LOS ANGELES - The score to Robert Redford's quiet, isolated film "All Is Lost" is, as one could expect, quiet and isolated. It's very patient output from composer and songwriter Alex Ebert, whose regular gig in the roving roots rock and psych-pop band Edward Sharpe and the Magnetic Zeros features him resembling more of a tent revival preacher, a charismatic reveler-leader of a pack 12-strong musicians plus their fervent fans.
So "All Is Lost" is a reflection of alternate abilities, or a weirder, more alienated take on Ebert's knack for headstrong melodies and executions. He's stretched out, too, before in his old project Ima Robot and as a solo act, having released one album, "Alexander," as the latter. But it's this recent film music endeavor that's earned him a Golden Globe Awards nomination, for Best Original Score.
The singer and songwriter and I met in Los Angeles during this hotly contested awards season to talk about the making of the grave "All Is Lost" soundtrack and the evolution of Edward Sharpe, among plenty of other topics like the history of cool, Heath Ledger's creative strengths, derivative works, "selling out," starving art and activism. Below is our abridged Q&A.