The MTV VMAs wasn't the only notable happening on Sunday night: legendary rockers The Replacements got together for the first time in 22 years to perform at Toronto's Riot Fest.
Paul Westerberg and Tommy Stinson were joined by drummer Josh Freese (nope, not Chris Mars) and guitarist David Minehan as they played a 22-song set over 75 minutes, with a little bit of banter in between.
"Hello. Sorry it took so long, for 25 years,we had a wardrobe debate. Unresolved," Westerberg began as he stood with Stinson.
"So, Robin, as the art director behind this next music video for 'Give It 2 U,' what did you have in mind?"
"Mostly I'd like to be surrounded by hundreds of beautiful, hard-working, talented college-aged women in various states of dress, while I do next to nothing at all. If we shoot it on a football field, perhaps that will give the impression that I'm athletic and that I'm desirable, because I am quite literally playing the field and committing to nothing but my avoidance of physical activity."
"Yes, if we could intermittently throw the performing troupes' names and other names and stuff in red sans serif font all up on there, it might look like art, or sarcasm."
"Great, so the university dance teams will wear their usual uniforms?"
"Well, some of them. Others will need to wear protective upper body gear, like a football player, which will guarantee maximum discomfort and the threat of literally sweating ones' boobs off. Bring in the Luxury Girls, a name I only know as phone sex workers but might also be some other thing that involves cosplay. Also, make sure there is one fawningly beautiful model who is dressed head to toe in bags and mounds of cotton candy, a guise that no reasonable, mentally healthy male would ever sustain exception for those guys in the Lonely Island. I think that Andy Samberg is so funny... but Justin Timberlake's not in that group, right?"
"No, he's not."
"Phew, seriously, that guy makes me look completely self unaware."
"What would you like 2 Chainz and Kendrick Lamar to do in your video?"
"I dunno, let 'em riff with no design of choreography and maybe one rehearsal under their belt. Give them some fourrunners and girls of their own. What do you think of 'Ass Float?' Don't answer that, I already know the answer."
"Robin, what is your child Julian up to on the day of shoot?"
"Great question, maybe I should bring him on set, dress and style him in the same way as his dear old man, with slick hair and tailored suits and no signs of maternalism except for his infantile existence and the buttresses of mammaries. That way, we can intimate an almost parody-like cycle of ladies' men begetting ladies' men whilst shattering age boundaries of sexual maturity.
"And thus the core of the 'Give It 2 U' video will be that it is very beautiful, very fun but ultimately vapid, with a couple of grossly exaggerated product placements and a hinted use of women of color as fashion accessories... so you and Miley are obviously getting along."
This week HitFix is revisiting some of the key turning points in recent entertainment history and considering what would have happened if history had turned a bit differently. What if...?
By the time Radiohead had prepared and released their October 2007 album “In Rainbows,” the band had released six albums prior. All but one reached platinum status and they’d earned three top 3 albums on The Billboard 200. Radiohead had split with their record home EMI after 2003’s “Hail to the Thief” and yet continued to dominate on tour. Various members including Thom Yorke and Jonny Greenwood had also released solo and soundtrack projects: it was prime time to realize their value as an indie, thus time for some independent thinking. The British band released their next album “In Rainbows” digitally through their own website via a “pay-what-you-want” scheme. Fans could buy for $0.00. And Radiohead announced it only 10 days ahead of time. They later sold the album by licensing it to various labels, after the world poured out critical acclaim for the pay model (oh, and for the sound of it, too).
AUSTIN - Lake Bell’s film “In A World...” – which she directed, wrote and lead acted– is laugh-out-loud funny, with what she calls a “scoop of message” on top. Leading the charge with a comedic ensemble that includes Dmitri Martin, Rob Cordry, Tig Notaro, Ken Marino, Nick Offerman, Stephanie Allynne and more, Bell outlines what is essentially a battle of the sexes.
Bell’s character Carol is a voice actor trying to make a dent in the commercial world doing voiceover gigs; Fred Melamed, who plays her father Sam in “In a World…,” is a master of the craft (both in the film and in real life). As Carol fights her way through auditions, and makes her way to the final round to utter the famed movie trailer phrase “In a world…”, she’s fights against the advisement of her father and other dude characters as the sole woman in a male monopolized industry.
But, y’know, with her voice. Or, rather, her voices.
Bell bowed the movie at the Sundance Film Festival earlier this year and it’s making its way to more markets today (Aug. 16). She’s made the rounds to promote, including some impressive late-night TV stops plus an eye-popping cover of New York Magazine, on which she poses nude. We reference both below in an abridged interview, on “In a World’s” messaging, feminism, femininity, her husband (tattoo artist Scott Campbell), Maxim, nakedness, age and sexism.
Rihanna's song "Right Now" from her last album "Unapologetic" is the soundtrack to a Budweiser commercial. No, that in itself is not big news, but the hint of things to come may be.
If you'll recall, Justin Timberlake made a very high-profile alliance with Budweiser, for their Platinum brew, which help amp up his and his single "Suit & Tie's" visibility on television. Jay Z did, as well, as he and Timberlake promoted their Legends Of Summer tour together. These were part of Bud's "Made for Music" campaign, which now includes a second spot from Rihanna since July.
"Right Now" is the seventh single off of Rihanna's "Unapologetic," but it was introduced as the single back in June. Right now (heh), we're looking down the barrel of a particularly busy autumn-into-holiday album season, with Katy Perry, Jennifer Lopez, Lady Gaga, Drake, Timberlake and other chart-toppers having announced new releases leading up to Thanksgiving.
And if there's one artist that loves the holiday shopping season, it's Rihanna (and if there's one label, it's Def Jam): Ri-Ri's last four albums have been released in either the third or fourth week of November, around those Black Friday sales, with 2009's "Rated R," 2010's "Loud," 2011's "Talk That Talk" and 2012's "Unapologetic" arriving at Nos. 4, 3, 3 and 1, respectively, on The Billboard 200 chart. See a trend?
MTV Italy wrote earlier this month that Rihanna was plotting a new album for November. MTV U.S. didn't really run with that baton, though the rumor was strongly circulated. And there may be a good reason why the network didn't pick up with it here: those MTV VMAs, Aug. 25, seemingly has every big name on board as performers. The Daft Punk "surprise" has been spoiled since the "Colbert" snafu, so maybe Rihanna may roll in, too. (Or maybe One Direction, because the boy band has a stop soon in New York to promote their forthcoming 3D film "1D: This Is Us." Brooklyn is just a subway stop away...)
Rihanna's Diamonds World Tour starts back up overseas in September and ends Oct. 8. She has no domestic dates listed in the in-betweens.
Lady Gaga's "Applause" leaked over the past weekend, more than a week earlier than the pop singer was prepared to reveal the song and its music video. So you can see why the lyric video for "Applause" looks a little rushed: it was shot in a rush, to add some traction to a leaky reveal.
Mother Monster gathered up some Little Monsters and some drag queens and hit Micky's nightclub and gay bar in West Hollywood just last night (Aug. 13), coming up with a colorfully cable-access performance for the vid. Featured is Gaga in her some of her "Applause" single cover makeup, with several performers rocking a similar look. Fans partied in close quarters with the singer and her new recruits.
After the experience, Gaga felt a calling.
"Can I PLEASE be a judge on drag race! @RuPaul I started out in these club, these women taught me how to serve!" she Tweeted today.
Watch the "Applause" lyric video below. The official "Applause" music video is still expected to arrive within the week, leading up to Gaga's performance at the MTV VMAs on Aug. 25. Her album "ARTPOP" is out Nov. 11.
Yoko Ono roped in the surviving members of the Beastie Boys for some "additional beats, programming, and other curve balls” on a remix of "Bad Dancer," marking the first time we've heard from them 'Boys since the passing of Adam Yauch.
"Bad Dancer" and another new song "Tabetai," both below, appear on a new album by Plastic Ono Band, "Take Me to the Land of Hell." The latter song features some bottle sounds and vocals from tUnE-yArDs' Merrill Garbus and basically sounds like many phrases from "Pootie Tang." Yoko sings behind the beat on the former in her typically quirky Yoko Ono way, and it definitely has a Beasties Brand on the new beats by Mike D and Ad-Rock.
Nine Inch Nails have been performing their new song "Copy of A" from "Hesitation Marks" as they've headlined at various music festivals recently. Now, there's the official studio version available for stream.
Trent Reznor has kept firm to his "no yelling" policy on "Hesitation Marks" thus far, and this song represents some of his more mellow vocals. The hollow effect on those on top of the looping sampler and itchy beat make for a happy little paranoid number, a good contrast to first single "Came Back Haunted."
"Copy of A" can be downloaded for free right now at Amazon UK. "Hesistation Marks" is out Sept. 3.
1. The Eater of Dreams
2. Copy of A
3. Came Back Haunted
4. Find My Way
5. All Time Low
9. Various Methods of Escape
11. I Would for You
12. In Two
13. While I’m Still Here
14. Black Noise
Here are Nine Inch Nails' tour dates:
08/15 - Hasselt, Belgium @ Pukkelpop
08/16 - Biddinghuizen, Holland @ Lowlands Festival
08/18 - Hockenheim, Germany @ Rock 'n' Heim
08/21 - Belfast, Northern Ireland @ Belsonic Festival
08/23 - Leeds, England @ Leeds Festival
08/24 - Paris, France @ Rock en Seine
08/25 - Reading, England @ Reading Festival
08/28 - Milan, Italy @ Mediolanum Forum
08/31 - 09/1 - Philadelphia, PA @ Made in America Festival
09/28 - St. Paul, MN @ Xcel Energy Center
09/30 - Kansas City, MO @ Sprint Center
10/01 - St. Louis, MO @ Chaifetz Arena
10/03 - Montreal, QC @ Centre Bell
10/04 - Toronto, ON @ Air Canada Centre
10/05 - Cleveland, OH @ Wolstein Center
10/07 - Auburn Hill, MI @ The Palace of Auburn Hills
10/08 - Pittsburgh, PA @ Petersen Events Center
10/11 - Boston, MA @ TD Garden
10/14 - Brooklyn, NY @ Barclays Center
10/15 - Newark, NJ @ Prudential Center
10/18 - Washington, D.C. @ Verizon Center
10/19 - University Park, PA @ Bryce Jordan Center
10/21 - Raleigh, NC @ PNC Arena
10/22 - Nashville, TN @ Bridgestone Arena
10/24 - Atlanta, GA @ Philips Arena
10/25-27 - Asheville, NC @ Mountain Oasis Electronic Music Summit
10/30 - Sunrise, FL @ BB&T Center
10/31 - Orlando, FL @ Amway Center
11/1-3 - New Orleans, LA @ Voodoo Music Experience
11/05 - San Antonio, TX @ AT&T Center
11/08 - Los Angeles, CA @ Staples Center
11/09 - Phoenix, AZ @ US Airways Center
11/11 - El Paso, TX @ Don Haskins Center
11/13 - Broomfield, CO @ 1st Bank Center
11/15 - Las Vegas, NV @ The Joint
11/16 - Las Vegas, NV @ The Joint
11/18 - Portland, OR @ Rose Garden Arena
11/19 - Spokane, WA @ Spokane Arena
11/21 - Vancouver, British Columbia @ Rogers Arena
11/22 - Seattle, WA @ KeyArena
11/24 - Edmonton, AB @ Rexall Place
11/25 - Calgary, AB @ Scotiabank Saddledome