If you want a little flavor of things to come from Beirut, look West, to “Bombay Beach.”
The film, titled after the California community of the same name, features new and old music from Beirut mastermind Zach Condon. Prior this full-length feature, the movie’s director Alma Har’el helmed several music videos, including a trio for Beirut.
“Bombay Beach” is a gem of a documentary, interspersed with choreographed dance number set to music – a hybrid, really, which is also an apt descriptor for the music of Beirut. Ever since Condon burst independently onto the scene in 2006, he’s combined elements of folk, banda, early pop, gypsy and Eastern European musics, carnival, big band, mariachi and more. He made it onto the map, in part, because his music is drawn from it.
Speaking to me from his home in Brooklyn, Condon says that Har’el wanted to collaborate because “she found the beaten-down landscape [of Bombay Beach] to fit my music quite well, and all the dreamy-eyed wandering of the people who live in the desert there.”
“Sometimes I’m more affected by places that I haven’t been to,” Condon says, offering that he actually never visited the impoverished former "beach” town. For instance, he credits his “wild imagination” for what he wrote on his first album, 2006’s “Gulag Orkestar,” inspired by a backpacking trip to Europe that he took in his head. Furthermore, his upbringing in New Mexico informs the sparseness and Southwesternly appeal of his previous tracks. (He did, of course, go on a trip, to Europe and then some.)
But now that the 25-year-old songwriter has been around the world with his subsequent albums and releases like 2007’s “The Flying Club Cup” and the Realpeople electronic sketches, he’s looking “inward” for his next, post-“Bombay” effort.
[More after the jump...]