There’s always at least one facepalm moment amid the craft award presentations on Oscar night, and the 2002 ceremony’s biggest one came when Dante Ferretti’s jaw-dropping, from-scratch studio recreation of 19th-century Lower Manhattan, complete with waterfront, lost out to some nicely dressed stages from “Chicago.” Never mind. This big-thinking director-designer collaboration was rewarded two years later for handsome work on Scorsese’s “The Aviator” (and will likely strike gold again for “Hugo”), but this lavish, richly-textured Cinecittà-based mini-city is still Ferretti’s magnum opus.