307 search results for Taking Shelter
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Includes:Detour (1946) Fear in the Night (1947) The Amazing Mr. X (1948) Impact (1949) Suddenly (1954), MPAA Rating: NR The Man With the Golden Arm (1955) Detour Edgar G. Ulmer's Detour begins when hitchhiker Al Roberts (Tom Neal) accepts a ride from affable gambler Charles Haskell Jr. (Edmund MacDonald). When Haskell suffers a fatal heart attack, Roberts, afraid that he'll be accused of murder, disposes of the body, takes the man's clothes and wallet, and begins driving the car himself. He picks up beautiful but sullen Vera (Ann Savage), who suddenly breaks the silence by asking, "What did you do with the body?" It turns out that Vera had earlier accepted a ride from Haskell and has immediately spotted Roberts as a ringer. Holding the threat of summoning the police over his head, Vera forces Roberts to continue his pose so that he can collect a legacy from Haskell's millionaire father, who hasn't seen his son in years. ~ Hal Erickson, All Movie Guide Fear in the Night One of several low-budget mellers directed by scriptwriter Maxwell Shane, Fear in the Night was based on the short story Nightmare by William Irish (pseudonym for Cornell Woolrich). In his first starring role, DeForest Kelley plays Vince Grayson, a young man who has a terrible nightmare wherein he sees himself killing someone. When he awakens, Vince finds a couple of pieces of evidence indicating that his dream was no dream. Detective Cliff Herlihy (Paul Kelly) doesn't believe that Vince has killed anyone, but agrees to investigate. While taking shelter from a storm in a remote mansion, the detective and the young man stumble upon a mirrored room -- just like the one in Vince's dream. The frenzied Vince is nearly driven to suicide, but Detective Herlihy deduces that his friend's nightmare was the handiwork of Lewis Belnap (Robert Emmett Keane), the mansion's owner, who is a dabbler in hypnosis. Fear in the Night was remade in 1956 as Nightmare, with Kevin McCarthy and Edward G. Robinson. ~ Hal Erickson, All Movie Guide The Amazing Mr. X Also known as The Amazing Mr. X, The Spiritualist stars Turhan Bey as the title character, a mysterious mystic named Alexis. Making a comfortable living by fleecing the gullible wealthy, Alexis' latest target is grieving young widow Christine Faber (Lynn Bari). Hoping to communicate with her husband, who supposedly died in a car crash two years earlier, Christine submits to Alexis' crystal-ball act. Our hero finds out more than he bargained for when the "deceased" Mr. Faber (Donald Curtis) turns up very much alive as the central figure in an elaborate fraud scheme. ~ Hal Erickson, All Movie Guide Impact Though he doesn't know it at first, industrialist Walter Williams (Brian Donlevy) shouldn't trust his wife Irene (Helen Walker) any farther than he can throw her. Irene schemes with her lover Jim Torrance (Tony Barrett) to kill Walter in an "accidental" car crash. The plan fails, and it is Jim who is killed. When it develops that he is assumed to have also died in the accident, Walter changes his name and heads to a small town where no one knows him. Here he starts life all over again as a humble garage mechanic, falling in love with his boss Marsha Peters (Ella Raines) in the process. Disaster looms when detective Quincy (Charles Coburn) comes sniffing around; it seems that Lt. Quincy suspects the incognito Williams of murdering Torrance. To reveal any more would be giving the game away. Impact co-stars longtime favorite Anna May Wong, making her first screen appearance since 1942. ~ Hal Erickson, All Movie Guide Suddenly Suddenly is the name of the small town invaded by professional assassin Frank Sinatra and his henchmen. Taking a local family hostage, Sinatra sets up a vigil at the second-story window of the family's home. From here, he intends to kill the President of the United States when the latter makes a whistle-stop visit. The film's tension level is enough to induce goose pimples from first scene to last. Si
Includes:White Comanche (1967) E Dio disse a Caino (1969) Mio Nome Ãˆ Shanghai Joe (1972) Four of the Apocalypse (1975) Keoma (1976) White Comanche In this film, the twin sons of a white man and an Indian woman must struggle to overcome both their sibling rivalry and their conflicting identities. ~ Iotis Erlewine, All Movie Guide E Dio disse a Caino Don't let the title mislead you, this film doesn't come from the Bible Belt; it's actually a western where a trigger-happy quickdraw guy has to draw upon all his talent just to stay alive. ~ All Movie Guide Mio Nome Ãˆ Shanghai Joe Director Mario Caiano, best known for the gorgeous horror film Amanti d'Oltretomba, made eleven Westerns in his career, but none as strange as this one. Perhaps it might help some to recall that the TV-series Kung Fu was enjoying great popularity at around the same time employing a similar East-meets-West theme. This film is much more grim and bloody, however, as it tells the tale of a Chinese man (Chen Lee) who travels to San Francisco in 1882. Looking for a better life, all he finds is scum -- racists, perverts, slavers, greedy conmen and mercenaries. Naturally, the gentle mystic must fight to find inner peace. Lee's major weapon -- aside from knives and lethal yo-yos -- is a devastating punch that rams all the way through his opponents' bodies. But that isn't the half of it. A cardshark gets his eyes gouged out in revolting detail, people are beaten to bloody pulp, and the villain of the piece (Klaus Kinski in a fascinating performance) is Scalper Jack, a mincing, sadistic bounty-hunter who tortures and skins his victims alive. A depressing and violent film, this exercise in bloodletting is powerful stuff and well-acted by a veteran cast including Giacomo Rossi Stuart, Claudio Undari and Gordon Mitchell, who also appeared in Caiano's Erik IL Vichingo. Adalberto Albertini made an unfortunate comic sequel the following year with Kinski (in a different role) and Lee. ~ Robert Firsching, All Movie Guide Four of the Apocalypse A vain gambler (Fabio Testi), a pregnant prostitute (Lynne Frederick), a bumbling alcoholic (Michael J. Pollard) and a man who claims to see ghosts (Harry Baird) become unlikely traveling companions in this unusual spaghetti Western from notorious Italian horror director Lucio Fulci. The only survivors of a frontier-town massacre staged to rid the once-lawful town of its overpowering criminal element, the quartet ride the Western trail in a last-ditch bid to reach the next populated area and get back on their feet. Soon drawing the attention of a trigger-happy bandit named Chaco (Tomas Milian), the four cautiously accept him into the fold when Chaco displays a remarkable talent for hunting. When their newfound friend tortures the foursome and leaves them for dead after feeding them hallucinogens, the remaining survivors' desperate bid for survival leads them to take shelter in a ramshackle mining town inhabited only by men of questionable honor. As the birth of her child draws closer, prostitute Bunny (Frederick) looks to suave gambler Stubby (Testi) for the love and support to bring her child into the world. Though the men of the town reluctantly band together to aid Bunny in the birth of her baby, Stubby finds himself torn between the prospect of fatherhood and his unquenchable thirst for revenge against the supremely evil Chaco. ~ Jason Buchanan, All Movie Guide Keoma Half-breed Keoma (Franco Nero) returns to his border hometown after service in the Civil War and finds it under the control of Caldwell (Donald O'Brien), an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma's three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers' grip on the town, Keoma partners with his father's former ranch hand (Woody Strode) to exact violent revenge. ~ Paul Gaita, All Movie Guide
Includes - The Thing (1982), MPAA Rating: R Prince of Darkness (1987), MPAA Rating: R They Live (1988), MPAA Rating: R Village of the Damned (1995), MPAA Rating: R The Thing John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, All Movie Guide Prince of Darkness Proving that you can never guess what you'll find when you clean out the basement, a man of the cloth discovers that ultimate evil has made a hiding place in his cellar in this tale of terror. Father Loomis (Donald Pleasance) is a priest who discovers a strange object in a church basement -- a canister filled with a swirling and volatile green substance. With the help of Professor Birack (Victor Wong), Loomis discovers the startling truth about his find -- it seems that Satan, who is actually an alien life form, had a son, and the essence of the devil's spawn is trapped inside the canister. The evil spirit has been guarded by a group calling themselves "The Brotherhood of Sleep," but the spirit has the ability to free itself whenever it decides the time is right...and it seems that time is just around the corner. Prince of Darkness was directed by horror master John Carpenter; he also wrote the screenplay under the pseudonym Martin Quatermass. ~ Mark Deming, All Movie Guide They Live John Carpenter wrote and directed this science fiction thriller about a group of aliens who try to take over the world by disguising themselves as Young Republicans. Wrestler Roddy Piper stars as John Nada, a drifted who makes his way into an immense encampment for the homeless. There he stumbles upon a conspiracy concerning aliens who have hypnotized the populace through subliminal messages transmitted through television, magazines, posters, and movies. When Nada looks through special Ray-Bans developed by the resistance leaders, the aliens lose their clean-cut "Dan Quayle" looks and resemble crusty-looking reptiles. N
With rumors flying that Wonder Woman will be joining her superhero brethren i...
A music producer needs to change his life in this Bollywood film.