Watch: PJ Harvey completes 'England' video project, 12 clips for 12 songs

Watch: PJ Harvey completes 'England' video project, 12 clips for 12 songs

Watch every video, including the last and latest 'All and Everyone'

I've already given my two cents about PJ Harvey's excellent "Let England Shake" album. Now it's time to revisit those songs, in video form.

Accompanying videos for all 12 of "Shake's" songs have now been released, the latest and last including "All and Everyone." Each were shot by Seamus Murphy, whose usual gig is battlefield photographer.

There's a weird serenity and slow-motion to each of the videos, with colors poking out of landscapes, creases in people's faces and blank-faced participation from Harvey and her bandmates themselves. It's was obviously a massive undertaking, with beautiful and brave results.

"Let England Shake" was released earlier this year. Watch all the videos below...

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<p>Beirut's Zach Condon</p>

Beirut's Zach Condon

Interview: Beirut sets sights on 'Bombay Beach,' new album this summer

Zach Condon on New Englander clichés and taking the ukelele more seriously

If you want a little flavor of things to come from Beirut, look West, to “Bombay Beach.”

 The film, titled after the California community of the same name, features new and old music from Beirut mastermind Zach Condon. Prior this full-length feature, the movie’s director Alma Har’el helmed several music videos, including a trio for Beirut.
 
“Bombay Beach” is a gem of a documentary, interspersed with choreographed dance number set to music – a hybrid, really, which is also an apt descriptor for the music of Beirut. Ever since Condon burst independently onto the scene in 2006, he’s combined elements of folk, banda, early pop, gypsy and Eastern European musics, carnival, big band, mariachi and more. He made it onto the map, in part, because his music is drawn from it.
 
Speaking to me from his home in Brooklyn, Condon says that Har’el wanted to collaborate because “she found the beaten-down landscape [of Bombay Beach] to fit my music quite well, and all the dreamy-eyed wandering of the people who live in the desert there.”
 
“Sometimes I’m more affected by places that I haven’t been to,” Condon says, offering that he actually never visited the impoverished former "beach” town. For instance, he credits his “wild imagination” for what he wrote on his first album, 2006’s “Gulag Orkestar,” inspired by a backpacking trip to Europe that he took in his head. Furthermore, his upbringing in New Mexico informs the sparseness and Southwesternly appeal of his previous tracks. (He did, of course, go on a trip, to Europe and then some.)
 
But now that the 25-year-old songwriter has been around the world with his subsequent albums and releases like 2007’s “The Flying Club Cup” and the Realpeople electronic sketches, he’s looking “inward” for his next, post-“Bombay” effort.

[More after the jump...]
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<p>M. Ward</p>

M. Ward

Interview: M. Ward's return to solo after She & Him, Monsters of Folk

Singer-songwriter reveals future plans with Zooey Deschanel, Carlos Forster, the lonely stage

“2010 is the year of me,” M. Ward says, calling from his homebase in Portland, Ore. “Oh, man, it’s 2011, isn’t it? I mean 2011. This is my year.”

It’s understandable why the little matter of what year it is could disorient the singer-songwriter. Ward’s last couple have included a whirlwind of releases, tours and one-offs, including two albums with Zooey Deschanel in pop-rock project She & Him, one with Monsters of Folk, soundtrack work on forthcoming film “Winnie the Pooh” and helming production for For Stars’ Carlos Forster’s solo set. The 37-year-old’s last solo set, 2009’s “Hold Time,” was a much larger-scale, band-oriented affair with guests like Grandaddy’s Jason Lytle, Deschanel, DeVotchKa’s Tom Hagerman and Lucinda Williams.
 
So, Matt Ward is due for a little “me” time.
 
Which explains, in part, why he’s plotted a series of solo shows, featuring only him and his guitar on his own songs, starting in May. First, he’ll be christening the newly redesigned Crystal Hotel in Portland with a trio of back-to-back dates, then a European stretch of dates, then opening for Monsters of Folk cohort Conor Oberst and his band Bright Eyes, then crowning things off at the Newport Folk Festival.
 
[More after the jump...]
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<p>Jennifer Lopez and friend</p>

Jennifer Lopez and friend

Watch: All Jennifer Lopez, no Lil Wayne in 'I'm Into You' music video

The 'American Idol' judge debuts her latest creation on the 'Today' show

Because this blog lately has turned into J-Lo News Central, we might as well turn our eyes to the further simplicities of the "American Idol" judge's newest musical endeavors.

Case in point, the latest video for her "I'm Into You." Not only is there next to no effort exerted for the sticky, gummy, catchy chorus, but the video concept probably took about 10 seconds to explain.

Jennifer Lopez is featured writing in the water on a sandy beach in Mexico (in an impractical swimsuit cover-up, no less). Jennifer Lopez posing like a model on some stairs. Jennifer Lopez delightfully descending the steps of Chichen Itza in the Yucatan. Here's one where she has hair like Shakira. Throw a really hot guy (who is not her husband or FEATURED RAPPER Lil Wayne) (William Levy, yowzers) into the mix.

The clip -- which debuted on NBC's "Today" show -- makes plain why the 41-year-old is People's Most Beautiful Woman Of The Year.

"But," pleaded attending executives at the development meeting, "can we please include something ethnic? Even if it's a non-sequitur, totally unnecessary and unneeded in this particular capsule?"

The other executives sat thoughtfully, drinking their diamond champagne out of manatee skulls.

"I'm Into You" is on Lopez' new "Love?", out tomorrow (May 3).

[Video after the jump...]

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<p>Big Boi</p>

Big Boi

Big Boi working on new music with Modest Mouse, Owl City

Is the Outkast rapper slapping a little Stankonia onto these efforts?

Remember how we were surmising Modest Mouse were finishing a new album, despite few murmurs of such news were emanating from their camp? Well, it seems the Northwest rockers are hard at work, and may be sonically roaming to different pastures.

Big Boi Tweeted this week that he was up to SOMETHING with frontman Isaac Brock and Co.

"Me and @mouche1 [producer Chris Carmouche] in the studio workin with Modest Mouse on their new album Turnt up ! Shout out to Issac and the crew!" Then, "Been camped out in the Lab with Modest Mouse all week, workin on the new mouse LP, coolest cats ever. Long Live The Funk."

No word if he's simply producing or contributing beats or vocals to the set.

Oh, but that's not all! The one half of Outkast has already done some time with Owl City's Adam Young. A spokesperson from Young's camp informed me that a winter recording session did, indeed, occur, and has dubbed the result as a "a quick collaboration." However, the track will not be included on Owl City's forthcoming album "All Things Bright and Beautiful," due June 14. Also, the source also said she was "not sure what's coming
of it."


 

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<p>Eminem</p>

Eminem

Listen: Eminem and Royce Da 5'9" on living life in the 'Fast Lane'

A verbal tractor-trailer: Look out Nicki Minaj

Eminem and his bestie/former feuder Royce Da 5'9" recently announced a reunion of sorts for a new EP due in June; today, there's a taste of things to come.

The boys put the "pedal to the metal" for "Fast Lane," and there's a slew of metaphor, hackneyed and not. Along with the usual expectations on Em's end for rhymes on sucking d*ck and decapition, there's the sexy, sexy coo of "I hope I don't sound too heinous when I say this / but Nicki Minaj: I want to stick my penis in your anus."

I was about to launch into a feminist digression, on how the threat/come-on of anal sex to a female MC from one of rap's mainstays is hardly a backwards (no pun intended) compliment but a boys' club threat, the penance for entry into the male-driven industry is to invite a distillation of talent into a mere sexual object. Even for a pair of rappers who clearly have a mutual appreciation, and have collaborated extenstively before, even a joke-stripping of a woman publicly is to strip her of her power, blah blah. But then again: this is not new territory for Marshall Mathers or, rather, Slim Shady. This is to be expected. It's, again, like a nitrous-masked Dennis Hopper crouched on the floor, shouting into a vagina. I look forward to Minaj's "Roman-tic" response.

Meanwhile: "My natural persona's much worse," starts Royce, before his own collection of gross references, in hanging by one's balls from a unicorn horn, lighting cigarettes with one's assh*le and the "snatch of a fat dyke." He toys a lot with a number of crazy cadences while Mathers stays in the higher Shady register.

This, all on top of a dense thumping beat and a horns section from deep within your "Inception"-bound dreams.

"Bad Meets Evil" is out on June 14 on Em's Shady Interscope imprint. It's the first major collaboration between the two since 1999.

Do you like the track?


[RapRadar]

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<p>The Swell Season in &quot;The Swell Season&quot;</p>

The Swell Season in "The Swell Season"

Interview: Swell Season doc filmmakers on making an epilogue to 'Once'

Tribeca Film Fest pic delves into Glen Hansard, Marketa Irglova and breaking up

What happens to the real lives of two artists after they earn an Academy Award for their fictional love story? What happens to their very real, non-fictional relationship?

“The Swell Season,” the documentary that made its Tribeca Film Festival premiere last week, is the epilogue to Oscar-winning “Once,” which in its way parses the truth and fiction of Glen Hansard and Marketa Irglova for the duo’s fans. Over three years, directors Nick August-Perna, Chris Dapkins and Carlo Mirabella-Davis filmed the Swell Season as they promoted the soundtrack music and newer album “Strict Joy.”
 
The stint was not just a glimpse into the inner-workings of a band propelled into an internationally acclaimed limelight, but a creation -- then degeneration -- of a romance that sprung from the pair’s close-quartered artistry. Between loving conversations with Hansard’s sweet Irish mother, the quiet fights between steady-spirited Irglova and strong-headed Hansard, the drinking, sound-checks and long nature shots, there’s the music that captured the inner-romantic of everyone who was charmed by “Once.” Hundreds of hours of footage was pared down to quiet essentials, sometimes soundly expressed in a lonesome solo performance or a loud clash of The Frames frontman’s yowl.
 
[More after the jump...]
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<p>Morgan Spurlock</p>

Morgan Spurlock

Interview: Morgan Spurlock on 'Greatest Movie,' Lady Gaga, Comic-Con doc

The director's ugly jacket, his next project and advertising detox

After starting at Sundance, then to SXSW, then this week’s limited release, Morgan Spurlock is ready to go global with his message movie “POM Wonderful Presents The Greatest Movie Ever Sold.” 

The director treads a delightfully thin line between “selling-out” in order to make a point about advertising saturation and simply selling-out, in his movie and in his promotional life. As for the latter, over the last 31 days, he’s bopped from city to city screening the film and fielding questions about his art; God knows, by now, he’s one hell of a pitch man.
 
Yesterday, during the Greatest Day Ever junket in POM Wonderful Presents The Greatest Movie Ever Sold, Penn. (yes, that’s the name of the town), the “Super Size Me” director had a few minutes to spare from his continuous brand and film hocking to answer a few questions about the flick. At heart, Spurlock is trying to reveal the backstage, offsite goings-on in the entertainment industry that places products in our favorite TV shows and movies.
 
The end of that story, though, is yet to be seen: will people remember the paying sponsors of the film more than they will its message?
 
On top of his contractual duties to promote the living hell out of “Greatest,” Spurlock is dead in the middle of working on another film. “Comic-Con, Episode 4: A Fan’s Hope,” another documentary, is in the editing stage right now, and Spurlock says he’s hoping to have some material ready to show at this year’s convention in San Diego. “It’s right up their alley,” he says of the movie translating to its subject and fans.
 
Imagine the mustachioed filmmakers wearing a garish – but fitted! – logo-laden jacket, his “formal wear,” in the following abridged Q&A...
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Listen: Lady Gaga-penned Jennifer Lopez track 'Hypnotico' leaks

Listen: Lady Gaga-penned Jennifer Lopez track 'Hypnotico' leaks

How does it compare to 'On the Floor?'

One of two Lady Gaga-penned tracks from Jennifer Lopez' forthcoming "Love?" album has leaked, and it follows a similar formula that has put the singer back on the charts.

The unchangable RedOne produces on "Hypnotico," the refrain to which bounds and one-notes it just as the chorus to Lopez' "On the Floor" does. Since it seems Lady Gaga has gone a headier route with her new album, it's not a surprise that "Hypnotico" wasn't reserved for her own set: the simplicity is astounding.

Lyrics like "sunburned baby / hurts like crazy," "we're just some silly heartbreakers tonight" and rhyming "yum yum" with "some some" won't get this song very good scores on the SAT. In fact, it seems that Lopez goes out of her way to sing with a little-girl inflection to her 41-year-old pipes. But it comes off youthful, upbeat, and a little lighter than the single and her island-inflected collaboration with Lil Wayne, "I'm Into You."

In the same day that Gaga's "Judas" drops like a rock from the Hot 100, one of her own creations gets another start elsewhere. Not sure I feel strongly enough for it to make common rotation, but "On the Floor" is a hard act to follow...

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<p>Morgan Spurlock</p>

Morgan Spurlock

Credit: AP Photo

Greatest Day Ever: Spurlock's 'Greatest Movie Ever Sold' goes to town

A blow-by-blow commentary on Morgan Spurlock renaming of a city, plus snacks

Documentarian Morgan Spurlock hosted a traditional premiere of his latest film "POM Wonderful Presents The Greatest Movie Ever Sold" last week in Los Angeles. On Wednesday, it made its East Coast debut in a city that built its name around the title's success: POM Wonderful Presents The Greatest Movie Ever Sold, Penn.

 The Central Pennsylvanian town of Altoona, Penn., agreed to rename its city for 60 days to the tune of $25,000, and for the sake of Spurlock's point. The Sundance-selected film argues that everything these days -- from sacred institutions to urinal cakes -- is up for sale to advertisers. Hollywood has been saturated by product placements, schools are willing to backbend in order to make up for budget shortfalls and companies are willing to drop top dollar for sponsoring A-list talent if it means an edge over the competition.
 
Spurlock managed to make a film about sponsorship and advertising based solely on a budget generated by sponsorship and advertising, with companies like Jet Blue, Hyatt, Penn.-based convenience store chain Sheetz, Ban and POM paying up to $1 million for a piece of the pie.
 
And if an American city is willing to allow its name to be similarly co-opted by a corporation, who is to stop them except its consumers -- er -- citizens?
 
This week, the "Super Size Me" filmmaker -- in concert with the film's sponsors -- brought publicists and media in New York to visit Altoona during the historic ceremony, to see the sights, devour the brands and watch the East Coast premiere in what they described as "the Greatest Day Ever." Below, I give a general blow-by-blow of what occurred, from arrival to the bitter, snacky end. And of course we flew Jet Blue. Of course.
 
[Journey starts after the jump...]
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