229 search results for S.O.B.
We 're exhausted from looking back, and we're only halfway through
How satisfying was it for him to finish slightly ahead of brother Aras?
Can Zoe save the witches from a deadly enemy?
Star divulge what to expect from the former-ISIS agents
Featuring the single, "polymers are forever"
Bela Tarr's final film opens today in New York.
Includes:Goodyear TV Playhouse: Marty (1953) No Time for Sergeants (1955) A Wind from the South (1955) Kraft Television Theatre: Patterns (1955) Bang the Drum Slowly (1956) Requiem for a Heavyweight (1956) Playhouse 90: The Comedian (1957) Playhouse 90: Days of Wine and Roses (1958) Goodyear TV Playhouse: Marty Not the 1955 film, but a television version filmed two years earlier, Marty is the story of a lonely New York man (Rod Steiger) who finds solace with an equally introverted woman. ~ John Bush, All Movie Guide No Time for Sergeants This slapstick comedy was originally performed on live television and chronicles the exploits of Georgia hayseed Will Stockdale, after he is inducted into the army. Mayhem ensues as he tries to adjust to the sophisticated ways of military life. ~ Sandra Brennan, All Movie Guide A Wind from the South No synopsis available. Kraft Television Theatre: Patterns No synopsis available. Bang the Drum Slowly First published in early 1956, Mark Harris's baseball novel Bang the Drum Slowly was swiftly adapted for television; on September 24, 1956, a streamlined 60-minute version of the Harris novel was telecast live on The US Steel Hour. Paul Newman plays Henry Wiggen, a slang-happy, unabashedly self-promotional pitcher for the fictional New York Mammoths. Wiggen spends a great deal of his free time protecting his dimwitted roomate, catcher Bruce Pearson (Albert Salmi), from being dropped from the team. It's not that Henry is overly fond of Bruce; it's simply that he knows (but the rest of the team doesn't) that Bruce is dying of Hodgkin's disease. This TV adaptation remains faithful to the first-person singular style of the novel by having Henry periodically step "out" of the drama to address the audience: this device is most effective at the finale when, after tearfully recalling the "ragging" he often gave his now-deceased teammate, Henry sobs "From here on, I rag nobody." A very young George Peppard appears as Piney Woods, the country-boy ballplayer who sings the ballad from which the drama's title is derived. A kinescoped version of Bang the Drum Slowly was included in the 1981 PBS anthology The Golden Age of Television. Harris' novel was later adapted into a 1973 theatrical feature, starring Michael Moriarty as Henry and Robert De Niro as the "doom-ded" Bruce. ~ Hal Erickson, All Movie Guide Requiem for a Heavyweight Harlan "Mountain" McClintock (Jack Palance) has been a professional boxer for 14 years. He's been in the ring for over 110 bouts and was once ranked number five among the world's heavyweight fighters, but age and the physical punishment of his sport have taken their toll. Now McClintock is growing too old to fight but he lacks the money to retire gracefully, as his manager Maish (Keenan Wynn) suggests he start fighting crooked or switch to professional wrestling. Ed Wynn co-stars as McClintock's corner man, and Kim Hunter plays a sweet but naÃ¯ve social worker. Requiem for a Heavyweight was a television drama written by Rod Serling and originally broadcast in 1956; the story was later remade as a feature film starring Anthony Quinn. ~ Mark Deming, All Movie Guide Playhouse 90: The Comedian Rod Serling wasn't telling whom he based the leading character of his TV play The Comedian upon, but sharp-eyed viewers could detect traces of everyone from Milton Berle to Red Buttons. Mickey Rooney stars as a top-rated television comedian who is all love-and-kisses when before the cameras but a flaming mass of vitriol towards his coworkers. Rooney's beleaguered head writer Edmond O'Brien worries that he's on the verge of being fired, so he steals an old piece of material from a long-dead comic for Rooney's opening monologue. Meanwhile, Rooney's brother Mel Torme, fed up with being the public butt of the comedian's jokes, is goaded into an on-camera revenge. Throwing out his original intention of having the vicious Rooney get his comeuppance, Serling ends The Comedian with Rooney stil
Klaus and company begins stirring up chaos in New Orleans
Silas isn't the only one who isn't telling the truth
Simon and Paulina face tough decisions