Rock act headlining MusicNow fest in Ohio
We're used to seeing John Slattery as a sad lovesick fool, but this time his powerful muse if one of presidential proportions.
The National have released the music video to "Conversation 16," culled from their 2010 album "High Violet"; the group even has a place in the clip, but much of the focus is on "President of the U.S." Kristen Schaal, Slattery on security detail and "Russian" leader James Urbaniak.
What surfaces are misty water-colored memories of Ms. President and Slattery's love affair, a executive branch thong, love letters with wax and staples and a nearly missed pardon for a Thanksgiving turkey. The "Mad Men" actor has a moment where he's forced to play dress-up, similar to a situation his TV character had at Cooper and Price involving a Santa Suit.
The clip was directed by Scott Jacobson, and the concept arose from an alcohol fueled chat with the comedienne.
[More after the jump...]
'I Am Very Far' due in May
Okkervil River are returning with their sixth full-length "I Am Very Far" for longtime home Jagjaguwar, and, at least with the case of newly unleashed "Wake and Be Fine," the thing's starting with a bang.
Will Sheff's sounding unhinged (in the good way) on the track, available now for download via the rock band's website for the price of
your black heart your email address. It reminds me of Cursive frontman's Tim Kasher's fleshy and well-arranged solo projects, and even a little bit of the daunting growl that Conor Oberst used to nurture in his earlier years.
I don't know why such a Saddle Creek blaze was set in my head about it, but maybe it has to do with the start and stop manner in which "I Am Very Far" was recorded: Sheff "opted for a series of short, high-intensity sessions with a larger band in various studios. Sessions would, at times, find over a dozen musicians performing live in a single room." He apparently had a little fun throwing file cabinets around and recording that, too.
So pay attention to the percussion on "Wake and Be Fine, blaring in tandem with aux instruments like piano and a full horns section. This is a lush set, but it plays at 11 almost the whole time. Very freeing.
"I Am Very Far" is due May 10, with tracklist below.
The band has also announced extensive and some surprisingly big stops on tour, with killer openers like Titus Andronicus and Julianna Barwick.
[Check out the tracklist and tour dates after the jump...]
Old Crow Medicine Show all aboard for vintage train tour through the South and Southwest
The current No. 2 Billboard 200 champs Mumford & Sons have hooked up with what I think is a perfect one-two combo of touring partners -- Edward Sharpe & The Magnetic Zeros and Old Crow Medicine Show -- for the world's most adorable little tour ever (of today.)
The three acts are all aboard for the Railroad Revival Tour, which has them traveling through the South and Southwest on a 1,500-foot train in vintage railcars. Granted, they won't be performing their (public) shows on there, but will be stopping off at "unique outdoor locations" like parks, train stations and the Arizona Railway Museum.
Each are promised equal billing and performance time, and you can bet your silver dollar there will be collaborations galore. Meanwhile, as the group lives on the train for a week, a documentary will be shot on the experience.
Tickets go up for the six stops tomorrow (March 9) at 12 p.m. EST exclusively through the Railroad Revival Tour website. Buyers will get a special-lookin' ticket and access to live recordings from the tour.
The saddest part of the world's most adorable mobile show is that its in so few stop-offs. But say what you will about Mumford or about Edward Sharpe & The Magnetic Zeros' frontman's solo effort, this run will have more energy than FIFA.
[Dates after the jump...]
Rapper suggests: Hug your dog today
Getting all Rihanna on the desert genre
Hey, do you wanna feel old today? Yeah, because Willow Smith was born in the year 2000. That's right. Put that cigarette down, stop drinking coffee.
And her year of birth may have a little to do with why her new single "21st Century girl" came into existence, and there's some video to prove it.
The Def Jam signee and Will Smith's prodigy endeavors into the desert genre of music video-making with the track. She rises from the ground after a bit of witchcraft transforms her into a fashion abomination and rocks the f out. You can tell she's rocking because she "plays" a guitar for about two seconds. Her little friends come out to play and build a city in the abyss of sand and then they dance on top of cars and stuff.
Animal Collective, Fleet Foxes, TVOTR, Dismemberment Plan and more
Pitchfork’s Music Festival is back this summer, and the initial lineup has been announced, with headliners including Animal Collective, Fleet Foxes, TV on the Radio and the reunited Dismemberment Plan.
PFMF (nobody calls it that, but I will) runs Jul 15-17 in Chicago’s Union Park, same as 2010. Tickets go on sale, well, now (1 p.m. EST) for three-day passes and single day, which fans should note: this puppy sold out FAST last year, and that was before event the full schedule was out.
Other acts include HitFix faves Cut Copy, Deerhunter, Ariel Pink’s Haunted Graffiti, Destroyer and all of indie’s favorite fellated object James Blake.
Out of morbid curiousity, I did some searches.
Animal Collective’s last three albums were given a 9.6, 9.3 and 9.0 on the site.
Fleet Foxes’ sole full-length Sub Pop release, the self-titled 2008 set, got a 9.0.
TV on the Radio: 9.2, 9.1 and 7.8 (!!). (The band’s most-superior EP “Young Liars” back in 2003 got a 8.9, phew.)
Dismemberment Plan’s “Emergency & I” reissue got a brain-melting 10.0, curiously after a reviewer famously issued a great big goose-egg to its frontman Travis Morrison’s solo effort in 2004.
By and large, the other acts that aren’t these headlining names have lower average scores on the whole.
I don’t think I have conclusions about this, though it does draw my attention back to an excellent interview Jim DeRogatis did with Pitchfork founder Ryan Schreiber, about the integrity of the site and music criticism in accordance with its entertainment offshoots.
Q. Wait a minute, Ryan: Pitchfork has gotten to a position over the last 12 years where it has a lot of power now; I think you’re aware of that, and you and I have talked about that before. If Pitchfork champions a band, that 9.4 rating means something -- it means a lot. Now, what band is going to deny you the right to videotape them and show that content for free on Pitchfork.tv if it’s worried about not getting a good review on the Web site? What band is going to say no to playing the festival, even if it has a better offer somewhere else, and what band is going to reject letting you include them on a videogame soundtrack?
A. I don’t know; I guess there are potential… You can see potential conflicts of interest in a lot of different things. Any time one kind of company starts another kind of company or something like that, there is always this sort of potential for it being a slippery slope. I mean, I have a lot of faith in our integrity to sort of not necessarily succumb to any of that kind of stuff. Like I always say, we’re very honest and straightforward about the way that we approach things, and we try to be very above the table about anything like that. I guess people can read into it… If you wanted to read into it like that, I supposed there are always things people could find…
Q. O.K. But what if Animal Collective was a headliner of the Pitchfork Music Festival, and they said, “No, we don’t want you to film any of our concerts.” And whoever was chosen to review their next EP gave it a 1 out of 10 on your rating scale. Would you have any problem with those three things overlapping?
A. I mean, they would have to be completely… Two of those things would never occur as a result of one or the other. You know? Because again, as I said, it’s very separate. People are always going to try and theorize about these things. But the fact is we do take these things into account and everything that is up on our site is very genuinely sincere. You can use the same argument for, “If X record label doesn’t advertise and suddenly you give their records a 0” -- that’s the same thing. It’s a matter of just defining things and separating things from one another so that they don’t interfere.
Organizers of the festival seem to maintain the event’s independence, and Pitchfork doesn’t exactly issue number ratings for live shows. Plus, availability factors in, and the fest is still curating to the site’s readers’ interest.
So maybe the fest curators have the same opinion of those artists as the site's curators do. And it could be that it’s a little bit of the kingmaking echo chamber, that the headlining bands are the best bands because their albums are better than others’ because we say so.
I haven’t been to Pitchfork yet, and I hear it’s a blast and somewhat up my alley. It will sell out, and the promise alone of Odd Future and Das Racist antics may be enough. With names still left to be revealed, I give it a
6.4 9.1 7.8.
Watch out for this triceratops, B.o.B. and Bruno Mars: vomit and nooses
And look at that. A couple days after we deigned to discuss the present and future of rapey rap troupe Odd Future, crew leader Tyler The Creator's ears must've been burning, and the music video to his solo track "Yonkers" showed up in the ol' inbox.
And that's not the only thing on fire. The rhyme, featured on his forthcoming "Goblin" in April from XL, is gonna sting for a few.
Do take this as a warning: the rap is NSFW and the video ain't either.
But do catch how easily those verses trickle out, that hard-paced venom that no radio edit was built for. Dropping Fishbone, and then threatening the very lives (and not just livelihoods) of B.o.B. and Bruno Mars, all the while he's eating a cockroach and hangs himself.
As implied by the original piece, the heady style (but not necessarily its content) from Tyler is just my kind of crazy, and it's easy to see why his may be one of the most anticipated solo rap efforts this year. His mixtape "Bastard" may more than a few friends' year-end 2010 lists.
What say you?
Sign up: Rock act offers free live downloads up until new track release
Green screen magic, lasagna and candy apples, with blazing Cory Gunz
Tunechi has unleashed his clip to his Harry Belafonte-sampling single "6 Foot 7 foot," and it's torn a couple pages from Christopher Nolan's blockbuster "Inception." Besides that an a prominent product placement, it's mostly hot girls in shiny dresses, a plate of lasagna, a female dog, an invisi-podium, Weezy and Cory Gunz clones and a candy apple.
It's fun to see Gunz put his up.
The music video was helmed by a very busy Hype Williams, who directed last week's Kanye West "All of the Lights" featuring Rihanna and Kid Cudi.
"6 Foot 7 Foot" will be on "Tha Carter 4," which will apparently drop this spring sometime. When will they get around to it?
[Video after the jump...]
Adam Levine from Maroon 5, Tegan and Sara and other famous friends help on clip
In the future, "Internet Classics" will be taught as an entry-level college class: YouTube history, its various successful styles and flops will be on the syllabus.
Sara Bareilles' video for "Uncharted" may not be great enough to make the schdeule, but it's viral, crowd-sourced style certainly will be on there. Only instead of plucking out her most enthusiastic fans (read: unfamous), she's gone with some big names for the clip.
Josh Groban, Pharrell, Ben Folds, Maroon's Adam Levine, Tegan and Sara, a very sleepy Jennifer Nettles and others show up to give us a history lesson, eat a banana and flounder around under water. Lip-syncing sensation Keenan Cahill shows how the pros do it. Ryan Tedder appears to remind us how cute he is.
And like Scar-Jo said in "Lost in Translation," girls have a particular affinity to shooting their feet when it comes to photography (and, apparently, in video): the singer-songwriter herself has artful shots in black and white throughout.
It's all very dorky, but glad that everyone played teh game. After Groban's TV theme-song mashup at the Emmys in 2008, he's continually endeared himself... and will help that meme into that Internet Classic class.
[Video after the jump...]