Pilar spends her first years of retirement trying to straigh ten up the world and dealing with other people&rsquo\;s guilt\, an increasi ngly frustrating task these days. She takes part in peace vigils\, collabor ates with Catholic charities\, wants to lodge young Polish girls coming to Lisbon on a Taizé\; ecumenical meeting and constantly hangs up and ta kes down an ugly painting made by a friend so as not to offend his feelings should it not be in view when he comes to visit.
\nShe is mostly tr oubled by her neighbor Aurora&rsquo\;s loneliness\, a temperamental and ecc entric octogenarian who escapes to the casino whenever she has any money on her. She talks constantly about her daughter who seems to not want to see her\, has hangovers from anti-depressants and suspects her Cape-Verdean mai d Santa is wickedly practicing voodoo against her. We know little of Santa\ , who is sparse with her words\, follows orders and thinks that everyone sh ould mind their own business. She goes to adult literacy classes and practi ces at night by reading a young reader&rsquo\;s edition of "\;Robinson Crusoe"\; stretched out on her boss&rsquo\;s couch while smoking cigare ttes. Before dying\, Aurora will make a mysterious request and the other tw o join efforts to accomplish it. She wants to meet a man\, Gian Luca Ventur a\, someone nobody knew existed until then. Pilar and Santa will find that he does exist but are informed he is no longer sane. Ventura has a secret p act with Aurora and a story to tell\; a story that occurred fifty years ago \, shortly before the beginning of the Portuguese colonial war. It starts l ike this: &ldquo\;Aurora had a farm in Africa at the foothill of Mount Tabu &hellip\;&rdquo\;
DTSTART:20121226T140000 END:VEVENT END:VCALENDAR