The first thing that struck me about Pujol's album "Kludge" is the mix and the master. The word "confrontational" comes to mind, though the music is actually a really pleasant mix, of garage, psych and '60s pop. Daniel Pujol just has a verve, a bouncy, nervous touch to his set that makes it poke through the cozy carpet.
Digging beyond that, Pujol is singular in his approach to his art, and extending entertainment into a realm of philosophical commentary, a jam-packed lyricism which sometimes reads like a social and cultural deconstruction or manifesto.
But I didn't necessarily expect that, when I first watched the music video for phenomenal single "Circles," directed by Stewart Copeland. The colorful stop-motion clip has the lead singer living out what is surely the dream of all musicians: to have q-tips go in his ears in close view of the camera, to be transformed by lizard people, to be covered in paint.