a dance record. But I have to sing on it, or nobody's going to f*cking care."
"[T]he best tunes I dance to always have at least one good vocal idea." Yorke continued. "There's no such thing, to me, as a good tune with no vocals."
One can be blind and still be a "Lover of the Light": that seems to be the moral to the story in the Mumford & Sons' video of the same name, which features the directing and acting talents of "The Wire" star Idris Elba.
Co-directed with Dan Cadan, "Lover" sends a man who cannot see into the stunning landscapes of Pembrokeshire, Wales without his dog or cane. I'm moved by the details and pauses inside the man's house, as he converses with himself, and selects a tie to wear as he takes himself on a date to the forests, cliffs and the beach.
"Without getting into many details, I will say that the trailer was independently made and the video is essentially a concept trailer," he said. "It's used for pitching an idea and/or concept to a client. With that said, the video was being used for pitching purposes and it's naturally intended only for the client to see."
The sample used in the trailer is from George W. Bush's "Address to the Nation Announcing Allied Military Action in the Persian Gulf," which has an easy-going apocalyptic feel.
And so how does something like that end up into mainstream circulation via YouTube, huh? Just sounds like Christianson had good intentions as a professional, and even used the copyright attribution to DONDA (West's creative/film component to his empire) and maybe is a little embarrassed especially after Def Jam claimed no ownership and the clip was pulled down.
The existence of a "Cruel Winter" album is still in question. Something called "Cruel Winter" -- perhaps a companion to "Cruel Summer" -- is in the works. Waiting, however, is still cruel. Is West soliciting pitches for such a thing? Because I hear that George Lucas is interested in making little films now.
Dave Stewart is an artist whose livelihood thrives off of collaboration. The former Eurythmics founder these days splits his time between his guest-heavy rock albums, producing other artists’ work – frequently with acts who also show on his records – and managing film and TV projects via his company Weapons of Mass Entertainment. He was just one part of a five-person supergroup SuperHeavy, with Joss Stone, Mick Jagger, A.R. Rahman and Damian Marley, and they released their first full-length last year. He produced Stevie Nicks’ new album “In Your Dreams,” and the doc of the same name, which made its bow at the Hamptons Film Festival last month.
He is also a songwriter, producer and musician that savors his own eccentricities. In album-making documentary “The Ringmaster General,” he chronicles the making-of the 2012 album of the same name plus last year’s “The Blackbird Diaries” through songmaking vignettes, but also shots of him brainstorming in the bathtub with his sunglasses on. He pressures martinis in Nashville’s Blackbird studios at any given moment, with off-handed references to friends like Annie (Lennox), Bob (Dylan) and Reese (Witherspoon). Re-created “footage” has managers exclaiming budget emergencies and his wife confused as to where the hell he is, as Stewart enthusiastically recalls his new guitar’s origins and candy-stores a costume shop catering to all his showman’s cravings. Meanwhile, famous females like Alison Krauss, Martina McBride, Colbie Caillat, The Secret Sisters, Joss Stone, Stevie Nicks, Jessie Baylin, Diane Birch and Orianthi all come by to take their turn at the mic on his country-inspired tunes.
“The Ringmaster General” – the film – makes it’s broadcast premiere tonight on Palladia. The pilot for his ABC show “Malibu Country” starring Reba McEntire also makes its bow tonight. Below is my abridged phone interview with Stewart, on what it is to be damned busy.
Are we ready for a new world order? That's what the trailer to a new short film, "Cruel Winter," asks us. Kanye West has probably already crowned himself king of said order.
The rapper/producer has apparently headed up another short, fueling speculation that "Cruel Winter" will not only be a film but a complete album to follow-up his G.O.O.D. Music compilation "Cruel Summer."
The video itself answers almost nothing, using only the ominous-sounding pre-recorded sample and pictures of the coldest months wreaking havoc on the landscape. It could be incredibly beautiful. And pretentious. Or, with any luck, both.
It looks like Vampire Weekend are back and in effect, as they took to the stage on "Jimmy Kimmel Live" and spooked the audience in the most sane, easy way possible: with boppy piano, Ezra Koenig's square longing and some righteous facepaint. The song is called "Unbelievers."
What's missing here is, frankly, a proper sound mix, but also the electric guitar: I rather miss that hollow-body Gretsch, and chonking acoustic guitar isn't quite filling in those spaces. Still, it's a second solid look into what the band has been up to. Vampire Weekend premiered a fresh track, "New Song No. 2," at a show in July.
If history has any bearing on when we hear more studio material, remember that the pop-rock band's first two albums both came out in January, getting a leg up during the slow post-Christmas period.
Three mega-stars from dance, R&B and rap have combined for one damn uplifting single. Ludacris recruited Usher and David Guetta for "Rest of My Life," a quiet-LOUD-quiet wave of "women, weed and alcohol," extolling the virtues of the wilder side of life.
Despite the declarations, this thing is fairly tame for Ludacris, who leans hard on PG-13 hip-pop lyrics, letting Usher pump up the pre-chorus and giving Guetta the floor for all of the "chorus," which is the sound of top 40 radio programmers (or is it singular, "programmer," now?) positively losing it. The song goes up on iTunes tomorrow and goes wide for adds on Nov. 19, right before Thanksgiving.
This is Ludacris doing ore pop. Do you want the rest of the record to sound that way?